Every once in a while, to my shock and amazement, Amazon informs me I’ve sold a book or three. Wow! Any personal friends who were going to buy or read my book have long since done so. Therefore whoever bought it is not someone I guilted into buying it and is a genuine reader. Cause for celebration. Woo hoo.
Don’t think I’m going to make any significant money from this. Hell no. The Kindle version of my book yields a whopping dollar something per sale (or loan) (I’m actually not sure the precise amount). Amazon has changed the rules, so almost every month I get 20 announcements of an impending direct deposit into my bank account. Then I get another set from my bank. So far, my biggest month yielded almost $12. This month, it was $3.70.
I have no idea how they calculate amounts and have stopped trying to figure it out. Overall, I figure a year of book sales might just take Garry and I to a big night at McDonald’s — if we order from the dollar menu.
I still get buzzed when anyone buys or reads my book and delighted when they let me know they enjoyed it, but next time, I think I’ll write about dogs.
I wrote it in 2007, though it didn’t “hit the market” until 2008. I did author things — television interviews on local cable, radio interviews. I got some nice local press. I arranged some book signings. None of them amounted to much, but they were fun and I met other local authors, some of whom have become friends.
In total, I sold a few hundred books which isn’t bad for a self-published book. For a while, I got royalty checks large enough for a cheap dinner at a local fast food joint. I briefly thought Teepee would be a very minor straight to DVD movie, but financing failed to materialize. So much for Hollywood.
It’s hard to market a self-published book. When it first came out, I admit I had dreams of glory. My husband had (still has) some good media connections, though as time passes, colleagues retire and there are fewer … but 5 years ago, many more of Garry’s colleagues were working.
When you write a book largely based on your own life experiences, you know it’s not going to hit the New York Times bestseller list. Not unless you are already a celebrity and even then, memoirs are not usually big sellers. Books like this become popular only if they reveal scandalous details of things done with other celebrities, usually of a perversely sexual nature, or if someone pumps it up on national television — which didn’t happen to me and doesn’t happen for most authors.
Unless you have a recognizable, salable name, there’s no market for this genre. The ones that get published because they were written by celebrities go from a display in front of the store to the discount bargain bin faster than you can say “I didn’t know he/she wrote a book …” It’s unlikely me or you, unknowns that we are, could convince a publisher we’re worth the ink and paper for so much as a trade paperback. And don’t bother to dream of getting an advance.
Books so bad they should have a warning label
A while back, I had the honor of reading (and to some degree, judging) a bunch of fiction deemed among “the best of 2013.” I have no idea on what basis these books were determined to be the best of that year’s offering, but I’d like to meet the judges and ask “What were you thinking?” There are okay books amongst the dross, a couple of good ones plus a few that make it all the way to “better than mediocre.”
Unfortunately, there are many dreadful ones, books so bad it’s hard to imagine how they could be regarded by anybody as worth publishing at all in any form. Who did the authors have to sleep with to get that contract? There had to be sexual favors involved. Nothing else could explain it.
Most of these books are — at best — okay. Maybe someone might like them, but I find it hard to imagine who it might be. Maybe under the influence of heavy drugs? Some may simply be an acquired taste I haven’t acquired. A couple had redeeming qualities, but not enough to get me from cover to cover.
Which brings me back to my book
I will say, in advance, that it is not deathless literature, but it’s not bad — a whole lot better than most of the books deemed the best of 2013.
And my book has features that used to be traditional features in books like characters, humor, a semblance of a plot, a good-faith attempt to make a point. At the very least, you could learn how to build a tepee (perhaps more of how not to build a teepee), should you care to have one of your own … something I recommend. Tepees are strangely wonderful. You might not love my book, but I’m pretty sure whoever and wherever you are, you’d enjoy having a teepee.
These days, books that sell are mostly cops and courtrooms, whodunits, thrillers, terrorists, vampires and other creatures out of myth and fable, many things magical and mystical. Novels about people who live in the real world and do real things … work at jobs, raise children who don’t have magical powers or access to time travel and are unlikely to pop off into space to explore other universes, are becoming rare.
Do we no longer find the real world sufficiently interesting to write books about it?
How boring are we?
So here’s my question: are we really that boring? All of us? Is the reason so few good books are set in the real world because we find our lives uninteresting? Are the day-to-day battles regular people go through so dreary we can’t bear to write about them?
It is obviously more entertaining to read about things that don’t exist … things that may have happened long in the past … or about events that have or might happen in our real world, but are so far out of the ordinary experiences of regular folks that they might as well happen in an alternate universe.
Having someone buy a copy of my book today was a big deal. If thousands of people bought and presumably read “A Casual Vacancy” or “The Middlesteins,” maybe a half-dozen or so people will buy or borrow an electronic copy or a trade paperback of my book. Although unlikely, it’s possible. And the book might even resonate with some of you.
It’s about the baggage we haul through life, the baggage load on our backs when we are too young to choose … plus the rest of the boulders we pick up along the way and keep hauling until one day — with a little luck — we realize it’s okay to dump them.
So, in case you’re of a mind to buy a book … which maybe you’ll enjoy and then again, maybe you won’t … the book is about child abuse and getting over it as well as the strange ways it warps you as you plod through life . How building a tepee helped me dump the bullshit from childhood and other stuff added along the way. In advance, I ask your forbearance about typos. Without a proper proofreader and editor, I was left to my own devices. If you read me regularly, you know I’m a terrible proofreader and the queen of typos.
Being a writer and a proofreader have nothing to do with each other. Different skill sets. It is also hard to proofread your own manuscript: you tend to see what you meant to write and not what is there.
If you have any interest in acquiring the book in whatever form:
I have serious concerns about the state of publishing. I am convinced there are more good writers who can’t find a publisher than good writers who get published. With the opportunities offered by electronic publishing, I would think the potential profit has increased exponentially.
Why not publish more? E-books cost nothing but a little electronic storage space … and books like mine that are published as “print to order” cost nothing until it has already been bought and paid for. It’s risk free. It would be good for everyone.
Wouldn’t it be nice if we published more good books?
Perhaps publishers should consider taking a chance on more newcomers who don’t write in trendy genres. I love science fiction and fantasy more than most people, but I also enjoy books about the real world and people to whom I can relate in an earthly way.
I fear the best of America’s writers are being lost in the scramble to publish only best-sellers. It doesn’t work anyhow. Most books flop, just like they always have. From what I’m seeing, most acquisitions editors wouldn’t know a great book if it bit them on the nose. Or care.
It’s not that I’m such a fantastic author and couldn’t get a reading, publisher or agent. It’s that the stuff that does get published is so awful. It’s not a healthy sign for literature or the publishing industry.