SERENDIPITY

Marilyn Armstrong — Seeking Intelligent Life on Earth


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Roku — The Little Streaming WiFi Unit That Can

Every once in a while, someone invents something that makes life a little brighter. In this case, let me introduce you to Roku.

Roku is a little streaming device that works off your wi-fi connection so that you can stream movie and premium channels, both free and subscription-based to your television. I wanted  to get Netflix and Hulu Plus, but I don’t like watching movies and other stuff on my computer and have no use for an expensive gaming device. I have a living room with comfy chairs and a big screen. That’s where I want to watch movies and television.

The Roku comes in different flavors — although they all work the same way. More expensive “advanced” models offer additional or augmented options, such as high-definition streaming, gaming, and earphone connections through the remote control.

In our case, there wasn’t much point in getting a very advanced model. Our high-definition television is an older model and only has one high-definition port which is already occupied with the connection to the cable box so we weren’t going to be able to take advantage of Roku’s 1080P capabilities and we have no interest in gaming.

The price is right: the entry-level model is just under $50, the next model up (the one I got) is just under $60 and the top of the line is around $100. It’s cheaper than any gaming machine. It’s small and connecting it is so easy that I could do it without help (though there were some nervous moments).

Basically, you plug A into B, B into C, C into D then follow the prompts. The instructions promise that this will bring out your inner geek. My inner geek is not hiding. I just don’t like dealing with hardware. I still don’t really believe that electricity isn’t going to spill out of the walls.

I got it put together and by golly, it worked. Despite appearances, there are only a very few free services. Most of the services are by subscription. I already belong to Amazon Prime, so I had one to start with. I wanted Netflix and was willing the pay the $7.99 a month for it. I haven’t decided about Hulu Plus yet. I figure I’ll jump into this slowly. Roku is as easy to set up as they say it is. And it works.

The bad news. It is what it is and that’s all it is. It is not configurable. There are no options to make it easier to use for people with special needs. There’s no help for the hard of hearing or visually impaired or anyone else who isn’t nimble of finger, sharp of eye and keen of ear.

The “search” capabilities are primitive and don’t hardly deserve to be called “search capabilities.” The tools, such as they are, are clumsy and slow. It’s easier to find whatever it is on your computer than go back and pick it up on the television. Keep your laptop handy because you’ll need it. Closed captions are available on Netflix, and I believe Hulu also. You can’t set it up so that anything on any channel that has closed captions will display them. You have to turn them on for each channel. Amazon doesn’t offer closed captions at all (shame on them). That’s not the fault of Roku. You can’t display captions if none are provided.

This is a fine piece of equipment for the price and it does what it promises. It’s absolutely worth the money, whether you buy the ultra economy model or the top of the line.

Is it going to replace your expensive movie packages from your cable or satellite company? Maybe yes, maybe not. It depends on your viewing habits, your technical aptitude, creativity and how your cable company has structured their prices. They don’t make it easy to delete pieces of your package. However, if you currently just can’t afford movie packages from your local cable or dish provider, this is a godsend. It’s affordable, easy to use (really as easy as they say it is) and it works.

Roku needs a better, more sophisticated user interface and a more efficient way of searching. There is a great deal to watch but finding it isn’t easy. Practice helps. It takes a while to get used to it. I’m fine on Amazon because I can set up my watch list on the computer and it is automatically available on Roku. You can also set up favorites and preferences for Netflix via the computer (easier than doing it directly on the Roku). I believe Hulu offers a similar option. You need a computer to get the most out of the Roku, but most of us have a few of them.

Standard set up couldn’t be much simpler.

Roku Instructions

Eventually, I will figure out how to find what I am looking for more efficiently. I figure Roku will also make a few improvements to the interface. In the meantime, it beats out the competition by several country miles (unless you are absolutely married to iTunes) and the price is more than reasonable. You get a lot of bang for your buck.

Note: You need one unit per television, but you don’t need a different account for Netflix or whatever for each Roku. One account works on all your devices: Roku, gaming devices, computers, tablets, telephones, and so on. It’s a pretty fair deal, especially compared to the price-gouging of traditional providers. Check them out. You may find it is exactly what you’ve been waiting for.


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How I Didn’t Set the Publishing World On Fire — The 12-Foot Teepee and Me

Every once in a while, much to my surprise, Amazon informs me someone bought my book. It happened a few times during 2012 and just happened again … wow! Any personal friends who were going to buy or read my book have long since done so. Therefore whoever bought it is not someone I guilted into buying it and is a genuine voluntary reader. This is cause for celebration. Woo hoo.

Don’t think I’m going to make any money from this. Hell no. The Kindle version of my book yields a whopping $1.87 per sale (or loan) and Amazon won’t send money until they owe at least $20. I guess that would require the sale of 11 electronic books? Something like that. Since my 2012 sales totaled 2 and there have been 2 more this year, I have now broken the $5 barrier and need only 6 or 7 more sales, downloads, or borrowers to earn enough for a trip to McDonald’s. If we order from the dollar menu, we could even afford a small beverage. I can barely control my excitement, but Garry has warned me not to count on it.

The_12-Foot_Teepee_Cover_for_Kindle

I still get buzzed when anyone buys or reads my book and delighted when they let me know they enjoyed it, but next time, I think I’ll write about dogs.

I wrote it in 2007, though it really didn’t “hit the market” — so to speak — until 2008. I did author things, television interviews on local cable, radio interviews. I got some nice local press. I arranged some book signings. None of them amounted to much, but they were fun and I met other local authors, some of whom have become friends. I sold a few hundred books which isn’t bad for a self-published book. For a while, I got regular royalty checks, sometimes large enough for a cheap dinner at a local fast food joint. I briefly thought Teepee would be a minor straight to DVD movie, but financing did not materialize. So much for Hollywood.

It’s difficult to successfully market a self-published book. When it first came out, I had dreams of glory. My husband had (still has) some good media connections, though as time passes, colleagues retire and there are fewer … but 5 years ago, many more of Garry’s colleagues were working.

English: Grave of Jean Paul Sartre and Simone ...

When you write a highly personal book largely based on your own life experiences, you know it’s not going to hit the top of the New York Times bestseller list. Books like this become popular only if written by celebrities  revealing scandalous details of things done with other celebrities, usually of a sexual nature, or if someone pumps it up on a national television, which did not happen to me and doesn’t happen to most authors.

Unless you have a recognizable name, there’s no market for this genre. The ones that get published because they are written by a celebrity don’t sell well either, usually going from a  display in the front of the store to the discount bargain bin faster than you can say “I didn’t know he/she wrote a book …” It’s not likely that me or you, unknowns that we are, would be able to convince a publisher we are worth the ink and paper to produce even a trade paperback. And don’t even think about an advance.

Books so bad they should have a warning label

Lately, I had the task of reading a lot of books that were deemed among “the best of 2012.” I have no idea on what basis these books were determined to be the best of the year’s offering, but I’d like to meet the judges and ask about least half the entries: “What were you thinking?” There are okay books amongst the dross, a couple of great ones and a few pretty good ones.

Unfortunately, there are many awful ones, books so bad it’s hard to imagine how this could be regarded by anybody as worth publishing at all. The worst book I had to slog through was J. K. RowlingsThe Casual Vacancy.” If you buy this book, you will want your money back. All I can think was she had a contract, got an advance, the due date came around and she threw this together to satisfy a contractual obligation. I certainly hope that’s the scenario because I cannot believe that even she believes this book is good.

After Rowlings dreadful novel, my next three top suggestions for your “don’t read this book” list, all of which should carry large warning labels saying Bad literature!! Keep away! – include:

Any of these books will cause you gastric distress and could lead to existential despair and a desire to read something involving wizards and vampires, or worse, Jean Paul Sartre. Don’t blame me. I warned you.

Then, there are a whole lot of books that are — at best — okay. Not so awful that maybe there might not be someone who likes it, but I find it hard to imagine who it might be. Some of these are may simply be an acquired taste I haven’t acquired. I didn’t like them, but I suppose you could. Some others had redeeming qualities, but not enough, making you wish the author had given the manuscript one more edit … or considered including a plot and a few interesting characters.

Which brings me back to my book. I will say, in advance, that it is not a piece of deathless literature, but it’s not bad — and a whole lot better than most of the books deemed the best of 2012. In fact, comparatively speaking, my book has features that used to be traditional in books: characters, humor, the semblance of a plot, and a good-faith attempt to make a point. At the very least, you will learn how to build a tepee (perhaps more of how not to build a teepee), should you care to have one of your own … something I highly recommend. Tepees are strangely wonderful. You might not love my book, but I’m pretty sure whoever you are, you’d really like having a teepee.

These days, books that sell are mostly cop and courtrooms, whodunits, thrillers, terrorists, vampires and other creatures out of myth and fable, many things magical and mystical. Novels about people who live in the real world and do real things … work at paying jobs, raise children who lack magical powers, don’t have access to time travel nor are likely to rocket into space to explore other universes are becoming rare.

Are we no longer able to find the real world sufficiently interesting to write books about it?

How boring are we?

So here’s my question: are we really that boring? All of us? Is the reason that there are so few good books set in the real world because we find our lives completely uninteresting? Are the day-to-day battles regular people go through every day so dreary that we can’t bear to write about them?

It is obviously more entertaining to read about things that don’t exist … things that may have happened long in the past … or about events that have or might happen in our real world, but are so far out of the ordinary experiences of regular folks that they might as well happen in an alternate universe.

Having someone buy a copy of my book today was a big deal. If thousands of people bought and presumably read “A Casual Vacancy” or “The Middlesteins,” maybe a half-dozen or so people will buy or borrow an electronic copy (or, be still my heart), a hard-copy trade paperback of my book. Although unlikely, it’s possible. And the book might even resonate with some of you.

It’s about the baggage we haul through life, the baggage loaded on our backs when we are too small to choose … plus the rest of the boulders we pick up along the way and keep hauling until one day — with a little luck — we realize it’s okay to dump  them.

So, in case you’re of a mind to buy a book … which maybe you’ll enjoy and then again, maybe you won’t … the book is about child abuse and getting over it as well as the strange ways it warps you as you plod through life . How building a tepee helped me dump the bullshit from childhood and other stuff added along the way. In advance, I ask your forbearance about typos. Without a proper proofreader and editor, I was left to my own devices. If you read me regularly, you know I’m  a terrible proofreader and the queen of typos.

Being a writer and a proofreader have nothing to do with each other. Different skill sets. It is also hard to proofread your own manuscript: you tend to see what you meant to write and not what is there. 75-BooksHP

If you have any interest in acquiring the book in whatever form:

You can buy the hardcopy paperback here and the Kindle edition here. If you belong to Amazon Prime, you can read it for free. I get the same $1.87 in royalties whether you buy it or borrow it.  Go figure.

I have serious concerns about the state of publishing. I am convinced there are more good writers who can’t find a publisher than good writers who get published. With the opportunities offered by the electronic publishing, I would think the potential profit has increased exponentially. Why not publish more? E-books cost nothing but a little electronic storage space … and books like mine that are published as “print to order” cost nothing until it has already been bought and paid for. It’s risk free. It would be good for everyone.

Perhaps publishers should consider taking a chance on more newcomers who don’t write in trendy genres. I love science fiction and fantasy more than most people, but I also enjoy books about the real world and people to whom I can relate in an earthly way.

I fear the best of America’s writers are being lost in the scramble to publish only best-sellers. It doesn’t work anyhow. Most books flop, just like they always have.  From what I’m seeing, most acquisitions editors wouldn’t know a great book if it bit them on the nose. It’s not that I’m such a fantastic author and couldn’t get a reading,  publisher or agent. It’s that the stuff that does get published is so bad. It’s not a healthy sign for literature or the publishing industry.


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Does it really suck?

Buying a vacuum cleaner when you own pets, especially long-haired dogs or cats, is a big deal. Normal people go to a store and buy a vacuum cleaner.  Almost any reasonably good machine will do the job and last for years.

NanFor pet owners and especially for those of us who have more than a few pets, in our case dogs, buying a vacuum cleaner is a major life event, potentially a life-altering event. For us, pet hair is not a sidebar: it’s the central theme of life. During shedding season, which for long-haired breeds is all year — though much worse from late summer through autumn — the house looks like someone slashed open a cushion and spread the stuffing everywhere. Vacuuming is a massive undertaking performed daily. Failing to vacuum for a couple of days might make the house a candidate for condemnation and/or a Hazmat team.

When our Australian Shepherd is blowing his coat, no amount of vacuuming is enough. Everything is covered in fur. Note the main difference between purebred and mixed breed dogs is that purebreds “blow their coats” while mixed breeds simply “shed.” The results are identical, but it sounds classier for purebreds.

Nov 2012

Many long-haired breeds are bred to have huge coats and most owners who aren’t showing their dogs clip them.  Even clipped, there’s still an awful lot of fur. We adopted our Aussie; he had been a show dog … and the absolutely heaviest coated Aussie I’ve ever seen. All of that coat falls out annually. You can comb and brush him daily; there’s always more. The volume is astonishing. No mixed breed dog could generate such a gigantic mess. I always swore I would never own a dog with that much fur. I’ve turned down free pups and full-grown show dogs because they had too much fur. I had a breeder beg me to take one of her Samoyeds. He was gorgeous and a champion, only 8 months old … if I was willing to bathe and groom him myself.

I was young and hardy then. But I looked at him and I said, NO. A large (he was bigger than most Samoyeds), snow-white dog with a coat designed to withstand an arctic winter? I love dogs, but not that much. Yet despite more than forty years of dodging that particular bullet, I still wound up with a dog that sheds enough fur to carpet the world in hair. Somehow, I lost focus long enough to adopt him … and here we are, up to our eyeballs in fur.

If you happen to own (for example) a Great Pyrenees, a Sheltie, an Australian Shepherd (think Collie without a tail), anything that looks like Lassie, a sled dog (any sled dog including mixes), an Old English Sheepdog (possibly THE worst of all, being triple-coated), a long-haired St. Bernard  (the list goes on), you are permanently in search of a better vacuum cleaner. It’s a mission.  

Thus the purchase is an event requiring consultation, discussion and complex negotiations. What are the parameters? First and foremost, that baby has to suck. You want a machine that will pull the wall to wall carpeting off the floor, pull the cushions off the sofa and try to eat the draperies.

You have to balance the percent of carpeting versus hardwood flooring, number of stairs, weight, portability, how hard is it to clean it out because pet hair really clogs the works and finally, price. If you don’t keep clearing it, no vacuum will survive long. You quickly learn that small, light machines are a waste of money. If it doesn’t have a bag, anything other than a small hand vac will die in short order. You need power. You need a bag. You need strength of character, the understanding that you are going to have to deal with filth and lots of it. You need amperage, determination and above all, you need sucking power. Nothing can be too powerful. Your budget determines the limit, so within what you can manage, you try to get the best sucker available.

Bagless machines are weenies. We multiple pet owners need bags. Big ones.

The terriers don’t shed much. The short-haired dachshund doesn’t shed much. The Aussie sheds enough for 10 normal dogs and in the fall, it’s indescribably awful. Every morning, the house is covered in fur, great gobs of is. Huge piles of it cover the rugs, floor, and sofas. It infests the upholstery, adheres to the drapes, forms giant cobwebs that make your house look like the Adams family redux.

We’ve burned out two vacuum cleaners in less than a year, both bagless. This time, we bought a Hoover Commercial Portapower Vacuum Cleaner, 8.3 Lbs, Black. Typical five-star reviews say stuff like “This little commercial vacuum cleaner is one of the best buys out there. I can clean up Great Pyrenees hair with ease and empty out the bag and start over again without clogging up the vacuum like other machines I have killed with dog hair.” This customer understands our needs.

AmberWill will also need an upright to deal with rugs? Probably, but affording ONE machine was hard enough. A second will have to wait until next month at the very least.

I really hope this machine seriously sucks.


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The 12-Foot Teepee … How I Didn’t Set the Publishing World On Fire

Every once in a while, much to my surprise, Amazon informs me that someone bought one of my books. It happened during 2012 and just happened again … wow! Any personal friends who were going to buy or read my book have long since done so. Therefore whoever bought it is not someone I guilted into buying it and is a voluntary reader. This is cause for celebration. Woo hoo.

Don’t think I’m going to make any money from this. Hell no. The Kindled version of my book yields a whopping $1.87 per sale (or loan) and Amazon won’t send money until they owe at least $20. I guess that would require the sale of 11 electronic books? Something like that. Since my 2012 sales have totaled 2 and there have been 2 more this year, I think I have now officially broken the $5 barrier and need about 6 more sales, downloads, or borrowers to earn enough for a trip to McDonald’s. I can barely control my excitement.

The_12-Foot_Teepee_Cover_for_KindleFor all that, I’m always a little tingled when anyone buys or reads my book and especially happy when they tell me they enjoyed it. I’ve been away from it for quite a while already and I don’t think about it often. I’m unlikely to go back that way again. If I ever decide to write a new book, it will be something entirely different. Dogs, maybe.

I wrote it in 2007, though it really didn’t “hit the market” — so to speak — until 2008. I did those authorly things, some television interviews on local cable, some pretty heavy-duty radio interviews with pretty big guns, locally and regionally. I got some good local press, not as much as I might have wished, but not bad. I arranged some book signings. None of them amounted to much, but they were fun to do and I met other local authors, some of whom have become friends. I sold a few hundred books which I’m told, for a self-published book, is not bad. For a while, I got regular royalty checks, sometimes large enough for a very cheap dinner at a local fast food restaurant. I briefly thought I was going to become a minor straight to DVD movie, but financing did not materialize. So much for dreams of Hollywood.

It’s difficult to successfully market a self-published book. When it first came out and I still held some dreams of glory in my aging brain, my husband had (still has) some good media connections, though as the years pass, colleagues retire and there are fewer … but 5 years ago, many more of Garry’s colleagues were working.

 

When you write this kind of book, a book that is highly personal and largely based on your own life experiences, you know it’s not going to hit the top of the New York Times bestseller list. The only time books of this kind will become wildly popular is when they’ve been written by some celebrity who is revealing scandalous details of things done with other celebrities, usually of a sexual nature. Or some other celebrity likes it and pumps it up on a national television show, something that did not happen to me and doesn’t happen to most people.

Unless you have a recognizable name, there’s no market for this kind of book. The ones that do get published on the basis of existing celebrity don’t sell very well either, usually going from the front of the store display to the discount bargain bin faster than you can say “I didn’t know he/she wrote a book …” It’s not likely that me or you, unknowns that we are, would be able to convince a publisher that we are worth the ink and paper to produce even a trade paperback first release. Don’t even think about an advance.

Books so bad they should have a warning label

Lately, I have had the assigned task of reading a lot of books that have been judged to be among “the best of 2012.” I have no idea on what basis these books were determined to be the best of the year’s offering, but I’d like to meet the judges and ask them — about at least half the entries — “What were you thinking?” There are some good books amongst the dross I was assigned. There are even a couple of great ones, as well as a bunch of pretty good ones.


Alas, there are also many really awful ones, books so bad that it’s hard to imagine how this literary effort could be regarded by anybody as worth publishing in any form. The absolutely worst book I had to slog through was J. K. RowlingsThe Casual Vacancy.” If you buy this book, you will want your money back. All I can think was she had a contract, got an advance, the due date came around and she threw this together to satisfy a contractual obligation. I certainly hope that’s the scenario because I cannot believe that even she believes this book is worth reading.

After Rowlings dreadful novel, my next three top suggestions for your “don’t read this book” list, all of which should carry large warning labels saying Bad literature!! Keep away! – include:

Any of these books will cause you gastric distress and could lead to existential despair and a desire to read something involving wizards and vampires, or worse, Jean Paul Sartre. Don’t blame me. I warned you.

Then, there are a whole lot of books that are — at best — okay. Not awful enough that maybe there couldn’t be someone somewhere that likes it, but I find it hard to imagine who that might be. Some of these are may simply be an acquired taste I haven’t acquired. I didn’t like them, but I suppose you could. Some others had redeeming qualities, but not enough, making you wish the author had given the manuscript one more edit … or considered including a plot, storyline, and a few interesting characters.

English: Grave of Jean Paul Sartre and Simone ...This brings me back to my book. I will say, in advance, that it is not a piece of deathless literature, but it’s not bad — and a whole lot better than most of the books deemed the best of 2012. In fact, comparatively speaking, my book has features that used to be traditional in books: characters, humor, the semblance of a plot, and a good-faith attempt to make a point. At the very least, you will learn how to build a tepee (perhaps more of how not to build a teepee), should you care to have one of your own … something I highly recommend. Tepees are strangely wonderful. You might not love my book, but I’m pretty sure whoever you are, you’d really like having a teepee.

These days, books that sell are mostly cop and courtrooms, whodunits, thrillers, terrorists, vampires and other creatures out of myth and fable, many things magical and mystical. Novels about people who live in the real world and do real things … work at paying jobs, raise children who lack magical powers, don’t have access to time travel nor are likely to rocket into space to explore other universes are becoming increasing rare.

Are we no longer able to find the real world as it exists in the here-and-now sufficiently interesting to write books about it? Perhaps we bore ourselves and find our neighbors and families equally uninteresting.

How boring are we?

So here’s my question: are we really that boring? All of us? Is the reason that there are so few good books set in the real world because we find our own lives completely uninteresting. Are our struggles to keep a roof over our heads, get to a doctor, be treated by society with respect … are the day-to-day battles that regular people go through every day so dreary that we can’t bear to write about them?

It is obviously more entertaining to read about things that don’t exist … things that may have happened long in the past … or about events that have or might happen in our real world, but are so far out of the ordinary experiences of regular folks that they might as well happen in an alternate universe.

Discovering the other day that someone bought a copy of my book was a big event for me. It couldn’t be anyone I know. They’ve already got copies, either bought them or got them as gifts from the author, who gets to buy copies at cost (gee). The purchase, which may actually have been a “borrow,” was in Kindle format, so if I sell another 9 books, I will reach the threshold at which Amazon will pay royalties (still hoping to hit that $20 threshold) . So, right now, they own me $3.74, which isn’t close. It’s possible in theory that more people will buy or borrow books, isn’t it? If thousands of people bought and presumably read “A Casual Vacancy” or “The Middlesteins,” maybe 9 or 10 more people, will buy or borrow an electronic copy (or, be still my heart), a hard-copy trade paperback version of my book. Although unlikely, it’s possible. And the book might even resonate with some of you.

It’s about the baggage we haul through life, the baggage that gets loaded on our young backs when we are too small to choose … plus the rest of the boulders we pick up along the way and keep hauling until one day — with a little luck — we realize it’s okay to dump  them.

So, in case you’re of a mind to buy a book … which maybe you’ll enjoy and then again, maybe you won’t … the book is about child abuse and getting over it as well as the strange ways it warps you as you plod through life . How building a tepee helped me dump the heavy load of bullshit from childhood and other stuff added along the way. In advance, I ask your forbearance about typos. Without a proper proofreader and editor, I was left to my own devices. If you read me regularly, you know I’m  a terrible proofreader and the queen of typos. Being a writer and a proofreader have nothing to do with each other. Different skill sets. It is also really hard to proofread your own copy: you tend to see what you meant to write and not what is really there. 75-BooksHP

So, in case there are nine or ten people out there who might want to splurge for an e-book or a paperback, you can find the books on Amazon:

If you have any interest in acquiring the book in whatever form:

You can buy the hardcopy paperback here and the Kindle edition here. If you belong to Amazon Prime, you can read it for free. Oddly enough, I still get the same $1.87 in royalties, even if you read it at no cost. Go figure.

Note: There is some weird version of my book that comes up indicating that the paper book as no longer available. It’s an Amazon error that I have asked them (sigh) to fix. You get the correct information if you search in Amazon under “books” rather than as a general search. Maybe they’ll fix it, but it’s there, I promise. the links I included here are correct, even though Amazon thinks I published at least one version of this book in 0001 … which would make me a VERY old author.

I have some serious concerns about the state of the publishing industry. I am convinced that there are more good writers who can’t find a publisher than good writers who have gotten published. With the opportunities offered by the electronic publishing services, I would think the potential profit in publishing has increased exponentially. Why not publish more? E-books cost nothing but a little electronic storage space … and books like mine that are published as “print to order” cost nothing until you print one that has already been bought and paid for. It’s risk free. It would be good for everyone.

Perhaps publishers should consider offering opportunities to talented newcomers that don’t necessarily write in safe and trendy categories. I love science fiction and fantasy, but I also enjoy good books about the real world and people to whom I can relate in an earthly way.

I’m afraid the best of America’s writers are getting lost in the scramble to print only best-sellers. It isn’t working, either. Most books flop, just like they always have.  I’m not sure, from what I’m seeing, that most acquisitions editors would know a really good book if it reached up and bit them on the nose. It’s not that I’m so great and couldn’t get a reading, much less a publisher or agent. It’s that the stuff that gets published is so awful. Not a good sign for literature or the publishing industry.

 


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Marilyn’s Desert Island Eight – Plus My Adjustable Bed and Kindle!

Eight movies to have on a desert island? So many movies … but if I had to make the choice, here they are!
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The Lion in Winter (1968 film)

The Lion in Winter (1968 film) (Photo credit: Wikipedia)

Awesome performances by everyone, from Hepburn and O’Toole, to Anthony Hopkins in his first screen role. If words matter, this movie is top of the heap. It’s got a script so good it’s hard to imagine a better one.
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The Americanization of Emily

With Paddy Chayevsky as the writer, it had to be good … but add to that superb performances by James Garner and Julie Andrews in her first dramatic role. Wow. The whole movie is worth it just for Garner’s monologue on war. Funny, sharp, brilliant.

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This is one of those movies that I like better each time I watch it … and I watch it often. We can recite dialogue with it. It’s got everything you want a western to have: passion, revenge, violence, humor and brilliant cinematography. It’s definitely Val Kilmer‘s best performance and arguably Kurt Russell‘s shining moment too.
Maybe it isn’t one of the all time greatest films, but reminds me of the best of times and music I love. It’s funny, sometimes hilarious … and it’s a loving parody, warm-hearted and nostalgic. The music manages to be both humorous and good — a hard combination.
Not the most original choice, but it’s so good and it has worn well despite the years. We saw it on the big screen not long ago and I’d forgotten how funny and witty it is. It’s pure mythology, but it’s the way we wanted it to be, even if it isn’t the way it really was. We need our heroes.
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It’s hard to pick just one Mel Brooks movie, but if I have to choose, this has to be the one. It was a tough choice. “Young Frankenstein,” “High Anxiety,” and “History of the World, Part I” are right up there too. “Blazing Saddles” wins because it’s got some of the all time greatest lines. That’s HEDLEY Lamar!
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Science fiction movies usually disappoint me because they aren’t science fiction, they are westerns in space, using spacecraft instead of horses and featuring millions of dollars worth of special effects, but no script. This is beautifully acted, romantic, and believable. Great performance (underrated) by Jeff Bridges.
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I know they were issued as two movies, but they were filmed as one. The stars of the film(s) sued the studios since they had only been paid for one movie, and they won. Nonetheless, both movies play like a single film in two parts. You can’t watch one without the other. They keep remaking it, but none of the others come near this version. It’s fast, funny, and surprisingly true to the books. Dumas would have been pleased. I love the sword fights. I used to fence in college, and this has some of the best choreographed fencing I’ve ever seen. It’s not the elegant fencing you usually see, but brawling — the way men really fought — not to get points for good form, but to win without getting sliced up.
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Now I get to add a luxury item
My adjustable bed wins hands down. I sure hope they have electricity on this desert island. My adjustable bed is the single thing in the world that lets me be physically comfortable and really sleep.
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And one lousy book? No way.
As for one book? Hopeless. How about I get a Kindle and unlimited Amazon picks? How about that huh? Not having books to read would be cruel and unusual punishment. I think I’d wither away.
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And that’s my eight. If I could pick a hundred more, I wouldn’t run out of choices. Oh, and I might change my mind tomorrow!


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Confessions of Book Junkie

If reading were illegal, I’d spend my life in prison. As a kid, I literally read myself cross-eyed, but today, I have been redeemed by audiobooks. Praise the Lord and don’t make me give up my subscriptions to Audible.com.

Audible.com

Sometime during the 1990s, I discovered audiobooks.

I was a “wrong way” commuter, which meant my commute started in Boston and took me out to the suburbs. This was supposed to make the drive easier than going the other way.

Reality was a different. Traffic was heavy in every direction, whether you started in Boston or came in the from the suburbs. The east-west commute was nominally less awful than the north-south commutes, though coming from the north shore down to Boston was and is probably among the worst commutes anywhere.

When we lived in Boston up the 17th floor of Charles River Park, we could look out the window any time of the day or night and it was always bumper to bumper as far as the eye could see. It was like that every day of the week and any time of day.

Charles River Park. We lived on the top floor of the building on the right on the river.

Garry had a 5 minute walk to work. I drove. You’d think that at least once during the 20+ years Garry and I have been together, that I’d find one job that was near home. Funny how that never happened.

There’s no point in measuring a commute by distance because distance is irrelevant. It’s how long it takes that counts. It it takes you 2 hours to go six miles, but you can travel 15 miles in half an hour, obviously 15 miles is the shorter commute.

My commute was never short. Wherever my work took me, it was never anyplace convenient, except for those wonderful periods when I worked at home and had to go to the “office” only occasionally.

The 1990s were serious commuting years. Boston to Amesbury, Boston to Burlington, Boston to Waltham.

It got worse. By 2000, we had moved to Uxbridge and it is never easier to get from Uxbridge to anywhere, except one of the other Valley towns … and I didn’t work in any of them.

The house in late afternoon light. It’s a big breadbox of a house, but comfortable to live in.

As jobs got more and more scarce and I got older and less employable, I found myself commuting even longer distances. FirstProvidence, Rhode Island, which wasn’t so bad, but after that, I had to go to Groton, Connecticut a few times a week. That was 140 miles each way, a good deal of it on unlit, unmarked local roads. It was a killer commute and unsurprisingly, I was an early GPS adopter.

Even though I didn’t have to do it every day, Groton did me in. Hudson was almost as bad, and Amesbury was no piece of cake either. The distance from Uxbridge to Newton was not far as the crow flies, but since I was not a crow, it was a nightmare.

On any Friday afternoon, it took more than three hours to go twenty some odd miles. On Friday afternoons in the summer when everyone was taking off on for the weekend, I found myself battling not merely regular commuter traffic, but crazed vacationers, desperate to get out of Dodge.

The job market had become unstable, and it seemed every time I turned around, I was working in a different part of the Commonwealth or in another state entirely. If it weren’t for audiobooks, I’d probably have needed a rubber room.

First, I discovered Books On Tape. Originally intended as audiobooks for the blind, me and a million other commuters discovered them during the mid 1990s. They were a godsend. Instead of listening to the news, talk radio, or some inane jabbering DJ, I could drift off into whatever world of literature I could pop into my car’s cassette player.

I bought a lot of audio books and as cassettes began to disappear and everything was on CD, Books On Tape ceased renting books to the consumer market. Fortunately, audiobooks had become downright popular and were available at book stores like Barnes and Noble. Everybody was listening and most of us couldn’t imagine how we’d survived before audiobooks.

In 2002, along came Audible. At first, it was a bit of a problem, figuring out how to transport ones audible books into ones vehicle, but technology came up with MP3 players and widgets that let you plug your player, whatever it is, into your car’s sound system.

Good I didn’t have to get to the office.

Audible started off modestly, but grew and grew and having recently been acquired by Amazon (a company that, like Google, Yahoo, Microsoft and Verizon, is plotting to take over the world and succeeding pretty well), is getting bigger by the minute. For once, I don’t mind a bit. The company was well run before Amazon, and Amazon had the good sense to not mess with success. It is still easy to work with them, literally a pleasure doing business.

Five years ago, I became too sick to work anymore. Would that mean giving up audiobooks? Not on your life. When I was nearly dead, I listened to books and they distracted me from pain and fear, kept me company when I was alone and wondering if I’d live to see morning. Sometimes, they made me laugh in the midst of what can only be described as a place where humor is at a premium.

Today, I listen as I do everything except write. I can listen to books as I play mindless games on Facebook, edit photographs, pay bills or make a seven letter Scrabble play. I admit I cannot listen and write at the same time. That seems to be the point where multi-tasking ends. Actually, I can’t do anything while I write except write.

I get a lot of reading done while accomplishing the computerized tasks of life, not to mention turning hours of mindless messing around into valuable reading time. I am, in effect always reading.

Reading in Bed: My Guilty Pleasure

I read at night on my Kindle because reading in bed has always been one of my guilty pleasures. Oh how I love snuggling into bed with a book, electronic or paper, I don’t care. A book is a book by whatever format.

I remember reading in my bedroom under the covers using a flashlight, or worse, trying to read  from a sliver of light from the hallway nightlight, or, if everything else failed, by the light of a bright moon.

“You’ll ruin your eyes” cried my mother who probably had snuck books into her bed and read by candlelight.

To this day, I don’t know why she didn’t just let me turn a light on. She had to know I was going to read anyhow. She was always reading too! In fact, if books were my addiction, she was my dealer.

Even in today politically-correct world, giving your kid too many books to read is not yet considered child abuse. Aren’t we glad!

So my love affair with books continues. My tastes change, favorite authors move up or down the list. I go through phases: all history, nothing but fantasy, a run of thrillers, a series of biographies.

Getting older has few advantages but there is one huge gift and that is time. I have time to read. I can get so involved in my book that I look up and realize that oops, the sun is coming up and I’ve lost another night’s sleep.

It doesn’t matter. Because I don’t have to commute anywhere anymore. I don’t have to leap out of bed with 10 minutes to shower, dress, make up, and get out.

I can stay up too late reading, or writing, or watching movies and for the rest of my life, no one can make me stop. And that, friends, is really, truly, my fondest dream come true.

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