Horses

A PHOTO A WEEK CHALLENGE: LIVESTOCK

A Photo a Week Challenge: Livestock I fear our local livestock is not the least bit exotic. This is dairy country. Horse breeding country. Chicken raising country. If there’s anything less exotic, I can’t think of it off-hand.

SHARING MY WORLD – PARADES, TRADITIONS, AND A JOKE – WEEK 28

Share Your World – 2014 Week 28 Have you ever been a participant in a parade? What did you do? In 1992 and 1993, Garry and I were the honorary “King and Queen” of the Shriner’s Rodeo. I loved it. Wish we could do it again. We got to ride out at a gallop, then ride […]

Neighbors and Old Friends – Marilyn Armstrong

Friends come in many sizes and shapes. Horses, dogs, cats and other warm fuzzy creatures give our lives texture and joy … and old things holding memories of other times and places … these too become friends, holding our memories and reminding us of the lives we have lived and things we have done.

Old Number 2 is one of Uxbridge‘s oldest fire trucks. Long out of service, he still has his own place, standing through the years and seasons in a field across from the post office. He’s become my old friend, put out to pasture but like me, remembering his glory days.

Old Number 2 in summer … with some special effects just because.

Seasons come and go, but Number 2 waits patiently. I visit him. He has many stories to tell and I listen so he will be less lonely and know no everyone has forgotten him.

Horses in the pasture, friendly and hoping for snack, an apple or a carrot maybe …

Retired now, she grazes in a pleasant pasture in the company of her friends and the goats in the adjacent pasture. Do they share their memories?

With a shake of her mane, the pony companion enjoys the autumn weather with an old pal.

Still beautiful, she poses with her good side, elegant in her peaceful paddock.

It’s a fine day to be a horse. Or a human.

Tinker, one of our two PBGVs romps now at the Bridge, but here, her big black nose pokes through the picket fence of our front yard. Just saying hello!

Tinker’s big black nose — a perfect nose for such a hound as this Petit Basset Griffon Vendeen hound nose — pokes through our pickets. She’s gone to the Bridge, but lives on in our hearts and her tooth marks remain forever embedded in our furniture, shoes, remote controls and paranoid nightmares of destruction.

Griffin, our big boy PBGV died last winter, as did Tinker. He was my personal cuddle puppy, full of joy and humor. He always made me laugh and the more I laughed, the more he would act the clown. Never has a dog enjoyed making people laugh more than Griffin. A marathon barker, entertainer par excellence, he was the best.

Many of our fur children have gone to the bridge, but they are never forgotten. More of them  on other days, I promise.

One autumn day, in a rare family project, we made a couple of friends of our own … classic New England symbols of Autumn and the harvest. We made them from yard sale clothing, two bales of hay, and their painted faces on old pillow cases were created by Kaity and Stefania … at that brief period as they were transitioning from girls to young women.

Some friends we made ourselves to celebrate the harvest and the season, sitting on a bench, backed by flowering bushes and shaded by oaks.

Finally, we meet the farmer’s old truck. He stands in a field around the corner, behind the fire station … an old friend put out to pasture, holding too many fond memories to send him to a junk yard. Instead, he stands ever waiting if he should  be called back to duty.

Just this, no more, all within a mile of home. It IS home.

A CAROUSEL LION

Once, the proud lion rode the carousel, roaring his carved defiance to the world. Now, he stands guard over the Winter Carousel the Heritage Museum and Gardens in Sandwich, on Cape Cod.

LOVING THE WESTERNS

Western movies. You love them or hate them. Hardly anyone is neutral. I’ve always loved them, since I was a little girl, pretending to be a cross between The Lone Ranger and Jesse James. But why? What is it about westerns that makes them so appealing to those of us that love them? Let’s work […]

Reviewing the Oldies: Along Came Jones (1945)

Cropped screenshot of Gary Cooper from the tra...

I love western movies. I love horses. I love to laugh. What’s better than a funny western? Not much in my opinion.

My favorite — but little-celebrated — movies are western comedies. It isn’t the most popular movie genre, yet there are a reasonable number worth watching. Almost everybody has seen City Slickers and Blazing Saddles. How many people remember Cat Ballou, or have seen Rustler’s Rhapsody? Both charming and very funny movies. Lee Marvin got his only Academy Award for his role in Cat Ballou. On acceptance, he gave credit to his horse who deserved it. But I digress.

Along Came Jones is funny, but it’s gentle and sweet. It’s a love story with Loretta Young as the romantic interest, with Cooper in a role that it pokes fun at westerns and Coop himself without being mean-spirited. The plot is the basic mistaken-identity tale. Easygoing and slightly inept Melody Jones (Gary Cooper) and his friend George (William Demarest) ride into a town. Jones is mistaken for a badass bandit named Monte Jarrad (Dan Duryea) mostly because he has the same initials on his saddle. The mixup earns him a lot of unexpected respect (which he likes) then rapidly changes to trouble and finally love. The real Jarrad is hiding out in the home of his girlfriend Cherry (Loretta Young). In the beginning, she uses Melody to send the law off in the wrong direction, but as she gets to know Jones, her feelings change. There is a happy ending for all.

Cover of "Along Came Jones (Sub)"

Gary Cooper produced the movie and put his own money into it. It gave him a chance to be something other than the grim hero he so often played. In this, he is a lighter and more humorous version of his typical role. It was the only feature film Cooper produced during his more than 40-year movie career and Melody Jones was his favorite role. It’s easy to see why.

It’s a rare feel-good movie that isn’t trite. Cooper poking fun at Cooper is amusing without being over the top. His slow-talking, aw shucks style is perfect. This is an oldie that doesn’t play very often on cable, but it does pop up on Turner Classic Movies from time to time. If you find it, it’s worth watching. If you get TCM, you can find out when it’s playing on their website.

It has stood the test of time surprisingly well. You can see where financial corners were cut, but it doesn’t matter. The movie is character-driven and the scenery is just a stage set.  When we got a DVD player, it was the first movie I bought. It’s available at Amazon in combination with other Cooper movies and rather expensively on its own.

Cropped screenshot of Loretta Young from the t...

There’s no fancy cinematography, no nudity, cussin’, or graphic violence. A bit of shooting, no gobs of blood flowing. The tension won’t raise your blood pressure. It’s got some laughs and lots of smiles.  It’s a pleasant way to dump reality and visit a version of the old west that never was.

From Garry Armstrong, AKA “The Movie Maven”:

I spotted “Jones” when I was surfin’ the overnight movie fare and knew I’d struck gold for both of us. Charlton Heston once told me that Gary Cooper was his favorite actor and inspiration for his own little western “Will Penny”.

Coop was the idol of many, including one young woman in Brooklyn, New York, who decided to name her first-born after the legendary star in 1942. I digress, as usual, when talking about movies. After 15 years of commercial and critical hits, Gary Cooper was top gun at the box office in 1945. One of his favorites was “The Westerner” done 5 years earlier but that was stolen from him by Walter Brennan’s “Judge Roy Bean”.

Cover of "The Westerner"

Cooper loved his character in “The Westerner” and wanted to give him another go on his own terms. Melody Jones would be that guy. A Coop bio I read long ago says he made “Jones” mostly with his own money. Got it released as an independent so he would have last cut rights.

You’ll notice it’s low-budget by the exteriors and “rear projection” scenes, but that hardly matters. Loretta Young also did the movie “for a song”. Coop hand-picked Dan Duryea who was still a very young and aspiring actor with few major film notches, except for “Pride of the Yankees.”

Lane Chandler, one of the bad guys in the film, was originally supposed to do “Wings” (I believe), the silent that gave Coop his big closeup and break for stardom. Coop got that cameo not Chandler — and the rest is history.

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