THE BLACK STALLION

 

If I’m going to be in a movie, I say — bring on the horses!

I grew up yearning for a horse and devoured any book about them. My favorites books were the Walter Farley’s Black Stallion series. I probably read the book so many times its cover fell apart.

Black_stallion_poster

All through my childhood, Walter Farley wrote a steady stream of new Black Stallion books  — and I read every one of them. About his colts and fillies. About Alec Ramsey, who grew from a teenage boy to a man in the course of the series. Of Henry Daily, the old horse trainer whose career is revived by his accidental encounter with Alec and The Black. Many stories, as the years went on, were about the racing stable Alex and Henry build in upstate New York for which The Black was the founding stud. To this day, I know more about horses and horse racing than most people … because Walter Farley told me all about it in book after book.

Throughout my young years, I wished they would make The Black Stallion into a movie. I wanted to see The Black, to see Alec ride him. To see him come from behind and become the greatest horse to ever run on a track. I was bewitched by horses and was convinced I would need nothing else in this life if I had a horse.

bucephalus

Oddly, the great Secretariat’s real accomplishments — winning the Triple Crown in 1973 — remarkably mirrored those of the fictional Black. Watching Secretariat’s career — in the real world — made up for never having seen The Black race.

I never got a horse. Gradually real life overtook my fantasy life. College, work, husband, baby, home, friends replaced dreams of riding bareback on the greatest stallion of them all.

But the magic wasn’t over me because in 1979, Francis Ford Coppola made the movie I’d yearned for since childhood. He based the movie, The Black Stallion, on the first of Walter Farley’s Black Stallion books, the one he wrote in 1941. In making the movie, they changed the story some. This would have made me crazy as a kid, but by the time I saw the movie — in an old theater in Jerusalem, Israel — I was a 30-year-old mother living overseas and able to cope with relatively minor digressions from the original tale.

Last week, Turner Classic Movies showed “The Black Stallion.” So, of course, we watched it again. I’ve seen it many times. Each is seeing it for the first time.

I am swept away to a desert island for the adventure of a lifetime. Even if you aren’t a great horse lover, the score and the cinematography are so extraordinary, the movie is like a dream. They set the story in its original time period, the early 1940s which helps augment the dreamlike effect.

Black Stallion Beach.jpg

I want to be on that island with The Black. To ride him along the edge of the ocean, free from everything but the sun, the wind, the sand beneath my horse’s pounding hoofs. I would give a lot for just one day to live that dream.

“The Black Stallion” is a paean to horses, nature, and overcoming adversity. You don’t have to be a kid to love it. It also contains the least dialogue of any movie since the talkies took over Hollywood.

Director Carroll Ballard tells the story with luscious cinematography and a lovely soundtrack. Music fusing with images that wrench your heart.

WAITING FOR A GOOD BOOK

To_Kill_a_MockingbirdRecently, I listened to To Kill a Mockingbird. It was re-released in a year ago by Audible.com, with a new narration by Cissy Spacek. After I settled into it, I remembered why I love it. It’s a rare story in which all the pieces fit. Some call it the perfect book. It may be.

It never hits a false note. Takes its time, tells the story at a leisurely pace. It talks about justice, injustice, racism, and the legal system. It’s about family, love, relationships and coming of age. Discovering the world is both better and worse than you imagined.

My granddaughter was assigned to read To Kill a Mockingbird for school and found it boring. I don’t agree, but I understand her problem. She lives in a world so changed from the one in which “Mockingbird” takes place, she can’t relate to it.

Harper Lee wrote about a world without cell phones or email. People walked more than they drove. Food grew in gardens. The world was segregated, separated by class, religion, and ethnicity. My granddaughter can’t even imagine such a world. In her world, the President is Black and her white grandma is married to a brown man.

Everything is instant. You don’t go to a library to do research. You Google it. There’s no time for slow-moving books that depict a less frantic world.

It’s no wonder the fastest growing segments of fiction are fantasy, mysteries, thrillers, and so on. These books are fun. Exciting. So much of “literary fiction” is dreary. Authors seem to have forgotten that literature is also supposed to be entertaining.

I need stories that are more than a dark mirror of reality. That’s not enough. I want a good plot. I need action, stuff to happen. I don’t want to just hear what characters are thinking. I want to see them moving through their lives. I need characters who develop, grow, are changed by events. And, I need heroes. Un-ambivalent good guys for whom I can root. I welcome enlightenment and education, but I require entertainment. Lately it seems the reality-based books I’ve read have forgotten how to entertain. The people they portray are sad, depressed, trapped, miserable. Living lives so hopeless they lack even the energy of desperation.

Are our lives truly so pathetic? So grey and drab? I don’t believe so. I think it’s easier — and fashionable in current literary circles — to write that way. Easier to capture a single note than a whole range of feelings. There are plenty of sad and hopeless characters, but there are also plenty of glad and joyous ones. Winners, not just losers. Heroes and success stories.

I don’t understand current criteria for publication. I don’t get it. A high percentage of the new books I read (I read a lot of just-published books for review) are dull. Many are also poorly written. I find myself wondering why this book, whatever it is, was chosen. To me, I has no merit. I don’t even review these books. I don’t like trashing books and authors, so if it’s that bad, I just skip it.

Boring to me, is the worst sin in literature. I don’t believe Faulkner, Wolfe, Hemingway … or for that matter, Harper Lee — would be published today. I doubt they’d get a reading.

I miss books based in reality. I bet there are great manuscripts waiting, their authors yearning to be published. I hope they get to it soon. Because kids like my granddaughter need to discover how much fun books about real people can be.

JAMES ZERNDT – THE KOREAN WORD FOR BUTTERFLY

“Americans. They think everybody is snowflake. Only one snowflake. Only one you. But in Korea we think like snowball. Everybody snowball.” Yun-ji packed an imaginary snowball in her hands, then lifted it, palms up, as if offering Billie a present. “You see? Snowball.”

Both of them looked at Yun-ji’s hands holding nothing.

“Snowball,” Yun-ji repeated, then looked at Billie, at her unhappy mouth, at her face that looked like it had been bleached, and she pictured that soldier sitting in the tank, listening to head phones, maybe reading a Rolling Stone magazine, then the call coming in over the radio, the hurried attempts to think of an excuse, some reason why he didn’t see two fourteen-year-old girls walking down a deserted country road in South Korea.

“Never mind,” Yun-ji said and dropped her hands.

KoreanWordForButterfly

There are a lot of levels to this book. It’s a book about cultures and differences, but it’s also a book about the similarities that underlay human societies. In the end, our humanity trumps our differences and enables us to reach out to those who seem at first unreachable.

It’s about women and men, their relationships, their failure to communicate. The endless misunderstandings arising from these failed efforts — or failed lack of effort. It’s also about the assumptions we make based on appearance and how terribly wrong are the deductions we make based on what we think we see. And how we use bad information to make our choices.  And finally, the pain that results from choices — even when the choices are the best available.

The story takes place in South Korea. Billie, a young American woman, is in the country to teach English to grade school children. She has come there with her friend, lover and partner and shortly realizes she is pregnant. It’s as wrong a time in her life to have a baby as there possibly could be and probably the worst possible place she could be — far away from her home and isolated by distance and culture. The story is told in the first person by Billie as well as two other first person narrators, both south Korean.  Yun-ji is a young woman approximately the same age as Billie who also becomes pregnant and a man named Moon who is divorced and suffering through a painful separation from his son.

All the characters deal with problems springing from damaged relationships and miscommunication, misunderstanding, problems with parenting, pregnancy and abortion. Despite cultural differences, in the end the pain is very personal — and remarkable similar — for each.  There are no simple, happy answers.

It’s well-written and held my interest from start to finish. Whether or not the book will resonate for you may depend on your age and stage in life’s journey. For me,  it was a trip back in time to the bad old days before Roe Vs. Wade made abortion a viable choice. Of course, one of the issues made very clear in the book is that the legality of abortion doesn’t make it less of a gut-wrenching, life-altering decision. Anyone who thinks abortion is the easy way out should read this. Whatever else it is, it’s not easy.

It’s a good book. Strongly written, presenting highly controversial issues in a deeply human context.

The Korean Word for Butterfly is available in paper back and Kindle.

WHEN THE GAME CHANGED

IT WAS NOT EXACTLY WHAT I HAD IN MIND.

Being a cast member on a movie set wasn’t exactly what I’d expected. Maybe I wasn’t sure what to expect since my experience with working on a film was vicarious, drawn from depictions on television or movies. Even subtracting 95% of what I thought I knew to align with reality, I thought something should be happening. I guess it was, if you were one of the stars or co-stars.

movie-set-boston

But extras? Which is what I was, though these days the term “extras” is out of favor and “background performer” is in. Whatever you care to call us, we got shuttled from set to set, fed three meals at lavish buffet breakfasts, lunches and dinners where everyone chowed down with extreme prejudice.

Otherwise, we waited. And waited. Then, we waited some more. While we waited we had to be silent. Don’t annoy the stars. Don’t be in the way. Don’t go anywhere — including the bathroom — without permission. Permission was from one of the dozens of assistants, those attractive young people running around with headsets and clipboards.

It was confusing, tiring, and dull. You never knew if someone might decide you or your group were needed in a scene, but even if you were never in any scene — entirely possible — you had to act as if you were about to be “up” any moment. Your presence or absence was (apparently) life or death. On a movie set, it turns out everything is treated like life or death. It’s a Hollywood thing.

It was mid-November, night in Lowell, Massachusetts.  I hadn’t worn enough layers. Cold.

My feet hurt. Not to mention my back.

I needed to pee.

I was bored.

The director was on the 128th take. Before the night was done, he would close in on 250 takes of this particular scene. It was the turning point of the plot. It included every member of the cast except a bunch of us “background performers.” No matter. We still had to be there. Just in case.

I wondered how much money I was going to make, just standing around. I didn’t think it was going to be enough especially since it seemed unlikely this would be the night Hollywood discovered me. I wished I’d brought a book, though in the dark I wasn’t sure if I’d have been able to read.

That was when I noticed the woman. She was standing just off to my right, leaning against a street light. It looked like she was reading, but whatever it was she was holding wasn’t a book. Something else. It had a light attached.

I sidled over.

“Hi.”

“Hi.”

“You’re reading? What’s that? I’ve never seen one.”

“It’s a Kindle.”

“OH,” I said, things clicking into place. “I’ve heard of them, but I’ve never seen one before.”

She looked up and smiled. “It’s wonderful. I don’t know how I lived without it. I can bring books with me everywhere, as many books as I want. See?” she said, and she began to show me all the cool stuff it could do. Like being able to bookmark passages, get definitions of words and phrases. And carry a whole library with her in just this little thing no bigger than a paperback.

I held it, turned it this way and that. “You know,” I said. “This might be exactly what I need.”

Certainly my bookcases at home were bursting at the seams. Anything that let me buy books without finding someplace to put them sounded like a really good deal. And this thing would let me take books everywhere without hauling a trunkful of paperback. It seemed a good idea. But the price was still too high for me and I wondered if I would like a book that didn’t smell like ink and paper. It was convenient, but it lacked ambiance.

72-Big-Kindle_10

Nonetheless, that conversation stuck in my brain. Long after the movie — in which I did not appear, though I had one scene which was cut and left on the editing room floor — had faded into memory, I remembered the lady with the Kindle. When the new generation of Kindles was released and the prices dropped, I bought one.

Then I bought one for everyone in my family who reads books. And I bought another one that plays movies and audiobooks and checks email. Finally, I got an even newer one that does the same stuff, but better and faster. And bigger, lighter, and takes (and sends) pictures.

I can’t imagine life without my Kindle. I don’t want to. I’ve got hundreds of books, audiobooks, music, everything on it. It goes with me everywhere.

A week or two ago — don’t remember exactly when — I had to read a paperback. It was heavy. It was awkward. I couldn’t hold it in one hand. And where was the light?

This may sound like no big deal. Just another toy, one more electronic doohickey. But it isn’t. It was a game and life changer. Finally, I could always have a whole library of regular and audiobooks with me.

I’ve gone through four or five iterations of the Kindle experience since. By now, all my friends have them. Many of us have several, in different sizes and styles. I can’t imagine reading without them.

And finally, after my most recent upgrade to the next to the latest version of the Kindle Fire HDX 8.9″ super tablet, I gave my iPad to my granddaughter (hers was pretty beat up and mine has 64 gigs rather than 32, like hers). After I got the newest (for me, but there is an even newer version available and probably will be yet another generation shortly), I had no further interest in the iPad which had always annoyed me anyway.

So everyone is happy. Skyping and reading and listening and watching … all because I met a lady when I was briefly (very briefly) a movie extra in Lowell, Massachusetts.

Watson, the game is on!

BETTE STEVENS – DOG BONE SOUP – AN INDIE BOOK REVIEW

IN HONOR OF INDIE AUTHOR’S DAY!

DOG BONE SOUP is the long-awaited “rest of the story”of Shawn Daniels from the original short story, “Pure Trash.” It’s particularly long-awaited for me because as soon as I read the short story, I wanted to read this book. The only problem was, Bette hadn’t yet written it.

But she did it. Dog Bone Soup is available for your reading pleasure. And what a pleasure it is.

Bette has the purest, freshest writing style I’ve read in many a long year. Reading her prose is like peering into an exceptionally clear, deep pool. It looks like the bottom is close enough to touch, but those waters run deep.

Bette Stevens is a class act, an author who knows how to tell a story. Her characters are real, so true to life, they practically leap off the page. In Dog Bone Soup, style and the story are blended to perfection.

dog bone soup collage

I’ve read a lot of books about rural poverty and for some reason, all those stories are set in the south. This is as far from south as you can get. It’s a timely and important reminder that poverty is not a regional issue.

Poverty is everywhere, from the biggest cities to the hidden hamlets where tourists never go. Children pay the highest price.

Shawn Daniels’ story is wonderful. It’s about growing up and coming of age for a poor kid from a dysfunctional family. His world is cold and hardscrabble. A drunken father, a vanishing mother. Foster parents with no love to share, teachers who can’t see past patches and frayed cuffs. Yet somehow Shawn forges a road of his own. Armed with courage, intelligence, humor, and grit, he grows into a strong young man with solid values. He creates his own future.

Sometimes, very little can be enough.

There’s nothing depressing about this story. How come? Because Shawn Daniels hasn’t a shred of self-pity in him. Despite the challenges he faces, Shawn is never down. Not depressed, discouraged, broken, or beaten. This kid has grit. Determination and a solid grip on his own worth.

Where does it come from? Mom, sometimes. A few others who see Shawn’s value and give him a hand along his path. A personal, hard-wired toughness that lets him see past the life he is living it to the life he wants — and for which he is willing to work. Mostly, it is Shawn’s own sharp intelligence which enables him to understand his world. It lets him trust his judgment without bogging down in unearned guilt. He makes smart decisions.

It’s a great story — and it’s far from over.

About the author

BAS Author logo stamp 2015Inspired by nature and human nature, author Bette A. Stevens is a retired elementary and middle school teacher, a wife, mother of two and grandmother of five. Stevens lives in Central Maine with her husband on their 37-acre farmstead where she enjoys writing, gardening, walking and reveling in the beauty of nature. She advocates for children and families, for childhood literacy and for the conservation of monarch butterflies (milkweed is the only plant that monarch caterpillars will eat).

Bette A. Stevens is the author of award-winning picture book AMAZING MATILDA; home/school resource, The Tangram Zoo and Word Puzzles Too!; and PURE TRASH, the short story prequel to DOG BONE SOUP.

Mark This Date! Indie Author Pride Day July 1st 2015 On Social Media!

Marilyn Armstrong:

Wednesday is the day. Support indie writers everywhere.

Originally posted on "Lyon Book Promotions" Offered by, Author Catherine Townsend-Lyon:

Hello Writers and Authors,

A big event will be happening on July 1st 2015 all over Social Media!!


.

Hello Authors,

Have you heard about “Indie Author Pride Day” happening this July 1st 2015? Well, indie authors will hijack Social Media! We want the world to know that there are some awesome Independent Authors that write fabulous books just for READERS to ENJOY.

Since self-publishing options entered the main stream, many indie authors have wonderful books to read that are even better than NY Times Best Sellers! So we want readers to know this, and LOUDLY.
Amazon, Goodreads, and Book Goodies are great places to find many of these indie author book offerings.

So I wanted ALL Indie Authors to know about this event, and hope you will all join in and help make Cyber History!! A few words of how to join in!

.

.

*Indie Pride Day: On July…

View original 148 more words

NO ONE READS MANUALS

It’s an odd feeling to be declared obsolete. I had been getting increasingly less relevant for a while, but after the dot coms went down, the high-tech world turned on its ear. Venture capital disappeared and so did the start-ups that had been my bread and butter.

computer gargoyle

Tech writers were replaced by automated systems that generate “documentation” from embedded engineering notes. For years, no one cared if the material these systems generated was useful or readable. As long as “something” was included with the product, it was “good enough.”

Intelligent, human-based technical support had already been exported. Now, the same thinking was applied to documentation.

Need help? Call tech support on the other side of the world. Let your customers wait on hold, get disconnected. Finally, let them talk to someone who knows nothing and will provide incorrect information. Never provide a call back number, so if the solution doesn’t work — and mostly, it won’t — make them go through the whole thing again. What could go wrong with this? Who needs a manual?

i_467_old-computer-advertisement-006A lot has gone wrong with this approach. Almost everything. Belatedly, a wide range of companies discovered that having horrible customer service and no documentation was actually affecting business.

Industry-wide rethinking came too late for my career, but it’s nice to see respect for customers coming back into style. Better late than never. It turns out that customers who buy expensive gear do want documentation and expect good service, too. Shocking. Who’d have guessed?

The whole “call tech support” got old quickly.

I never intended to be a technical writer. I was going to be a “real” writer. You know. An author. Novels. Literature.

I eventually wrote a lot of books, all of them explaining how to do something obscurely technical and computer-related. For a gal who barely scraped through basic algebra and never took a physics or chemistry course, I picked up a lot along the way.

I rode the high-tech wave until that fateful day when I was informed “no one reads manuals.”

alienware side view computer

The world keeps turning. I’m seeing “help wanted” ads for tech writers again. It was a long drought.  At last, written (not generated) documentation is making a comeback. I’ve lived long enough to see the full cycle, to watch an industry — and my profession — come 360 degrees back to where it all began.