A LATE QUARTET (2012)
Director: Yaron Zilberman
Writers (screenplay): Seth Grossman, Yaron Zilberman
Philip Seymour Hoffman, as Robert Gelbart
Christopher Walken, as Peter Mitchell
Catherine Keener, as Juliette Gelbart
Mark Ivanir, as Daniel Lerner
Imogen Poots, as Alexandra Gelbart
Wallace Shawn, as Gideon Rosen
Anne Sofie von Otter, as Miriam.
Garry and I watched A Late Quartet the other day. I bought it after reading its reviews. It sounded like a movie for grown-ups and there have been a dearth movies that don’t star fresh-faced children, but aren’t entirely about getting old. Jokes about getting old begin to get old after a while, so we were ready for a grown-up movie about life and living.The reviews were right. It’s a fine movie.
If the movie has a “hero,” that would be Christopher Walken who plays against type with elegance and grace. Add Marc Ivanir — usually playing an Israeli CIA sort-of-bad-guy on NCIS (he actually is Israeli and a hero) — as the dedicated, haunted first violin. Phillip Seymour Hoffman does his usual excellent job as the quartet’s jealous second violin. Catherine Keener (on viola) is the “could be better” wife to Hoffman It’s a great mix of characters and some of the best work done by Walken and company.
Their movie musicianship is realistic. They did not actually perform the music on the sound track, but it looked like they knew their way around string instruments. Some of them may have had some early training, the rest were coached for the movie. However it was accomplished, the cinematographer was able to follow the actors’ performances closely, without resorting to long shots to disguise their identities. Well done!
While doing a little reasearch on the stars, I discovered that Walken attended the same university as Garry and I. He was probably there during one of Garry’s years at Hofstra University. Walken was there for just a year, then left for a gig in an off-broadway show. It was news to us that he’d been there at all.
It is one of the many ironies of Garry and my education that most of Hofstra’s most famous graduates are not graduates, but attendees who left before getting a degree to begin highly successful careers in Hollywood. We had a very good drama department and perhaps the biggest measure of its success is how many of the students in the program were “discovered” before they got degrees and went on to fame and fortune without benefit of that piece of paper.
Although it doesn’t hurt if you know some classical music. The world of classical performance is as competitive — more competitive — than any of the performing arts. Understanding this helps you understand the characters’ behavior, but regardless, it’s a good story and a well-written script.
It’s the 25th anniversary of “The Fugue”, a classical string quartet. Time is catching up with them. Christopher Walken, their cellist and oldest member of the quartet has been diagnosed with Parkinson’s and needs to retire. The first violinist is in love with the second violinist’s daughter, and the second violinist wants to be the first violinist … and sex in the form of “oops” infidelity adds enough spice to imperil the survival of the quartet if the rest of their problems were not disruptive enough.
Walken as the sensible, down-to-earth member of the group, dealing with his own burdens and unwilling to tolerate the childish carryings-on by the other performers, is wonderful. “The Fugue comes first,” he says, or words to that effect. It’s interesting to see Walken cast as the stable, adult, not even slightly crazy, member of the group.
A Late Quartet refers to Opus 131, one of a group of string quartets written by Beethoven towards the end of his life. It is magnificent. I’ve rarely heard this piece performed at all. It’s challenging music, written when Beethoven had already lost his hearing, yet was still able to hear it in his head. It’s one of Beethoven’s most complex, intense pieces and it’s beautifully performed.
I love the music, studied classical music for many years. I love Beethoven. He is my favorite composer, whose music I play as I drift off to sleep at night and whose symphonies have been my companion on many journeys through my life.
It did not disappoint us. It’s not a light piece of fluff, nor is it depressing or hopeless. Problems come, problems are addressed, problems are resolved. Not everything has a happy ending but within the limits of what’s possible, these adults work out their problems — musical, health, personal and relationship — like … adults. How refreshing!
It’s worth a couple of hours of your time. The DVD is available on Amazon (which is where I got it). The soundtrack is available separately.
- Movie review: The Late Quartet (insidetheworldofamy.wordpress.com)
- Walken! And Beethoven! (operachic.typepad.com)
- Christopher Walken: Learning to ‘play’ the cello for A Late Quartet was hard for me (metro.co.uk)
- Beethoven: The Compete Quartets (gregmitchellwriter.blogspot.com)
- Reviewed: A Late Quartet (newstatesman.com)