MORE PAINTED DAISIES

painted daisies bouquet

The sun was bright and the daisies were still looking perky, so I took them out to the deck for one more round of pictures. It was late afternoon, a good time to shoot because the shadows are long, but there’s still plenty of light.

painted daisies bouquet

painted daises bouquet

 

I went back to my Olympus. It did so well last time. I figured why not do it again? I shot with my Olympus E-PM2 (4/3 format) with the Olympus 45 mm 1.8 portrait lens to give the pictures a super shallow depth of field and that lovely bokeh (fuzzy background).

THE OLYMPUS OM-D E-M10 — REVIEW

Marilyn Armstrong:

An excellent review of a camera I hope to buy. Superb technology at a fair price. Olympus. My favorite cameras.

Originally posted on atmtx photo blog:

Olympus OM-D E-M10 with 14-42mm f3.5-5.6 EZ lens

Olympus OM-D E-M10 with 14-42mm f3.5-5.6 EZ lens

Do you want a more detailed review? Please continue reading.

I like to start by thanking Charles from Olympus for letting me use the camera for an extended period. I shot this camera on many occasions and have even blogged about it couple of times (here and here), several months ago. If you read those early posts, you know that I often shot the E-M10 alongside my Fujifilm X100S that I purchased around the same time.

By almost every measure, the Olympus E-M10 is superior to the Fuji X100S. It focuses faster, the EVF works better, it’s more flexible and it has interchangeable lenses. I’ll give the Fuji the edge for high ISO quality and it’s probably a bit sharper. However, I’m splitting hairs here. For most people, you won’t notice a difference. Color wise, they both have their advantages…

View original 3,304 more words

STILL STANDING

Object Lesson - Sherlock Holmes had his pipe. Dorothy had her red shoes. Batman had his Batmobile. If we asked your friends what object they most immediately associate with you, what would they answer?


Interesting subject.

Depending on when they became a friend. Some of my earliest friends … like my cousins … see me as that weird, overly intellectual kid with buck teeth and frizzy hair. They would think of me with my nose always in a book – and they’d be right.

The local little girls with whom I grew up would probably remember the piano — and the books. If I wasn’t playing Chopin or Beethoven, I had my head in a book.

indian corn kitchen windowThen, we get to college. I was first a music major and the people I met then think of me as a musician — and remember the piano. But a couple of years later, I found the radio station. That group is likely to think of me as the other half of my first husband, who was a very popular guy and the Fearless Manager of the radio station.

Then, I was off to Israel. A confusing time, but call me a deck of cards. We played bridge obsessively, often until the sun rose. And the bread baking too. And the computers, which were just beginning enter my life. Israel was the bridge between old and new me.

Back to the USA and add some stuff: the omnipresent briefcase because I was always working. A computer. And most important, Garry. Then, after a while, hospitals because for the past 12 years I’ve been in and out of them. Still there are the computers and bless his heart, Garry.

Throughout this entire time, you would always finds lots of animals – cats, dogs birds — children. And cameras.

Life changes. We change. Our technology and tools evolve. But there is an essential “us-ness” that stays, forming a core which makes us who we are. I hope that’s mostly what people who really know me recognize.

I’m not my computer, my blog, my books, my collections, or my husband. I’m just someone struggling down the lumpy road of life, hoping to get through it still on my own feet. Getting to the end still standing would be an achievement.

ANOTHER ONE JUST LIKE THE OTHER ONE: PANASONIC LUMIX DMC ZS-25

Panasonic Lumix DMC ZS -25

Panasonic Lumix DMC ZS -25

I had no intention of buying a camera. I wasn’t looking for myself. Someone else was looking for a camera and I was just doing a little research.When Adorama popped up with a refurbished Panasonic Lumix DMC-ZS-25 16.1 MP for under $100, I said “wow.” (There were only two at that price and both have been sold.)

Lazy daisy

Lazy daisy

It came with a Sony 16GB SDHC card and a cute little case (original from Panasonic). It is not new, though it certainly looks and feels new. It’s refurbished by Panasonic and comes with a new camera warranty. Resistance was futile.

I have a legitimate excuse. No jury would convict me.

Day lily, back lit

Day lily, back-lit

My “go everywhere” camera has been the Panasonic Lumix DMC-ZS-19 and the ZS-25 is essentially the same camera, with a higher resolution. My old camera has a nasty dent on the lens where I gave it a whack about a month ago. So far, it has been okay, but hitting a lens hard enough to dent its case has inevitable repercussions. It doesn’t owe me anything.

The ZS-25 uses the batteries and charger I already own. It’s the same size as its predecessor. So, of course I bought it. Then I had to do a little test drive.

Japanese maple and sunlight

Japanese maple and sunlight

Although the specs make it seem they are the same camera, they are not.

The Leica lens has the same zoom (20X). Both old and new lens are F3.3-F6.4. But the depth of field is different. It’s noticeably shallower working close on the ZS-25 and it has a more attractive bokeh. The color is true — less green, more neutral. It focuses faster and recycles much faster. All useful improvements.

The menus have been simplified and it is noticeably easier to find the functions I use. I like the streamlined controls, too, though I miss the on/off switch. It’s now a button, like every other camera. The view screen has the same specs, but because you can adjust it for varying light conditions, it seems brighter and sharper.

My last red lily

My last red lily

The little ZS-19 has performed yeoman’s service for me. I’ve carried it with me everywhere for two years. It has shot more frames than the rest of my cameras combined.

I am pleased to be able to continue using essentially the same piece of equipment. It suits me well. Compact and light, good lens. Not the longest super-zoom available, but long enough — and wide enough — for most purposes.

My ZS-19 has been a very satisfactory camera and its granddaughter, the ZS-25, seems likely to be equally satisfying. I’m more than pleased.

Camera Effective Pixels 16.1 Megapixels
Sensor Size / Total Pixels / Filter 1/2.33-inch High Sensitivity MOS Sensor / 17.5 Total Megapixels / Primary Color Filter
Lens LEICA DC VARIO-ELMAR / 12 elements in 10 groups / (3 Aspherical Lenses / 6 Aspherical surfaces / 2 ED Lens)
Aperture F3.3 – 6.4 / Multistage Iris Diaphragm (F3.3 – 8.0(W), F6.4 – 8.0(T))
Optical Zoom 20x
Focal Length f=4.3 – 86.0mm (24 – 480mm in 35mm equiv.) / (28-560mm in 35mm equiv. in video recording)
Extra Optical Zoom (EZ) 25.3x (4:3 / 10M), 30.0x (4:3 / 7M), 36.0x (4:3 / 5M), 45.0x (under 3M)
Intelligent Zoom 40x

LEARNING PHOTOGRAPHY FROM EISENSTADT

Alfred EisenstadtGarry and I used to vacation on Martha’s Vineyard, sharing a house on with a bunch of other people from Boston TV stations.

In the early 1990s, Garry was assigned a feature about Alfred Eisenstadt and Lois Maillou Jones, both of whom lived on the Vineyard and had been given Presidential Medals of Honor for their work. We became friends with both artists. Eisenstadt was in his early 90s, Lois Maillou Jones in her mid 80s.

I had been an admirer of Eisenstadt’s work as long as I’d been taking pictures. I shot my first roll of film on Martha’s Vineyard in 1966. I had stayed at the Menemsha Inn where (serendipity!!) Eisenstadt lived from late spring till Labor Day. Books of Eisie’s work were all over the inn. In bookcases, on tables. Most of the books featured his landscapes of Martha’s Vineyard.

I was using my first camera, a Practika with a great Zeiss 50mm lens. Great lens, but no electronic light meter. No electronic or automatic anything. It had a crank film advance.  A bare bones camera with a Zeiss lens. I had half a dozen rolls of black and white film.

It was the ideal situation for a beginner. I had to learn how to take a light reading with a handheld meter. I had to focus the lens, set the shutter speed, the f-stop, and choose the film speed – though you only had to set film speed once each time you loaded the camera.

It wasn’t a lot of settings to learn, but they were and are the essentials of photography. If you can take a light reading, set film speed (now ISO), understand shutter speed, depth of field, and see when a picture is in focus —  and you recognize a picture when you see it – you’re home free. Everything else is dessert.

eisenstadt-MV-tree

Photo by Alfred Eisenstadt

My 50 mm lens was a prime. No zoom. It was a good piece of glass and moderately fast at f2.8. No flash, either.

If I wanted a close up, I could move closer to what I was shooting. A wide shot? Go back! I learned photography in a way those who’ve only used digital cameras never will learn. Most of today’s photographers have never held a camera without auto-focus, much less taken a reading with a hand-held meter.

Maybe it doesn’t matter. Maybe it does.

The camera was a gift from a friend who had bought a new camera. Armed with the Practika and determination, I followed Eisenstadt’s path around the Vineyard. I discovered where he’d taken each picture, figured out how he’d gotten the perspective, framed it.

I duplicated his shots down to the clump of grass behind which he’d crouched to create a foreground. I added a few twists of my own. I was winging it, but I winged well.

My first roll of film was brilliant – except the photographs were copies of Alfred Eisenstadt’s. He taught me photography by giving me foot prints to follow. By the time I was done with those first rolls of film, I had learned the fundamentals. I’m still learning.

Photo by Alfred Eisenstadt

When I actually met Alfred Eisenstadt, it was the most exciting moment of my life.

As we got to know Eisie better, I asked him to autograph his books for me. He didn’t merely autograph them. He went through each book, picture by picture.

He was in his early 90s and had forgotten many things, but remembered every picture he’d taken, including the film and camera, lens, F-stop, and most important, what he was thinking as he shot. He could remember exactly what it was about the image that grabbed his attention.

For example, the picture of the sailor kissing the nurse in Times Square on VJ Day, he said he was walking around Times Square with his Nikon. When he spotted the dark of the sailor’s uniform against the white of the nurse’s dress, he knew it was what he wanted and shot. Light, contrast, composition.

We spent time with him every summer for 5 years until he passed. We were honored to be among those invited to the funeral. Although we were sad that Eisie was gone, we found things to laugh about. Knowing him was special and some memories are worth a laugh. I don’t think Eisie would have minded.

HOW TO TAKE A CASUAL PORTRAIT YOU WON’T HATE

The proliferation of cell phones and high-end, point and shoot cameras has made everyone think they take great pictures. For some people, it’s true or close enough for folk music. Others, not so much. Facebook is the place where I am constantly reminded of how many people take awful pictures.

Kaity portrait

This is aimed at the photographically challenged. You know who you are.

First, let’s discuss equipment. No matter what you are using — cell phone or camera — it needs to be in working order. Clean lens, not scratched. If it’s an old cell you have dropped and doused, I feel safe saying it won’t take great pictures.

Ditto that old point and shoot camera that’s been kicking around your basement for years. Probably not going to give you the quality you seek.

If, on the other hand, you have a relatively new cell phone, maybe an iPhone 4 or better? Or by some miracle you have a real camera in working order? Or someone in your family has a camera you can borrow for a few hours?

If none of this works for you, consider giving up photography.

Okay. Moving on. You need light to take a picture. Flash is unflattering and cheap cameras need more light than expensive ones. You don’t need to know why, just take my word for it.

ghoul in gettysburg

This means you should take your pictures outside in natural light. During the day. But not bright sunlight or in drenching rain. You knew that, right?

Rain is bad for cameras and cell phones. It’s the whole electronics versus water thing.

Bright sunlight creates unattractive sharp shadows and burns out highlights. It means you won’t be able to see anything in the bright or in shaded parts of the picture. Nor will there be much to see in the middle. Also, it makes people look all squinty.

Bright shade or a cloudy day will do the job.

Don’t pose yourself (or anyone) staring straight into a lens close up. Shot that way, everyone looks like a criminal. Just put a number under their face and you’re in an episode of Law & Order.

Have your subject turn slightly right or left. That includes you if you’re taking a selfie. Look at the screen and see if it’s an attractive picture. If not, keep moving the subject around until you like what you see.

Marilyn Herself 9

Take a lot of pictures from different angles. Let your subject move around. You can move too. If you take two dozen shots and get one you truly like, you’re doing well. The more pictures you take, the more likely you are to get a few excellent ones.

When you look in the viewfinder or screen, don’t just look at your subject. Look at the background. No trash cans. No piles of rubble. You want a neutral, pleasant backdrop. Leaves, trees, grass. A wall is good too. Mostly, you want the background to not distract from the subject.

Avoid flash for portraits. It is unflattering, like full sun and for the same reasons.

If all the pictures are unflattering, unfocused, off-color, do the right thing. Delete them. No one will thank you for making them look bad. You don’t need to be a photographer to know the most important rule of people pictures:

Everyone wants to look good.

Avoid trash cans in the background. Please!