Daily Prompt: Four Stars — Remembering the Garry Armstrong Show

For 31 years, there was a continuing series on Channel 7 in Boston. It was my favorite show and I watched it faithfully. It was on several times each day. The first performance often aired during the pre-dawn hours. The final day’s  episode might air long after most people had finished dinner and many had gone to bed.

It was an excellent series. Watching it kept me informed about events taking place in my neighborhood, the city and the region. What was especially nifty was I how close I was to the star, though it was sometimes difficult to reconcile the handsome star of the series to the exhausted, crabby guy who finally came home expecting dinner. As a faithful viewer, I never had to ask how the star’s day had gone. I knew. I had seen his day. I usually taped the episodes so we could review it at leisure.

Garry with Tip O'Neill

Garry with Tip O’Neill

Thus I watched my husband on TV every day and it was — for us — normal. It came with some perks: invitations to snazzy events that sometimes appeared in newspaper gossip columns. It was funny reading about us as if we were real celebrities. I suppose, by some standards, he was. I was just the celebrity’s wife, but even reflected glory is rather glorious. Although we rarely got the opportunity to have dinner in a restaurant without being interrupted by fans, mostly, it was a nice thing. Garry was recognized and loved by people who thought of him as a friend. After all, he came into their homes every day. Many viewers had been watching him since they were kids, so he felt like a familiar family member.

That’s what he did for a living. So did so many of our friends so I didn’t think about it much. It was our life. I had a ritual. As soon as I got in from work, I turned on the news. I kept a tape in the VCR, so when Garry came on, I was ready.  This was the only way he was able to see how his stories looked because he didn’t see the finished piece at work.

He covered or was involved with virtually every important event in New England for 31 years. I wish I had more to show you, but the tapes I made disintegrated over time.

Garry and I at President Clinton's party on Martha's Vineyard

Garry and I at President Clinton’s party on Martha’s Vineyard

Most of Garry’s career was pre-Internet.  No Facebook, no Google. We have one of his three Emmy awards on top of the television, but no tape except this one piece I found. It’s not a major story, but it’s something. Garry’s segment appears at about 1 minute and 30 seconds into the noon news. You can fast forward and skip the intro or choose to watch from the top of the show.

That was a “live shot.”

Time passes. It’s good to have something tangible to remember the show, though lucky me, I still have the star by my side.

On September 12, 2013, Garry Armstrong will be inducted into the Massachusetts Broadcasting Hall of Fame. It’s quite an honor and I’ll be proud to be there with him.

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Reviewing the Oldies: Along Came Jones (1945)

I love western movies. I love horses. I love to laugh. What’s better than a funny western? Not much in my opinion.

My favorite — but little-celebrated — movies are western comedies. It isn’t the most popular movie genre, yet there are a reasonable number worth watching. Almost everybody has seen City Slickers and Blazing Saddles. How many people remember Cat Ballou, or have seen Rustler’s Rhapsody? Both charming and very funny movies. Lee Marvin got his only Academy Award for his role in Cat Ballou. On acceptance, he gave credit to his horse who deserved it. But I digress.

Directed by Stuart Heisler
Produced by Gary Cooper
Walter Thompson (assoc. producer)
Written by Nunnally Johnson
Alan Le May (novel)
Starring Gary Cooper
Loretta Young
Dan Duryea
William Demarest
Music by Arthur Lange
Cinematography Milton R. Krasner
Editing by Thomas Neff
Distributed by RKO Radio Pictures
Release date(s) July 19, 1945
Running time 90 minutes
Country USA
Language English

Along Came Jones is funny, but it’s gentle and sweet. It’s a love story with Loretta Young as the romantic interest, with Cooper in a role that it pokes fun at westerns and Coop himself without being mean-spirited. The plot is the basic mistaken-identity tale. Easygoing and slightly inept Melody Jones (Gary Cooper) and his friend George (William Demarest) ride into a town. Jones is mistaken for a badass bandit named Monte Jarrad (Dan Duryea) mostly because he has the same initials on his saddle. The mixup earns him a lot of unexpected respect (which he likes) then rapidly changes to trouble and finally love. The real Jarrad is hiding out in the home of his girlfriend Cherry (Loretta Young). In the beginning, she uses Melody to send the law off in the wrong direction, but as she gets to know Jones, her feelings change. There is a happy ending for all.

Cover of "Along Came Jones (Sub)"

Gary Cooper produced the movie and put his own money into it. It gave him a chance to be something other than the grim hero he so often played. In this, he is a lighter and more humorous version of his typical role. It was the only feature film Cooper produced during his more than 40-year movie career and Melody Jones was his favorite role. It’s easy to see why.

It’s a rare feel-good movie that isn’t trite. Cooper poking fun at Cooper is amusing without being over the top. His slow-talking, aw shucks style is perfect. This is an oldie that doesn’t play very often on cable, but it does pop up on Turner Classic Movies from time to time. If you find it, it’s worth watching. If you get TCM, you can find out when it’s playing on their website.

It has stood the test of time surprisingly well. You can see where financial corners were cut, but it doesn’t matter. The movie is character-driven and the scenery is just a stage set.  When we got a DVD player, it was the first movie I bought. It’s available at Amazon in combination with other Cooper movies and rather expensively on its own.

There’s no fancy cinematography, no nudity, cussin’, or graphic violence. A bit of shooting, no gobs of blood flowing. The tension won’t raise your blood pressure. It’s got some laughs and lots of smiles.  It’s a pleasant way to dump reality and visit a version of the old west that never was.

From Garry Armstrong, AKA “The Movie Maven”:

I spotted “Jones” when I was surfin’ the overnight movie fare and knew I’d struck gold for both of us. Charlton Heston once told me that Gary Cooper was his favorite actor and inspiration for his own little western “Will Penny”.

Coop was the idol of many, including one young woman in Brooklyn, New York, who decided to name her first-born after the legendary star in 1942. I digress, as usual, when talking about movies. After 15 years of commercial and critical hits, Gary Cooper was top gun at the box office in 1945. One of his favorites was “The Westerner” done 5 years earlier but that was stolen from him by Walter Brennan’s “Judge Roy Bean”.

Cooper loved his character in “The Westerner” and wanted to give him another go on his own terms. Melody Jones would be that guy. A Coop bio I read long ago says he made “Jones” mostly with his own money. Got it released as an independent so he would have last cut rights.

You’ll notice it’s low-budget by the exteriors and “rear projection” scenes, but that hardly matters. Loretta Young also did the movie “for a song”. Coop hand-picked Dan Duryea who was still a very young and aspiring actor with few major film notches, except for “Pride of the Yankees.”

Lane Chandler, one of the bad guys in the film, was originally supposed to do “Wings” (I believe), the silent that gave Coop his big closeup and break for stardom. Coop got that cameo not Chandler — and the rest is history.

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Watch out! Weather coming!

I live in the forgotten country — the lost land of the Blackstone Valley — where no one tells you nothing. When weather people stand in the studio and do their predicting, they always position themselves so you can see the entire Commonwealth of Massachusetts except where we live because that is where they always stand. If they give a passing mention to the valley, that’s a lot. I have learned to read weather maps because I’m not going to get any information any other way.

Dinosaurs could be roaming the Valley and no one would notice unless one of them ate a tourist.

t-rex

We’re turning the corner into summer, usually a relatively quiet weather period. Except for the massive tornado in Oklahoma and the violent storms here today, part of the same huge weather system that’s affecting almost the entire country from the west to New England. Last year we had Sandy the super-storm, a weather system so extensive the entire east coast and many places inland were sucked into the vortex.

The coming of Sandy the monster storm was announced with the usual hysteria. In the end, it missed us, though not by much. It devastated areas all around us, but we slipped through a little bubble between pieces of storm. I saw it on the weather map, but it was such a little bubble, if the storm’s path had altered even the tiniest bit, we would have been engulfed. Sandy was a huge, evil storm. The thing is, with all the over-the-top hype, I paid very little attention to it because I’m so used to the weather folks making everything sound like the end of the world is coming. So I didn’t make even the smallest preparations until the last possible moment, by which time no even had bottled water to buy. I’d been so numbed by all the hyperbole about previous storms that never materialized, it became meaningless noise.

That’s what’s wrong with the all-frenzy-all-the-time approach to weather forecasting. It’s become the standard all over the place.

In this neck of the woods, we got a lot of weather. A local running joke is “If you don’t like the weather, wait a minute.” We tend to be glum  and resigned about snow because most winters, we get a lot of it. Sometimes so much we wonder if the roof will cave in under the weight. Roofs actually do collapse, so it isn’t entirely unrealistic to worry about it.

Blizzards, tropical rains and hurricanes, hail, sleet, ice storms, powerful thunder squalls (we’re having one right now) that down trees and power lines and occasionally become tornadoes … we get it all. Not the gigantic twisters, but pretty much everything else. Everything is normal here. That’s just the way it is in New England and always has been, far as I know.

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This is a river valley and a watershed. Rivers overflow. When they do, you can row, row, row your boat down the Main Street of any town in the valley, all of which are built along the banks of the Blackstone or one of its many tributaries. Some lucky villages, like Uxbridge, have both the Blackstone and a major tributary (the Mumford) running through the middle of town.

It produces beautiful autumn foliage pictures, but autumn can also be pretty sodden. When hurricanes are active, we may not get most of the wind, but we get shockingly heavy rains. To put things in perspective, the Blackstone isn’t the Mississippi. Our towns don’t wash away. It may take a few days for flood water to recede, but that’s as far as it goes. Basements get flooded, trees come down, but it isn’t the end of the world, just a pain in the butt. And sometimes expensive.

We are hardly the only area with rapidly changing, unpredictable, and sometimes bizarre weather, but we do get more hysterical about it than they do in many other places. Our TV meteorologists become crazed as weather systems approach. You’d think they’d never seen a snowstorm before as they predict blizzards to rival or exceed the big one in 1978. The blizzard of ’78 was in fact a monumental storm and has become The Storm against which all others are measured. It was a killer and only a handful of meteorologists predicted it correctly. Sometimes, the weather actually exceeds the hype. Many of our worst storms are under predicted. The bigger the hoopla, the more likely it is to fizzle.

Wherein lies the problem.

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Why get upset about the frenzy? It’s harmless, isn’t it? Weather sells. When big weather systems, like hurricanes or blizzards threaten, people who normally don’t watch the news tune in. Higher ratings, lots of teasers (“Seven feet of snow on the way!! Will you be buried tomorrow? Story at 11!”), and excited meteorologists. It’s money in the bank. Doom is a perennial best-seller.

I understand why TV station love to whip everyone into a frenzy. For them, it’s just business. Weather prediction doesn’t carry with it the usual issues of journalistic responsibility. No one can call you to task for being wrong because, after all, it’s the weather.

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I don’t get why people who live here get so lathered up. My neighbors know it’s going to snow in the winter. They know it’s going to rain in the spring. We all know it’s likely to flood at some point. You hope it won’t be your basement. Almost everyone has a sump, a pump, drains and ditches to deal with spring flooding. It’s messy and inconvenient, but hardly unexpected. So why do they buy into the frenzy? They ought — logically — to know better, wouldn’t you think?

The frenzy is not harmless.

Because the media treats every weather event like the end of the world, it makes it impossible to figure out if this next thing is serious or just more of the same. Should we lay in supplies? Ignore it? Plan to evacuate? Fill all the water containers? Cancel travel plans? Make travel plans? Head for the shelters?

Hurricane outside

Hysteria is exhausting and worse, it is numbing. Some of us actually worry when confronted with the possibility of weeks without electricity, wondering where we could go with our family and dogs — only to realize we have nowhere to go.  Telling us our world is ending is upsetting if you believe it, dangerous if it’s serious and we don’t believe it.

And who believes those guys any more? They really shouldn’t say that stuff unless it’s true. Or at least might be true. And they actually believe it’s true.

I’m assuming in areas like Oklahoma weather forecasters hold themselves to a higher standard so people won’t die because they have no faith in their meteorologists. I sure hope so.

As for me, if I can’t see the danger on a weather map, I don’t believe it. None of it.

It’s rude to scare us to death, then say “Sorry folks, forget I said that.” We don’t forget. It’s like telling the jury to ignore the testimony. You can’t unring the bell. Meteorologists are becoming bad boys who cry wolf. When the real deal occurs — and periodically, it does — will we believe them? I probably won’t and maybe that will be a dangerous mistake.

They may not be legally required to adhere to any journalistic standards, but maintaining some credibility might be a good idea.

I’m just saying, you know?

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Born on the Fourth of July — James Cagney as George M. Cohan

Yankee Doodle Dandy

When Garry and I were growing up in New York, the old Channel 11 (WPIX, I think it was) used to have a show called “Million Dollar Movie.” The theme for the show was “Tara’s Theme” from Gone With the Wind. I had never seen GWTW, so when I saw it for the first time, I said “Hey, that’s the theme for Million Dollar Movie.”

I wasn’t allowed to watch TV on school nights and only for a very limited period of time even on weekends. But, if I was home sick, I got to watch all the television I wanted, and better yet, I got to watch upstairs in my parents bedroom. It was black and white, as were all the televisions then. I don’t know if color TVs had been invented yet, but if they had been, no one I knew had one.

Million Dollar Movie played one movie per week, all day, every day, for however long they were on the air. So if I was home sick — usually for tonsilitis — whatever was playing, I saw it a lot. They also didn’t have a very large repertoire so the odds were pretty good if you got sick twice, you’d see the same movie again for another week.

Thus “Yankee Doodle Dandy,” the great James Cagney docu-musical was engraved in my brain. I believe that during at least three occurrences of my nemesis, those nasty tonsils, I watched it over and over again until I knew every word, every move, every song … with frequent commercial interruptions.

Now of course, we own the DVD and we never tire of watching it. No one danced like Cagney. No one had that kind of energy! Believe it or not, I never saw any other of his movies until I saw “One, Two, Three” in the movies when I was older.

We just watched it again and we watched James Cagney dance down the steps in the White House five times. I’ve included it here so you can watch it as many times as you want. What a great movie it is.

I thought he was a song and dance man and comic actor. I was very surprised to discover he used to play gangsters. Million Dollar Movie didn’t play those films.

Only one questions remains unanswered through all these years. How come they didn’t make it in color? Does anyone have a sensible answer to that?

Back to the Ponderosa: Pernell Roberts

As a girl, I was an ardent Bonanza fan.and quite smitten with Pernell Roberts (Adam Cartwright). That was way back when he wore something that looked like hair. I found him very was sexy. And he sang.

He sang this song in the episode titled “The Wooing of Abigail Jones” on March 4,1962 (Season 3, Episode 24). The same song was used in two other episodes, but Pernell Roberts didn’t sing it, so I don’t count them.

Cropped screenshot of Pernell Roberts from the...

Pernell Roberts from Bonanza. Episode: “Showdown” (1960). (Photo credit: Wikipedia)

For the past 50 years, I’ve been hearing this song in my head. Do you have any idea how annoying that is? Going on the theory that everything is on the Internet,  I Googled it and it popped up. An additional search through YouTube produced the piece of video I wanted. Join me a musical trip down memory lane as we return to the Ponderosa.

Cropped screenshot of Michael Landon, Dan Bloc...

Michael Landon, Dan Blocker, Pernell Roberts  in Bonanza. (1960). (Photo: Wikipedia)

Enjoy.. Maybe it’ll stick in your head  too!

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1Early one morning,
Just as the sun was rising,
I heard a young maid sing,
In the valley below.

2Chorus:
Oh, don’t deceive me,
Oh, never leave me,
How could you use
A poor maiden so?

3 - Remember the vows,
That you made to your Mary,
Remember the bow’r,
Where you vowed to be true.

Chorus

4 - Oh Gay is the garland,
And fresh are the roses,
I’ve culled from the garden,
To place upon thy brow.

Chorus

5 - Thus sang the poor maiden,
Her sorrows bewailing,
Thus sang the poor maid,
In the valley below.

Loving the Masked Man

LoneRangerWallpaper

The “new” Lone Ranger is due out next summer. I have no plans to see it. It would desecrate the memory of my first love.

From my first early encounter with The Masked Man and his Faithful Companion, I was in love. There were times when it was unclear whether I loved the horse or his rider more. I think Silver had a slight edge, but I yearned for the both.

To satisfy my passion and because I grew up when wallpaper was something you glued to walls, I had Lone Ranger and Tonto in my bedroom. Life was not easy for me, but I had the daring and resourceful masked rider of the plains all around me. It helped during the really dark times.

Other girls had Disney Princesses, but I had “Hi Yo Silver” and “The Lone Ranger” all around me. Although my walls did not play music, I could hum well enough and I had many a long chat with Lone and Tonto as I lay abed pondering the meaning of life and how I could convince mom to let me have a horse.

The original Lone Ranger and Tonto — Jay Silverheels and Clayton Moore

Growing up and out of my wallpaper did not end my allegiance to masked men on horseback.
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As the years rolled on, I became passionate about Zorro too. I can sing the Zorro song from the TV show. When the two Zorro movies starring Antonio Banderas came out, I adored them.
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Remakes don’t have to be awful, even though they usually are. There have been remakes that are better than the originals. I can name several off the top of my head and probably so can you. It’s not impossible but it requires studios to make an effort to produce quality films. They know how, they just don’t bother.
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My initial delight at learning Disney was making a new Lone Ranger movie switched to dread when I realized Johnny Depp was playing Tonto. We waited for the release of  trailer of the new “Lone Ranger” with foreboding. We were right to worry.
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We watched the trailer. Garry and I, wrapped in the silence of our individual thoughts, sat for a while. Finally, I turned to him and said:  ”Let’s wait till it comes to cable.”
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He thought for a minute. “Let’s just wait,” he answered.
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... those thrilling days of yesteryear ...

Reblogged from My Favorite Westerns:

  • Click to visit the original post

The Lone Ranger 

http://www.youtube.com/watch?feature=player_detailpage&v=w6Geh0NWiYg#t=17s

A fiery horse with the speed of light, a cloud of dust and a hearty "Hi Yo Silver!" The Lone Ranger. "Hi Yo Silver, away!" With his faithful Indian companion Tonto, the daring and resourceful masked rider of the plains, led the fight for law and order in the early west. Return with us now to those thrilling days of yesteryear.

Read more… 164 more words

My heroes! And Silver, the best ever horse.

True Grit (2010)

True_Grit_PosterHaving just watched the 1969 version of the film starring John Wayne, I thought it was time to see the remake. I usually avoid remakes of favorite movies, and the original True Grit is a favorite. I have always thought it was the Duke’s best performance, portraying a character full of life and humor.

I made an exception for this particular remake. I figured if anyone could do a credible Rooster Cogburn, Jeff Bridges was the guy to do it. So the day after watching the original, we fired up the Roku, popped over to Netflix and selected True Grit.

Directed by Joel & Ethan Coen
Produced by Joel Coen
Ethan Coen
Scott Rudin
Megan Ellison
Screenplay by Joel Coen
Ethan Coen
Based on True Grit
by Charles Portis
Narrated by Elizabeth Marvel
Starring Jeff Bridges
Matt Damon
Josh Brolin
Hailee Steinfeld
Music by Carter Burwell
Cinematography Roger Deakins
Editing by Roderick Jaynes
Studio Skydance Productions
Amblin Entertainment
Mike Zoss Productions
Scott Rudin Productions
Distributed by Paramount Pictures
Release date(s)
  • December 22, 2010
Running time 111 minutes
Country United States
Language English

Ahead of shooting, Ethan Coen said that the film would be a more faithful adaptation of the novel than the 1969 version.

It’s partly a question of point-of-view. The book is entirely in the voice of the 14-year-old girl. That sort of tips the feeling of it over a certain way. I think [the book is] much funnier than the movie was so I think, unfortunately, they lost a lot of humor in both the situations and in her voice. It also ends differently than the movie did. You see the main character – the little girl – 25 years later when she’s an adult. Another way in which it’s a little bit different from the movie – and maybe this is just because of the time the movie was made – is that it’s a lot tougher and more violent than the movie reflects. Which is part of what’s interesting about it. (Credit: Wikipedia)
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The remake is not more humorous than the original. It may be more faithful to the book. I will have to take Mr. Coen’s word for it since I haven’t read the book. Faithful or not, the remake is darker and more violent than the 1969 version. It is darker in feeling and visually darker, a movie in which a great deal of the action takes place at night. It is hard on the eyes.
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Television does not render darkness as well as big screens do. But movies these days don’t spend much time in theatres. They have them out on DVD faster than a speeding bullet, often before they’ve finished their first theatrical run. Considering that the majority of a movie’s life will be on DVD, shown at home on smaller screens, directors might take that into consideration and brighten these movies up a bit. I don’t want to put a damper on anyone’s art, but shouldn’t the actual viewing conditions under which most people will see the picture carry some weight? I’m just saying.
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Much of the original movie’s dialogue is identical in the 2010 version. The best and most important scenes in both versions are word for word the same. Between those signature scenes, the dialogue is different. The character of Cogburn is very similar in some way, but very different in others. Wayne’s taciturn old marshal contrasts sharply with Jeff Bridges’ loquacious  version whose Rooster Cogburn talks a blue streak.
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Hailee Steinfield’s Mattie Ross is more like her original character than Bridges’ Cogburn is like Wayne’s.
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None of this is real criticism. This is a good movie on its own merits. It stands on its own legs. Obviously the two movies derive from the same source, but despite large amounts of identical dialogue, the two movies feel very different. If you had never seen the original and didn’t compare them, I would simply say the 2010 True Grit is a good western with fine performances.
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But it’s a remake and there’s no avoiding comparisons. It may not be entirely fair, but it’s inevitable. Some of the scenes, when the dialogue is the same in both, are not only played the same way — Bridges even manages to do the “Duke’s walk” — they are shot the same way. Several key scenes are pretty much identical, frame by frame. Then, the movies diverge only to come together again a bit further down the  cinematic path. The convergence-divergence pattern can be disconcerting.
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Despite similarities, you’d never mistake this for an old-fashioned western. It’s got a gritty, dark texture typical of modern westerns. Characters are less heroic and more ambivalent. True Grit makes a moderately successful attempt to integrate both old and new, moving back and forth, mixing John Ford with Clint Eastwood. Sometimes it feel a bit disconnected and jumpy, leaping from familiar dialogue common to both movies, to completely different dialogue and mood … with no intervening bridge.
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There’s no cheery ending for the new True Grit. It’s not sad, but it’s not happy either.
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If I had to choose, I still prefer the original, but the remake is a good movie. Jeff Bridges is a fine actor. The entire cast is excellent. Perhaps it would be best to take each movie on its own merits.
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I am not likely to watch the 2010 True Grit again. Too grim, even though I enjoyed it. But I will watch the original again. And again.
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How you feel about each movie is obviously subjective. Two good films, genetically related. Take your pick. You won’t go far wrong either way.

Garry Armstrong: The Movie Maven’s Take

Reading Marilyn’s review of the “True Grit” remake, the obvious occurred to me. I am a child of the old school of movies. My heroes and heroines are the stars from the 30′s, 40′s, 50′s and 60′s. My film morality sensibilities have been shaped and nurtured by movies from Hollywood’s “golden era” through the 60′s. Not surprisingly, John Wayne is probably my favorite movie star. “Star” not actor. I thoroughly enjoyed Wayne’s “True Grit”. His “Rooster Cogburn” was a sum of all the heroes Wayne had played for 40 years. Older, fatter and more prone to corn liquor, Rooster’s sense of morality was still pretty simple. There was good and bad and few in-betweens. Wayne nailed all that with a self-deprecating sense of humor. Wayne was Rooster and Rooster was Wayne. The original’s end with Rooster frozen in frame and time as he and his horse leap a fence is “print the legend” stuff.  Veteran director Henry Hathaway (“The Sons of Katie Elder”, etc), is in familiar territory and gives the original “Grit” lots of traditional, old school western flavor.

All that said, Jeff Bridges’ Rooster Cogburn in the “True Grit” remake is also memorable and can stand alone. Jeff Bridges as an actor can stand alone. He invests his own irascible charm into “Rooster” while paying homage to the Duke. Matt Damon’s “LaBeouf” is much better and more complex than Glenn Campbell’s Texas Ranger in the original. Josh Brolin gives Tom Chaney much more depth and compassion than acting school guru Jeff Corey gave the original villain. I still prefer Robert Duvall’s “Lucky Ned Pepper” but Barry (“61″) Pepper is also pretty good in the remake.

The remake gives us an extended look at Mattie with an ending closer to the book than the original film. Hailee Steinfeld is her own Mattie — equal to Kim Darby’s offering in the original. So, while I can enjoy the “True Grit” remake, I am still very partial to the Duke’s original film. Arguments?? That’ll be the day!!

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