This is a post I would have liked to ponder over a bit longer, but The Wife is very sweetly asking me to jot down my list of favorites right now. She’s out-of-order! You’re all out-of-order!
That said, here we go:
I love westerns. This may be the best ever made and it’s Duke Wayne’s finest performance. My director idol, John Ford, said of his masterpiece, “It’ll do”.
Everyone’s go-to movie easily could be number one. I remember chatting with Julius Epstein, one of the co-screenwriters, who told me how crazy it was on the set with revised scripts rushed in every day as they set up shots.
Epstein said Bogie was never fazed and usually nailed his lines on the first take. Director Michael Curtiz, on the other hand, was very “upset”, according to Epstein.
The Best Years of our Lives
Wonderful film but, admittedly, a sentimental choice here. The very FIRST film I ever saw at a movie theatre.
It was 1946. My Dad had just returned from the war. He was dressed in his uniform. He seemed ten feet tall and very heroic. The theme of the movie, GI’s trying to cope with post-war life, is timeless. Little did I know that it would be an issue in my family.
Another great western. I saw it numerous times when it opened in 1960. I know all the lines.
The cast of then relatively unknown actors was terrific. Steve McQueen was my movie hero — next to Duke Wayne. I even tried to dress like McQueen. Didn’t quite work out. Years later, I had a sit down chat with James Coburn who related how wild things were during the shooting of “Seven”. He told me how McQueen used to drive the nominal star, Yul Brynner, crazy with upstaging bits of business. Charles Bronson was described as “one very quiet and strange dude”. Coburn admitted everyone was sneaking in “bits” trying to outdo each other.
The Great Escape
Think “The Magnificent Seven” as a World War two prison escape war movie instead of a western. James Coburn said he marvelled at how director John Sturges kept control of the “boys”, including several of the “Magnificent Seven” cast members.
I’d be remiss if I didn’t single out Elmer Bernstein’s distinctive musical score in both films. Those scores or “themes” would achieve their own celebrity over the years.
I’ve always loved this one!! The cast, acting, dialogue, and script are superb. It’s about the theatre world. But anyone who’s had a professional life in the public eye can relate to the characters and the plot. Bette Davis was at the top of her game (role was originally slated for Claudette Colbert who had to pass).
The wonderful supporting cast included Anne Baxter, Celeste Holm, Gary Merrill, Gregory Ratoff, Hugh Marlowe, Thelma Ritter, a young Marilyn Monroe and the estimable George Sanders in his career-defining role. I shared Bloody Mary’s with Gary Merrill when he was in Boston (that’s another story) and had me laughing about life on the set of “All About Eve”. He and Ms. Davis fell in love while making “Eve”. However, the theatrics within the theatrics were something to behold, Merrill recalled. Everyone was trying to upstage everyone else but nobody upstaged Bette Davis. Gary Merrill grinned as he refilled my drink. And, George Sanders, Merrill said, was George Sanders on and off camera.
Oh, how I adore this movie and WHY didn’t they make it in color?? Had the great fortune to meet James “Call me Jimmy” Cagney in the early 70′s on Martha’s Vineyard. I was awestruck. He was very kind. Seems he had caught my work as a TV news reporter and just wanted to say he liked what he saw. Over coffee, we talked about the joys of doing what we loved and the frustration of dealing with “suits” or executives. I mostly just listened. He talked about the making of “Yankee Doodle Dandy” and how, clearly, that was his personal favorite “job” in his long career. He was glad to do the music biopic and show off his dancing chops which he’d always had but were rarely used in previous films. He credited his unusual dance movements to mannerisms of his old street pals in New York’s “hell’s Kitchen” where he grew up.
My favorite scene in “Yankee Doodle Dandy” is near the end where Cagney/Cohan, dances down the stairs at the White House.
My wife Marilyn and I usually replay this scene three, four, five times whenever we watch the film.
Another classic western. Alan Ladd’s shining hour and another gem in director George Steven’s illustrious career. The photography and editing are wonderful. Victor Young’s music is evocative. Perhaps my favorite sequence is the burial of “Reb”. The dialogue is muted and the plaintive harmonica music, ”Dixie” and then “Taps” is contrasted with Reb’s dog softly wailing over the grave and two youngsters nearby — oblivious to the tragedy — playing with a horse. The continuous scene then pans down to a long shot of the nearby town ending with an ominous dirge. Powerful, poetic stuff!!
The final scene of Shane — slightly slumped in saddle — riding away to the mountains with the young boy calling after him is the stuff of movie legend.
Another John Ford-John Wayne classic. This is Ford near the end of his career. It’s his homage to the ending of the west as he’s depicted it for most of his professional life, dating back to silent films. Shot in black and white on a small budget, Ford is more concerned about characters than action.
Duke Wayne and Jimmy Stewart, teamed for the first time, are the perfect choices, albeit a little long in the teeth, to play the contrasting leads. Wayne is the rough tough cowman. Stewart is the sensitive lawyer who wants to see justice meted out by the court rather than Wayne’s six-shooter. Lee Marvin’s “Liberty Valance” borders on parody but that’s okay.
Great supporting cast including Edmond O’Brien, Vera Miles, Andy Devine, Lee van Cleef, Strother Martin and Woody Strode (why did they have to call him “Boy” in one scene). The “print the legend” theme is so ironic and haunting. Ford is trying to break his habit of printing the legend but the public doesn’t want the facts.
The haunting theme at the end of “Liberty Valance” is the same mournful theme Ford used 25 years earlier in “Young Mr. Lincoln“.
Ford and Wayne again — this time in Ireland. Ford’s tribute to his birth place. Wonderful photography!! The green hills and pastures of Ireland never looked lovelier. Just watch out for the sheep dung. The music is memorable. “Wild Colonial Boy” pub sequence is pure John Ford. The Wayne-McLagen epic fight is in Hollywood’s hall of Fame.
Marilyn and I visited Cong and the remnants of “The Quiet Man’s” cabin during our honeymoon in Ireland in 1990. That’s when we found out that — guess who — has Irish roots.
Another western and a relatively unheralded film. It’s Charlton Heston‘s realistic take on the life of an aging cow puncher. Had the genuine pleasure to “hang out” with “Chuck” on several occasions and he was a very nice, down to earth guy (just ask Marilyn). This was the pre-NRA Heston. Anyway, during one of our sit-downs, he talked about making “Will Penny” as a personal project.
He had done several traditional westerns and wanted to do one that was authentic and free of Hollywood glamour and happy endings. “Will Penny” is perhaps Heston’s best acting work. It is understated with Heston showing a range of emotion not usually apparent in his more typical epic screen characters.
Terrific Blake Edwards film that angered Hollywood insiders — with good reason. Again, if you’ve had a professional career in the public eye, you will absolutely love this movie. You know these people. You’ve worked with and for these people. William Holden’s talk to his depression-ridden pal was all too real and could easily have been Holden’s own eulogy.
Most of the ensemble star cast, plus Edwards, stopped in Boston to promote the movie. The behind the scenes arm-twisting coming out of Hollywood was trying to kill the film. On that memorable Saturday morning, I was with only one or two other reporters (who also left after 5 minutes or so to chase more meaningful stories), listening to William Holden (a few sheets to the wind), Robert Preston, Craig (Peter Gunn) Stevens, Loretta Swit, Blake Edwards and others chat about making “S.O.B.”. It sounded more like a “Bitch session” than a movie promotion. In fact, it sounded very familiar to me.
There are so many other films on my list. “To Kill A Mockingbird”. Atticus, I believe, was rated the most popular movie hero in a recent poll. Then and now, “Mockingbird” resonates on so many levels. The movie does Harper Lee’s wonderful book full justice. That, alone, is a miracle.
There are so many favorite films and stars I could mention with personal “war stories” or anecdotes. And there are musicals, romance. And comedies. ”So many movies, so little time” takes on new meaning. All great movies. Just not the only great movies.
I need to sign off because I’m burning daylight. Maybe another time if there is interest. There’s still the John Wayne story to tell, Pilgrims.
- Michael Curtiz: a name you mightn’t know (lamellae.wordpress.com)
- A scene from Billy Wilder’s One, Two, Three (theprovocauteur.wordpress.com)
- Ford Films: Five Fun Facts (homeprojectionist.com)
- My weekend movie: The Women (1939) (knittednotes.wordpress.com)
- Boston Reporter Garry Armstrong’s Wonderful Broadcast Life – WHDH-TV, December 30, 2011, By: Roger Lyons (teepee12.wordpress.com)