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Marilyn Armstrong — Seeking Intelligent Life on Earth


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The Far Arena, by Richard Ben Sapir – Roman Ways In Modern Days

The Far Arena by Richard Ben Sapir

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I just bought a used copy of this long out-of-print book. I first read it when it was released in 1978. I was working at Doubleday as a book club editor. It fell to me to do the write-up for it in the monthly publication that went to book club members.

A large part of my job was to read books. Talk about great jobs, that was the best of the best. I’m not sure I ever fully recovered from my Doubleday years. Not merely was I paid to read and write about books, but I received (as did all the editors and graphic artists in the department) new copies of every book we worked on. We all had very large personal libraries. We also had 2 hour lunches and wonderful co-workers. I looked forward to work the way most folks anticipate the weekend. It was that good. I realize this is a digression, but I wanted to put this in context and maybe brag a little.

The Far Arena is classified as science fiction. It is, sort of, but not in any traditional sense. It doesn’t fall into any of the usual sci fi categories. Time travel? Not exactly, but it has a time travel-ish feel to it.

The story in brief: A Roman gladiator is flash frozen in the arctic ice. He is accidentally discovered by a team drilling for oil and subsequently defrosted and brought back to life. What follows is his story as a Roman married to a Hebrew slave, and his perceptions of the modern world from the point of view of a man whose world disappeared 1600 years ago.

His observations on modern society are priceless. For example, while he is in the hospital, he asks about the slaves who serve him. He is referring of course to the to nurses and other workers who attend his needs.

His new friends explain that they aren’t slaves, that they work for wages and are free to leave or be dismissed by their employers. He thinks this is a fantastic idea. “You mean they do everything you tell them to do, but when they get old and can no longer work, you don’t have to take care of them? What a great idea! Slaves, but without responsibility.”

“They aren’t slaves,” insist his modern friends.

“They are treated like slaves, they act like slaves. They are slaves,” he responds. Who would like to argue the point? Not me.

That is paraphrasing, of course, but is captures the gist of the dialogue. I have never looked at the world quite the same way since I read this book. Modern workers have all the freedom of slaves, but no assurance that anyone will care for them when they are no longer able to work. That’s a pretty good deal from the owners’ … I mean employers’ … point-of-view.

This is a brilliant and unique book. It stands apart from the thousands of books I’ve read over the years. All other time travel stories are about modern people visiting the past. This is the only book I can think of where a man from the past offers a view of the modern world and it’s not a pretty sight.

Richard Ben Sapir wrote other books that are unusual and worth reading. I especially liked The Body, but The Far Arena stands head and shoulders above the rest. He only wrote a few novels. His world was really comic books, or what are now called “graphic novels” … making locating copies of his books more challenging. However you can get your hands on one – beg, steal or borrow — it’s a must-read,even if science fiction is not a genre you normally seek out. Whether “A Far Arena” is science fiction or plain fiction is a matter of opinion. I think it sits just on the edge where genres meet. (Question: When genres meet, do they have coffee together? Just wondering.)

You might check to see if your local library has a copy. I scored a good copy in hard-cover from a second-hand seller on Amazon for $8.50 plus shipping, not bad considering the book’s been out of print for 30+ years.

It would make a great movie. I can see it all in my mind’s eye. I recommend you read it if you can. You can find copies around occasionally and although he was not a prolific writer, he wrote a few other novels, all of which are very good and have unique stories.

Did I mention that it’s exceptionally well written? Highly literate? Well-researched? Convincing? All those things and a great, gripping story too.

You can hunt down used copies. They are available on Amazon (I just bought one  as a gift) and more come up periodically. Sometimes you get lucky and find one of these rare books at yard sales or the Salvation Army. Then you get the book for literally pennies and you  have fun hunting it down, too. On the average, you’ll find it’s less expensive than most new paperbacks and more than worth the price.


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‘Star Trek: Into Darkness’ will bring movie fans into the light

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“To Boldly Go, Where No One Has Gone Before”… a simple, yet iconic phrase that has delighted TV viewers and film fans for decades and is attached to the journeys of “Star Trek” in all of its forms. Open today in theatres everywhere “Star Trek: Into Darkness” takes us deep into the universe in ways that will delight the hardcore fans and not alienate the casual ones either.

After an attack of terror from one of their own within the Federation, Captain James Tiberius Kirk (Chris Pine) leads the crew of the Enterprise into uncharted waters risking interplanetary war to try and track down this one man weapon of mass destruction.

As J.J. Abrams gets to dive into this world for a second time, the results range from thrilling and brilliant to occasionally maddening but it is never dull and even the most dedicated and hardcore ‘Trekker’ cannot deny that “Star Trek: Into Darkness” is a wall to wall thrill ride that will delight all ranges of fans considering how brazenly nervy the material does get at times. The script from frequent Abrams collaborators Roberto Orci, Alex Kurtzman and Damon Lindelof have craft a big and bold action adventure told on a pretty grand scale, that flows like an easy current allowing us more time to really get to know and exist with these characters. The differences and similarities that we saw in the first film that referenced the original franchise, weren’t as subtle this time out as they clubbed the viewer over the head with some obvious story parallels but it is such a fun ride, that even the ardent ‘Trekker” won’t give up on this one. Always visually stunning to a fault, the film successfully never loses sight of the human element of the “Star Trek” universe as it is these interpersonal stories that have always made the franchise click. As Abrams throws as many lens flares at the screen as he possible can, this film like so many of his other projects keeps the people first and that is truly where the magic lies as the ensemble returns getting fully ensconced in their characters with some excellent performances.

Surprisingly enough, in this second film it is the supporting cast that shines just a brightly as the leads. Chris Pine is embracing the swarthy, arrogant swagger of Kirk that will all love so very much as he leads his crew into battle against this new villain. Benedict Cumberbatch simply tears up the screen as the best kind of bad guy there is, the one we love to hate and he gloriously chewed the scenery at every turn.

Zachary Quinto truly became Spock in this one channelling both emotional sides of his character really becoming Spock’s equal this time out. Karl Urban chews the scenery with his one liners and Simon Pegg provided some fantastic comic relief as John Cho, Anton Yelchin, Zoe Saldana and newcomer Alice Eve rounded out the supporting ensemble making this film a real ensemble piece, just like a Star Trek film should be.

As they pay homage to the old, while trying to bring in new fans, “Star Trek: Into Darkness” despite the occasional hiccup works as an across the board action ode to the countless adventures that are out there in the universe for this crew to explore.

“Star Trek: Into Darkness” is now playing at theatres all across the country; please check with your local listings for show times.

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At Winter’s End (Kindle Edition), Robert Silverberg

Original Publication date: October 1, 2005, Kindle Publication date: May 14, 2013

At Winter’s End: The New Springtime, Volume 1. By Robert Silverberg, .

The falling death stars came again at last. Long predicted, the recurring catastrophic collision of earth with the world-destroying celestial bodies arrived on scheduled. In its last pass, it had killed the dinosaurs, brought the ice ages and ultimately, the ascendency of humankind as Earth’s dominant special.

It is many hundreds of thousands of years in the future when the cycle recurred. By then, Earth had not only humans, but other intelligent species — vegetals, mechanicals, hjjk (insect-like) and emerald-eyes (heirs to the dinosaurs) sharing the planet. Of the intelligent earth-based species, only humans and the hjjk were destined to survive the longest cold winter of the Earth. The others either could not or would not endure the 700,000 years of the Long Winter.

Simians who will become heirs to humanity have survived in an underground cocoon. Within this highly structured, rigidly organized society, they are driven by a singular goal. Endure until the New Spring comes. Survive until the sun warms the Earth. It’s an unthinkably long wait.

When finally signs portend the arrival of spring and The People are led by their chieftain Koshmar and chronicler Taggoran from the cocoon into the Outer World, it’s terrifying to many. The odds against survival are formidable. There are but 60 of them in total, the exact same number who entered the cocoon. This number has been maintained through ruthless reproductive control and pre-scheduled death dates. The number of tribe members has never in all 700,000 years been allowed to grow by a single member. But now, it’s a new day. The rules are gone and from where will the new rules come?

Earth does not exactly throw the People a welcome party. Many are glad to see them, but not for the happiest of reasons. The rat wolves, the bloodbirds, endless vermin, bizarre predators and hideous insects await them … hungrily. With the warming has come the yearning for a taste of warm flesh.

The hjjk — those strange, cold insect like beings — have survived, to no one’s surprise. But there seem to be no other humans or humanoids anywhere. Koshmar’s band is so small and the earth so huge and empty. Losing Taggoran, the Old Man and Chronicler — preserver of the People’s knowledge and history — to the rat wolves means Koshmar must anoint a new Chronicler. She chooses the 9-year-old prodigy Hreesh-of-the-questions. It’s never been done before … but nothing is as it was. Everything must change.

Can this small doughty band of survivors fulfill the age-old promise to become the masters of the new-born Earth?

This is a long book with a lot of philosophical content. I enjoy the speculative nature of science fiction. That’s why I read it and that is, in my opinion, what sets sci fi apart — as a genre — from other kinds of fiction.

Sci fi is concept-oriented rather than centered on personal and emotional stuff. This is classic science fiction. There is a lot of thought-provoking stuff in here, much of it about the importance of following rules — and when rules no longer apply. How to know when it’s time to change and when it’s better to stand fast. If you are looking for a novel that explores the personal feelings of people and their relationships, you’ve come to the wrong book. If you like to give your brain a little exercise, don’t mind philosophical meandering (better yet, you enjoy it), give this one a read. And then read volume 2 — The Queen of Springtime. If you like one, you’ll like the other.

This marks the début of At Winter’s End on Kindle. The book has lost nothing of its power. Robert Silverberg is a  master science fiction writer and the story of a band of humanoid survivors as they set forth to repopulate and rule the earth is a gripping journey of fear, hope, despair and triumph — and not necessarily in that order. Earth reborn.

Available in hardcover, paperback and now in Kindle from Amazon.


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The Iron Druid Chronicles — Hounded to Trapped — by Kevin Hearne

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The Iron Druid Chronicles includes (to date) five books: Hounded, Hexed, Hammered, Tricked, and Trapped. The books follow the adventures of the last of the Druids,a  2100-year-old survivor of the Roman massacre of the Druids back in the reign of Claudius (41 AD to 54 AD).

The Beginning: Hounded (May 2011)

Atticus O’Sullivan — not his real name, but we never find out what his real name is, though many hints are dropped — survived the long ago massacre by fleeing to North America which had not yet been discovered by the Old World. After many years, he has established a peaceful life in Arizona where he runs an occult bookshop, does a bit of  shape-shifting that lets him enjoy hunting with his Irish wolfhound, Oberon. Atticus’ shifted shape is also a Wolfhound and his friendship with Oberon goes far beyond dog and master or even dog and dog.

Atticus’ appearance suggests a young man in his early 20s, belying his two millennium life. Through his long years of survival Atticus has gained a great deal of power, drawn mostly from the earth to which he is bound.  Personally, he’s pleasant, witty and hyper aware of the forces of earth, air, water and other. He has not survived for so many centuries without gaining enough wisdom to know when to fight and when to run. He has power, but he is also a survivor, choosing his battles with great care.

In the course of ages, he has come to possess a magical sword — Fragarach, the Answerer. Fragarach is coveted by an ill-tempered and powerful god. Although Atticus initially prevails and keeps the sword, many wheels are set in motion by the battle for its possession and the scene is set for the next five books in the series.

From the Paperback edition

Hounded was recently reissued as a Mass Market Paperback.

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Most Recent: Trapped (November 2012)

I’ve followed the adventures of Atticus, Oberon, and more recently, the beautiful Granuaile, his apprentice who is now about to become a full Druid in Trapped, released November 27, 2012. I had Trapped in hand the day of its release. I finished reading it, then got the audiobook and read it a couple more times. Just to make sure I hadn’t missed anything. That is a pretty fair indicator that I very much enjoyed the book.

Hounded was the first of the series and while I did enjoy it, I felt each subsequent book has been better than the one before it. Trapped was the best to date. With Hunted due to be released soon, I can hardly wait!

All of the books are rousing good fantasy yarns. Even better, Hearne has done his homework. His Pantheon(s) of Gods are pretty accurate, much more so than most fantasy books that call on various gods. The writing is intelligent, witty, fast-paced and original. Kevin Hearne‘s world is constructed with care. Within that world, the characters and nature itself are subject to natural law and logic. There is symmetry and order. The world feels right. It’s a different reality, but nothing ever falls upwards.

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Each story has more than enough action to satisfy any fantasy reader, but it is graceful and elegant.

sausage-festAtticus is the kind of character I’d love to hang with, but if I had to take my pick of one character with whom to spend some quality, it would have to be  Oberon the wolfhound. Oberon has a delightful “dog’s eye view” of the world and human relationships. He is the first “talking dog” who is a dog, not a furry human. He thinks doggy thoughts, lusts after sausages and poodles. He has a big vocabulary and exceptional communication skills, but he is a dog. And a funny dog at that. He has a thing for poodles which I have actually heard criticized as sexist. Folks, if this bothers you, perhaps you are taking life too seriously. Really.

The Iron Druid has it all: intelligent plots, fully realized characters, lots of action, great detail. Best of all,  the stories are never entirely predictable. There are enough surprises and plot twists to keep you hooked. The words are delightfully well crafted. For me, books are always about the words … and Kevin Hearne uses words beautifully.

I would not — as others have — compare Kevin Hearne to Jim Butcher. Although both write in the fantasy genre and I enjoy both authors, the worlds about which they write are significantly different as are the personalities and lifestyle of their protagonists. I’m sure Harry Dresden and Atticus O’Sullivan would appreciate each other and might enjoy a glass of brew together, but they move in different circles. I’ve never liked comparing authors as if all writers in the same genre are essentially interchangeable parts. There’s more than enough room for everyone and plenty left for those who have yet to set pen to paper.  Atticus isn’t going to replace Harry and Harry is unlikely to be at home in Atticus’ world.

And that is the way it ought to be. Should they find reason to join forces, that would be cool. I bet Oberon and Mouse would get on well … but if they never meet, I’m sure both will play their part in saving this old world of ours.

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Ender’s World: Fresh Perspectives on the SF Classic Ender’s Game

Edited by Orson Scott Card

Publication Date: April 2, 2013
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I started reading Ender’s World: Fresh Perspectives on the SF Classic Ender’s Game with high hopes. I love the Ender’s Game series. I thought it was one of the more original science fiction series of the last couple of decades. I like the characters. I especially like that Orson Scott Card didn’t baby his readers. When times got hard, his characters suffered. They grew, they learned to deal with the fallout from their wrong decisions, society’s wrong-headedness and other peoples’ bad choices. They dealt with unfairness, misjudgment by themselves and others.

They felt the pain of love that is not returned, of exile that is undeserved. Bad people transformed into much better people over time. Good people lost their edge. I read every book in the series including books that were not directly in the same timeline but concerned characters who formed the original groups at Battle School.

Ender’s Game and the books that follow are thought-provoking and on many levels disturbing. It questions our fundamental views on children, right and wrong. Our beliefs that “our species first” and by inference, “our country first” is the moral choice.

I consider myself an intelligent reader and I have a strong interest in philosophy and ethics. What’s more, I believe that the science fiction reading audience is probably as a group, the smartest, best educated, eclectic group of readers you will ever find. So when offered the opportunity to read Ender’s World, a book that isn’t part of the actual Ender’s Game series but is an analysis of the series and the issues it raises, I jumped at the chance. Oops.

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Cover of Ender’s Game (Ender Quartet)

By the time I was half way through the book, I wished I’d never started. I felt like I was back in high school or college lit class, over analyzing Moby Dick until I didn’t know a whale from a guppy … or care. Nothing spoils a good story for me faster than picking at its carcass.

This is a book that takes a great science fiction series and with the best of intentions, squeezes the fun out of it. It removes any sense of wonder you might have remaining, eliminates any potential surprises. It makes you feel your own thoughts are uneducated and insufficiently intellectual.

To say I didn’t enjoy the book doesn’t go quite far enough. I am certain somewhere out there in the big world of books there are those who enjoy this sort of thing. I am not one of them. Minute analyses of fictional material is a kind of dying of the light for me.

Read Ender’s Game. Read the sequels. When you are finished, if you really and truly have nothing else on your plate and want to hear what a bunch of dry academics can do to a great story and characters, read this. Otherwise, skip it.

The ultimate question about this series and every other book or series I read is twofold: did it entertain me? Did it leaving me thinking about it and wanting more? If so, the book has done it’s job and fulfilled its purpose. It’s one thing to talk about a book you love with people who love it too. It’s another thing to pick it apart until you no longer recognize it.

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‘Oblivion’ is a beautiful yet flawed exercise in science-fiction filmmaking

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The arrival of the spring marks the slow roll out of the big budget tent pole movies into multiplexes across the globe. Big budget sci-fi epics are really a dicey proposition even at the best of times as they tend to be populated with some of the pickier fans out there. “Oblivion” takes us to a point in the future, where the planet is ravaged after a cataclysmic war and the human race is doing whatever it can to survive.

Jack Harper (Tom Cruise) is one of the last drone repairmen stationed on Earth. Part of a massive operation to extract vital resources after decades of war with a terrifying threat known as the Scavs. Jack’s mission is nearly complete and he and his partner Victoria (Andrea Riseborough) will get to join the remaining survivors in their new home. However when he rescues a beautiful stranger (Olga Kurylenko) from a downed spacecraft, , he begins to question everything he knows.

A great vehicle for Cruise but it could have used some script work… Photo credit:  skiny.net

Co-writer and Director Joseph Kosinski certainly has an eye for the genre, as “Oblivion” is a stunning and bold looking film that doesn’t shy away from painting a big picture filled with sweeping yet barren landscapes and stunning cinematography, sadly the script could have probably used as much effort put into it as the visuals did. The narrative dragged in several parts with dialogue that ranged from clunky to downright laughable as the filmmakers were manufacturing much more melodrama then was actually necessary. It made it hard to generate a genuine connection with the characters, everything was insanely beautiful but much like the scorched earth that the characters were maintaining and protecting it was also incredibly sterile as Kosinski and company borrowed imagery from at least half a dozen of the more popular sci-films from the past 30 years. Stylish and wonderful, but not exactly ground breaking almost playing like a greatest hits from the genre that tries far too hard. Thankfully there are some still some familiar faces to keep us engaged as an audience.

Tom Cruise too often gets a bad rap for being a substandard actor, but to be perfectly honest when is the last time anybody has seen him perform in anything truly terrible? We simply haven’t since he works as the solid, brooding everyman kind of hero and holds his own in this character driven humanistic sci-fi drama. Andrea Riseborough is a consistently under rated actress how more than holds her own opposite Cruise and they have excellent on screen chemistry. Olga Kurylenko is a classic beauty in the Hollywood mold who will manage to always look at home in a genre or action movie setting. She is slowly but surely coming into her own as a leading lady and if she keeps her career trajectory moving in the right direction, there will be nothing but good things ahead. Melissa LeoMorgan Freeman, Zoe Bell and Nikolaj Coster-Waldau round out the ensemble but are all fairly wasted, adding little to nothing to the overall narrative.

“Oblivion” isn’t a bad film by any stretch of the imagination, but with a weak script that leans on too much manufactured melodrama and a plethora of borrowed imagery it isn’t necessarily all that great either. Worth a look if you feel like getting roped into seeing in glorious and expansive IMAX as Joseph Kosinski is certainly a huge visual talent but he just hasn’t nailed down the storytelling aspect of filmmaking quite yet.

Marilyn Armstrong‘s insight:

There have been some pretty good sci fi movies recently. I’m grateful. It was a very long drought!

See on www.examiner.com

 


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Year Zero, Rob Reid (2012)

The author of Year Zero, Rob Reid does not have the kind of bio one would expect of a science fiction author. In fact, he was and is an entrepreneur and multi-millionaire, the kind of self-made multi millionaire who makes many of us realize what failures we are.

He was born in New York City, grew up in Darien, Connecticut, got his undergraduate degree at Stanford University in Arabic and International Relations. He earned an MBA from Harvard. In 1994 Reid moved to Silicon Valley where he managed Silicon Graphic’s relations with Netscape. In 1999 he became a founding member of IGN Entertainment which went public in 2000. IGN was acquired by News Corp in 2005 for $650 million.

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Rob Reid

Reid was the sole founder of Listen.com for which he served as CEO and Executive Chairman. Listen.com launched Rhapsody, a music streaming service, the first legal service of its kind. Rhapsody was bought by RealNetworks in 2003 and Reid continued to serve as one of its vice president until MTV purchased it for $230 million. 

Thus when in 2012, Rob Reid wrote Year Zero, a science fiction novel about the music business and its impact on the universe, many people sat up and took notice. Who better to write about the Byzantine complexities of the music business than Rob Reid?

It is one of the funniest, scariest, weirdest science fiction novels I’ve ever read and certainly the only one that includes footnotes. The footnotes are hilarious too.

The scary part of the novel is not the story but how it mirrors the realities of the music business.

It turns out that Earth is the only planet in the universe that can create music worth listening to. It is not merely the best music in the universe. For all practical purpose, it is the only music. Other worlds have made something that had been called music … until the discovery of Earth’s music. From the moment our music was heard by the highly advanced sentient cosmos, there was no turning back. The year of the discovery of Earth’s music was Year Zero, the dawn of a new era for every planet in every galaxy everywhere. It also signaled the likely end of life on Earth unless some legal loophole could be found in our insanely punitive copyright laws.

If not, the combined amount of money owed to Earth’s music corporations would be so monumental it would bankrupt the entire universe. Unable to pay the bill yet obligated by inter-galactic law to pay it, the easier choice would be to destroy Earth, eliminating the problem and de facto, canceling the debt.

Year Zero: A Novel | [Rob Reid]Whether or not you will find the book as fascinating and funny as I did is probably a matter of what you find funny. No one knows the intricacies of law as it pertains to the music industry better than Rob Reid.

The humans are funny and oddly heroic, each in his or her own way. People rise to the occasion. The aliens are deliciously bizarre and some of them also rise … or fall … to the occasion. The combination of law and the ridiculousness of the situation is hilarious.

Although Year Zero is every bit as weird as any of Douglas Adams’ books to which it has been compared, the strangeness of the story is based on actual law. Douglas Adams created the Improbability Drive from his own imagination. Rob Reid only has to quote the relevant law — which is every bit as strange as anything you could imagine. That’s scary.

I loved this book. I read it, read it again. Then I bought the audio book and listened to it twice more. I’ll probably read it several more times. I have a passion for this kind of tale. From the day I read how Alice fell down the rabbit hole, I’ve been hooked on literary insanity.

There is no sequel. It’s the only novel Rob Reid has written. Otherwise, he is the author of two non-fiction books: Architects of the Web about Silicon Valley, and Year One about life as a student at Harvard Business School.

I love this book. I bet you will too. Give it a read. If nothing else, you’ll learn everything you never wanted to know about the music business!


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When comes the revolution, it will start at the motor vehicle bureau

Four years ago, the Commonwealth of Massachusetts decided they could save a few bucks if they stopped reminding people to renew their drivers licenses. We are all supposed to remember what year our license expires. Since drivers licenses are good for five years, pretty much no one remembers, thus no one can renew on-line: an expired license can only be renewed in person. Because anyone who has an expired license needs an eye test.

It doesn’t matter if it’s one day or 3 years 364 days. If the license has expired, you must come to the RMV in person to get an eye test. According to the RMV, there is a direct, if somewhat obscure and mystical connection between an expired license and failing eyesight.

Note: After 4 years, you have to start over as if you never had a license at all, including written and road tests.

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To save us even more money, the Commonwealth decided to close down all the kiosk RMV (Registry of Motor Vehicle) mini offices at malls where you could get simple tasks completed quickly and conveniently. But that was not enough. They then closed more than half the local RMV branches, keeping only the main offices open.

Between one thing and another, the result is a guaranteed daily pile-up of disgruntled Massachusetts motorists at the Registry of Motor Vehicles.

Garry discovered his license had expired and came home upset. I tried to renew it on-line, but though it had expired less than two weeks earlier, he had to renew in person because he needed an eye test. This makes sense to someone. A punitive eye test. It is your punishment for not noticing that your license was expiring.

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He wondered if he could defer it. No one ever wants to go to the RMV, but there’s no reprieve. Driving around with an expired license is not an option. Should something happen, even a minor fender bender, you would end up getting hit with a fine that would make your head spin.

We headed up to Worcester, which according to the RMV office locater was the nearest branch. That turned out to be untrue, but we needed to get it done and had barely enough time. Away we went. It was a trip backwards in time.

I remember saying if revolution comes to this country, it will start at the motor vehicle bureau where frustrated, tired, aggravated citizens get bounced from place to place in pursuit of accomplishing a simple goal in a reasonable length of time. That we were at the RMV at all was because some moron thought sending a postcard to licensed drivers every 5 years was costing too much money. I’d like to see a cost analysis on this brilliant piece of legislation.

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There used to be dozens of queues at the RMV. In the bad old days, you waited on whichever line you thought was the right one until you got to the front, discovered you had waiting on the wrong line, were directed to some other place to start over.

After several hours of bouncing from line to line, with the queues getting longer and angrier as the day wore on, at 5 o’clock sharp, they’d close and tell you to come back another day. The new method eliminates lines. Not a queue in sight. The Powers That Be have used chaos theory and a non-linear approach to eliminate lines and logic simultaneously. It’s a new world, a science fiction world, a completely incomprehensible world.

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To get you oriented, everyone starts on a single information line where you get a little deli counter paper ticket. On it is printed a 3-digit number preceded by a letter. We were I-256.

There are letter codes A, B, C, D, F, G, I and Z. I do not know what any of them mean or if they mean anything. I don’t know why those letters were chosen as opposed to other letters. It’s all part of the non-linear thing. In the front lobby, there is a single, rather small illuminated sign that flashes the next number up. There is no order to what combinations of numbers and letter might be next.

Any combination can be called any time to any window. There were about 24 queues, though not all were open. If you got lucky, you could hear a sotto voce announcement I’m sure Garry couldn’t hear at all and I could only hear parts of and only sometimes. There were words to the effect that “We are now serving A-132 at window 14″ and that number would flash on the screen. Sometimes they would flash the number for a couple of minutes, sometimes for just a few seconds.

They might be serving Z-542 at window 2, followed by D-234 at window 17. Everyone hovered near the screen because the noise level precluded being able to hear anything. When finally your number was up, you had to dash madly to whatever line you were called, which could be a long run (in my case, hobble) to the other side of the building. No way to know how soon you would be waiting. You didn’t dare leave, not even to go the bathroom.

Garry was baffled. I said that the RMV had eliminated bourgeois linearity and gone to a non-linear chaos-based formula.

“What?” he said.

“Completely random,” I assured him. We were both having flashbacks to the near riots of the 1960s as the lines in the motor vehicle bureau would stretch into the street and around the block. There were just as many people waiting now as then, but there were no lines, just folks sitting on hard benches with dull, blank faces or milling around wondering what happened to order and logic, and why don’t they simply send a postcard reminding you to renew your license? It took three and a half hours.

I took some pictures. Security concluded I was a terrorist. It had been a bad week for Boston and even on a good week, bureaucrats always assume anyone with a camera has evil intentions. I took the pictures quickly, so by the time they told me to put the camera away because “this is a State building!” (what that had to do with anything I don’t know), my camera was out of sight and I was standing around looking bored, annoyed and out of sorts like everyone else.

Finally, they called us. Garry got a new picture which is nominally less horrible than the one he had for the past 10 years. He passed his eye test, signed an autograph for the lady who served us (who became much less rude helpful after recognizing Garry), and we finally got out of there.

75-FlagRMV-NIK_56

I took pictures of the flag being raised again because it was exactly a week since the bombings at the Marathon which was also weird.

So I ask you: are they really saving money? Or is this just another way to make our lives more difficult?

Because I don’t believe for a moment that the savings are not more than offset by needing many more people working at the RMV instead of the rest of us being able to renew our licenses on our computers at home.

Just saying.

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