ROBERT “MITCH” MITCHUM AND ME – GARRY ARMSTRONG

Marilyn and I watched an old Dick Cavett interview with Robert Mitchum on TCM (Turner Classic Movies) last night. We laughed a lot. It was a reminder of how good late night talk shows were. It also showed the legendary tough guy Mitchum as an affable and literate man who didn’t take himself seriously.

The Cavett show originally aired in 1970. I met Robert Mitchum the following year. Turned out to be a memorable encounter.

Robert Mitchum was in Boston to shoot “The Friends of Eddie Coyle”, a film about small The_Friends_of_Eddie_Coyletime criminals. There was nothing small time about Mitchum. I lobbied for and got the TV interview assignment. Those were the days of “The big three” television stations in Boston. Two of the stations had prominent entertainment reporters. I was the “go to guy” at my station.

The established entertainment reporters had first dibs on Mitchum. Fine by me. I waited until shooting had wrapped for the day. I lucked out because they finished just before 1pm. The star was in a good mood because his work day was over. We shot one reel of film and I got everything I needed.

Mitchum seemed surprised we weren’t shooting more. Actually, he smiled when I said we had a wrap.

I was getting ready to leave when Robert Mitchum asked what was next for me. Nothing, I told him. I was through for the day unless I was called for a breaking news story. I also assured him I probably would not be reachable. He smiled. He asked if I knew any quiet places where he could have lunch without being bothered. I nodded and he invited me to join him.

It was a small, dark place. It could’ve been a setting from one of Mitchum’s film noir of the 1940s. He smiled approvingly as we walked in. Several people greeted me. No one gave Mitchum a second look. We settled back with the first of many rounds that afternoon. At one point, Mitchum took off his tinted glasses, looked around the place and said I should call him “Mitch”. I nodded. He wanted to know how I could just disappear for the rest of the day. I told him I had recorded my voice tracks, shot all my on camera stuff and relayed cutting instructions after the film was “souped”. Mitch smiled broadly and went to the bar for another round of drinks.

robert_mitchum_by_robertobizama-d4ktib7We spent the next couple of hours talking about sports, music, women, work and celebrity. He noticed how people would look and nod but not bother us. I told him this was one of my secret places. Blue collar. No suits. He wondered why I hadn’t asked him about the “Eddie Coyle” movie or shooting in Boston.

Not necessary, I told him. Everyone knew about that stuff and it would be mentioned by the anchors introducing my stories. He smiled again, lit one more cigarette, and ordered another round.

It dawned on me that Mitch was leading the conversation. Talking about me. How I was faring as a minority in a predominantly white profession. Just like the movies, I told him. I explained I did spot news stories to get the opportunity to do features which I really enjoyed. He laughed and we did an early version of the high 5.

We swapped some more war stories, including a couple about Katherine Hepburn. He talked about working with her in “Undercurrent” with Robert Taylor when he was still a young actor. Mitch said Hepburn was just like a guy, professional, and lots of fun.

I mentioned meeting the legendary actress after I was summoned to her Connecticut home during my stint at another TV station. Mitch stared as I talked. I had tea with Katherine Hepburn who had seen me on the Connecticut TV station. She liked what she saw but had some suggestions about how I could improve what I did. I never could fathom why Katherine Hepburn would choose to spend time with this young reporter. No modesty. Just puzzlement. Mitch loved the story and ordered another round.

I glanced at my watch and figured I couldn’t stay incognito much longer. This was before pagers, beepers and, mercifully, long before cell phones. Mitch caught the look on my face and nodded.

Mitch walked me to my car and asked if I was good to drive. I tried to give him a Mitchum look and he just laughed. We shook hands and vowed to do it again.

Mitch headed back to the bar as I drove away.

BARGAIN HUNTING – THE SPORT

I have acquired a lot of sweaters over the years. This is New England. Winters are long. Heat is expensive. Sweaters fill the gap.

This morning I noticed more than half my sweaters are purple. I’ve got a few in black, a couple in red, but purple dominates. The sweaters used to be all black. I’m from New York where women wear black. It’s a thing. A co-worker in Israel once told me I dressed like a nun. I could never wear the bright colors she wore. I’d feel like I was wearing a neon sign.

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If you surmise from this that I love purple, you’d be wrong. Purple sweaters scream “final mark-down.” As a habitue of end-of-the-season sales, I know what to expect. Lots of purple, white, orange and some nasty shades of green in which no one looks healthy.

Leftovers also include “specialty colors” designers were sure would be the next big thing. They are inevitably named after fruits or veggies. They never sell well, so there are plenty of whatever it was in the clearance aisle.

All the normal, neutral colors are gone, but you’ll find cantaloupe , mango, kiwi, aubergine, honeydew, sugarplum, pumpkin, mocha and vanilla bean. We all knew they were tan, orange, coral and lavender. New names did not make old colors the next big anything.

I’m a big fan of neutrals. In addition to being essentially conservative where color is concerned, I spent many decades working and commuting. If I wanted to have a life outside of work, dressing had to be fast, mindless.

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Neutral colors are the backbone of a working woman’s wardrobe. If almost all of your clothing is black, grey, off-white, taupe, brown, or khaki, putting together an outfit is a piece of cake. Grab a top, grab a bottom, attach earrings to lobes and voilà. It’s a go-anywhere wardrobe for the fashion-challenged. In other words, me.

After I stopped working, I didn’t have money to spend on clothing. The percentage of purple and orange in my wardrobe rose accordingly. Which explains the orange dress in my closet. I’ve had it for almost two years, but the tags are still attached. It was a 2012 leftover bought the spring of 2013. It’s still waiting to be worn as the spring of 2015 is well underway. It’s got short sleeves and is basically a long tee-shirt, so I’ll give it whirl as a nightie.

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Lack of money has honed my bargain hunting skills, but I have always been a bargain shopper.

I shop final sales and closeouts, even when I am not strapped for funds. It’s a family tradition. My mother raised me to hold fast to one unyielding principle: Never pay full price. 

I take pride in scoring a great buy. You aren’t supposed to brag about how much you pay. You’re supposed to brag about how much you didn’t pay. The less you pay, the greater your bragging rights. I was astonished to discover that some people are proud of paying a lot for something they could have gotten for half off if they’d waited a couple of days. They might have had to take it in purple or orange, but think of all the money they’d save!

Would I have different attitude towards shopping if I were rich?

To put it in perspective, back in the early 1990s, I got into a tug of war with Carly Simon for possession of a 70% off clearance sale silk blouse in a very chi-chi shop in Oak Bluffs on Martha’s Vineyard. The blouse was orange.

I won. Fantastic blouse.

Bargain hunting is not just for people on a tight budget. For some of us, it’s a contact sport.

Somewhere, in Heaven, Mom is smiling proudly.

OLD BLUE EYES AND THE KID – GARRY ARMSTRONG

I was still a kid, working at the college radio station in Hempstead, New York. I was a little older than the other kids, because I was recently back from my short stint in the Marine Corps. I don’t remember who provided my entrée for that interview, but I remember the night. How could I forget?

As a kid, I listened to big band vocalist Sinatra on “78” records. He was special even then. By the early 60’s, Sinatra was an entertainment institution. Music, movies, television and the subject of myriad publications which alluded to political and criminal intrigue.

How many romantic evenings have all of us had — candles, cocktails and Sinatra playing? He was a legend, America’s most iconic celebrity.

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Heady stuff for a young reporter invited to one of Sinatra’s hangouts. The story was about Jilly Rizzo. He ran a famous night spot in New York. “Jilly’s Saloon” (everybody just called it Jilly’s). It catered to lots of celebrities, but most notably Frank Sinatra and his “rat pack”. My primary focus that night was Jilly himself. We did a low-key chat about his club. Jilly did the talking. About his youth, how hard he worked to make his club a success. I let him talk, which he appreciated. He was fascinating. A real life Damon Runyon character.

The interview wrapped. I figured my night was over. Wrong. Jilly kept referring to me as “Kid”. As I prepared to leave with my engineer, Jilly tugged at my sleeve and motioned for me to follow him.

“Kid”, he said in his raspy voice, “I want you to meet some pals”. Jilly led me to a table filled with lots of cigarette smoke, profanity and laughter. I was a little nervous.

I had cause to be nervous. I made eye contact, my brain began to register and I began to smile blankly. Sinatra, Dino, Sammy, Joey Bishop and other familiar faces looked at me. My brain kept shifting gears. Apparently Jilly had introduced me as “Kid”, a newbie who was okay. That turned out to be my access card.

I realized I had a big glass of scotch in my hand. Frank Sinatra was talking to me, a big glass of scotch in his hand, a cigarette dangling from his mouth. I think I still had a glazed smile on my face.

“So, Kid”, he asked, “What the hell do you do that makes Jilly like you?”

I told him I had been listening to Jilly and found his back story fascinating. I told Sinatra I enjoyed listening rather than talking. It was easier, I volunteered. “You’re on radio and you like to listen rather than talk?”, he asked.

“Yes”, I said. I just stared at him.

He stared back, then said, “Kid, you’re okay”.

FrankSinatra9I slid into some questions about his childhood, about his weight, the difference between his singing and his conversational voice. Sinatra was off and running. The anecdotes had little to do with celebrity and lots to do with the guy behind the legend. I kept listening.

He noticed the tape recorder wasn’t running. Puzzled. I said this was social time. He looked even more puzzled, then shook his head and smiled. Sinatra said he wasn’t used to such treatment. I smiled. An easier smile.

I talked a little about my hearing problems, diction problems. My determination to get things right. Now Sinatra was listening. He said he too had diction problems during regular conversation which he tried to cover up with sarcasm and bluster. I realized he was leaning in as if to confide with me. I also noticed the other celebs had backed away, giving Sinatra privacy.

The conversation continued for another half hour, maybe 45 minutes. Jilly kept checking to make sure our drinks were fresh. I knew other people were staring at us. I figured they were wondering who the hell was this kid chatting up Sinatra. Actually, we were talking about music and radio. I told him about how I loved doing tight segues blending solo vocals, chorals, and instrumentals. He began giving me tips about how to segue some of his music. In a couple of cases, I was already doing it. He loved it.

We talked a little about sports. I told him I was a Brooklyn Dodgers fan and Duke Snider was my favorite player.

Sinatra said Joe DiMaggio and the Yanks were his favorites. I gave him a look and he smiled. Casey Stengel was our peace broker. Earlier that year, I’d spent time with Casey who was managing the fledgling New York Mets. Sinatra laughed at my recollection of conversation with Casey.

“Diction”, we both said and laughed.

Jilly Rizzo finally broke up the chat saying Sinatra was needed elsewhere. Sinatra grumbled, gave me a card and said there would be another time. There would be. Another story for another day.


THE DAILY PROMPT: IMPOSSIBILITY 

“Why, sometimes I’ve believed as many as six impossible things before breakfast.” – the White Queen, Alice in Wonderland.

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Sometimes, looking back on my life, it’s hard to believe I did all of that and took it in stride. Not six things … a thousand things … done every day as if they were no big deal. They were no big deal at the time. Looking backward, with the benefit of 20-20 hindsight, turns out they were something special As time slouches on, the memories become increasingly precious and fun to remember.

This is my first connection with the Daily Prompt! And I haven’t finished my first cup of coffee. Never would have expected this!

GUILTY AS CHARGED

Convicted in the Court of Public Innuendo, comment by Rich Paschall

It doesn’t take much for radio shock jocks and tabloid publications to go on the attack. If the story seems scandalous enough, or perhaps even just a little, the social media junkies have a field day as well. Re-postings of blogs of no particular merit start to appear. Links can be found on Tumblr, facebook, and Twitter as well as a whole host of new sites I have not had time to explore. Graphics show up on people’s news feeds, often with unrelated pictures with words scrawled across them. If the graphic is well made, it seems to add to the believability. The great ancient mythologies were believable to the people of those time periods. We are perhaps just as gullible.

When something of questionable authenticity appears I like to check it out on Snopes.com or other sites dedicated to debunking bad stories. A quick internet search is usually enough to check out the claims people make. Although it is often in vain, I like to add a link to the truth among the comments under some of these spurious stories. Sometimes it has zero effect as people continue commenting on the false posting itself. For some folks, proof is not enough.

There are even more insidious postings and rumor mongering going on in the area of innuendo. You imply bad things about someone and watch the story grow and take on a life of its own. There are enough false President Obama stories floating these past six years. Many imply that he has secret ties to Muslim terrorists or other anti-American groups. The whole “birther” charge regarding Obama’s citizenship keeps going around and that is followed by any number of conspiracy theories. These worthless speculations are damaging to the public welfare, especially when implied issues, although false, are nevertheless believed.

When my mother was no longer able to get out on her own, a friend would drop off multiple supermarket tabloids from time to time so they could see the latest celebrity “news.” Sometimes the talk and the tabloid headlines were so intriguing I would pick up the paper at my mother’s apartment only to find a story of little or no substance. A picture with a clever caption or suggestive headline would seem to point to a vicious scandal, and a league of tabloid grabbers would believe something they did not actually read.

Recently, an old charge of forced sex by comedian Bill Cosby resurfaced. The result has been an internet and social media firestorm. An ill-timed invitation by the Cosby Twitter account to “meme” a picture of Bill, that is to take the picture and add a graphic, ended up producing a whole host of uncomplimentary claims. Those graphics, of course, made the rounds. Cosby’s lawyer responded to all the new charges by saying, “We’ve reached a point of absurdity. The stories are getting more ridiculous.”

The man once known as “America’s Dad” for his portrayal of a wise father on The Cosby Show has now been convicted of a variety of sins by way of inflamed public opinion. It is likely to grow in intensity as long as Cosby remains in the public eye. At a recent appearance on his comedy tour, a Florida radio “shock jock” offered anyone a thousand dollars if they would go to the Cosby performance and call him out on these charges. One patron admitted she went just to see if someone would do it. No one did. A result of all the gossip and innuendo is irreparable damage to the Cosby image and career. Is one of America’s best known comics guilty of the things charged and implied? It is unlikely anyone can prove any of the years old charges, but he has already been convicted in the court of public opinion.

It was claimed that singer Megan Washington often appeared drunk on stage. While she sang well, she appeared to have trouble speaking. Reports of her performances might also include her struggle talking to the audience. Finally she decided to “come clean about it.” The issue was not that she was drunk all the time, it is that she has a speech impediment. She stutters. She explains it in a TED speech, “Why I live in mortal dread of public speaking.” It’s too bad some had already leapt to a different conclusion.

Many celebrities and politicians have been the victims of all sorts of inaccurate accusations. Some accept it and deal effectively with it by ignoring the comment. For others, the storm becomes so great they must respond. We see this in political commercials when attack ads link an opponent unfavorably with others. Here in Illinois the Republican attack ads put the current governor in pictures with the president to imply he believes what the president does. He also mentioned that the governor served in office with former Governor Blagojevich who is now in prison. You can guess the implication.

Of course, I could give many more examples of famous people who had been rumored to have done something bad through implication and innuendo. Many of these claims I could also point out were never verified. Nevertheless, they are out in the public domain and people believe them. Hence the popularity of supermarket tabloids and shows like TMZ. When the story is salacious enough, facts to the contrary don’t seem to matter much.

GARRY ARMSTRONG’S FAVORITE MOVIES* – 2014 UPDATE

The title has an asterisk because this is an impossible post. I can’t begin to do justice to all the movies I love when limited to ten. However, a dear friend (and fellow movie maven) asked me to compile such a list for a project.

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I saw my first film at age four in 1946. I recall relatives saying I talked like a grown up, spouting familiar lines. Frequently they were lines from movies.

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Photo by Bette Stevens

That quirk would continue for the rest of my life right to the present.

I’ve had the good fortune to spend time with many of the legends from old Hollywood, which sometimes clouds my perspective. I become totally immersed with movies. I become part of the film, sharing the feelings of the characters. Love, hate, joy and sorrow.

And now … the movies.

THE BEST YEARS OF OUR LIVES – 1946. The first movie I saw. I was 4-years old. Mom and Dad looked like a celebrity couple. Dad, just back from active duty in World War Two, seemed 10-feet tall in his uniform. The film’s theme, GI’s readjusting to civilian life, would become a personal issue in our family.

THE MAGNIFICENT SEVEN – 1960. If I love movies, I am passionate about westerns! I saw “The Magnificent Seven” 6 times during its first week in the theater. Steve McQueen was “the man”. The stars were so very cool. Eli Wallach was a hoot as the Mexican bandit leader. His line, “Generosity, that was my first mistake…” is my email signature.

INHERIT THE WIND – 1960. Every time it’s on, we watch it. Marilyn and I smile, anticipating the lines, waiting for the Spencer Tracy/Clarence Darrow monologues. The Tracy-Fredric March courtroom scenes are perfect. Two masters at work. Gene Kelly does his best dramatic work as the acerbic H.L. Mencken character. The film’s an excellent classroom tool for anyone unfamiliar with the Scopes trial.

THE AMERICANIZATION OF EMILY – 1964. If you love great script and dialogues, this may be the all-time best movie. The real star is the script and its writer, Paddy Chayefsky. James Garner’s favorite movie and best film role. Garner was brilliant! Ably supported by Julie Andrews (her first dramatic role). Hard to watch a gung-ho action war flick after viewing this one.

TOMBSTONE – 1993. I came on board after the second or third viewing of this one because of Marilyn’s love of this version of the Earp saga. It’s fast-paced, well-acted, relatively authentic and beautifully photographed. The film gives us a jolt of vicarious pleasure as the good guys mow down the bad guys. We have coördinated Tombstone tee shirts.

GIGI – 1958. I remember seeing this first run. I was 16, head over heels in love with Leslie Caron. A couple of years earlier, I’d waited outside the tiny Trans-Lux Theater in Manhattan where Caron’s Lilli had a record-breaking run. A wonderful musical. Music, sets, cast. Marilyn and I know the songs and sing along. It never gets old.

SINGIN’ IN THE RAIN – 1952. Maybe best musical. Ever. So many wonderful “numbers” including Gene Kelly’s iconic (I know the word is overused) title tune sequence. Once upon a time, I used to dance to work in the rain, just singing and dancing – like Gene Kelly. I got more than a few stares.

SHANE – 1953. Marilyn and I saw this first run at the Loews Valencia in Queens, New York, but not together. The Valencia was like Radio City Musical Hall. Fantastic and huge, with a starlit ceiling. Alan Ladd’s finest performance thanks to director George Stevens. I’ve seen Shane dozens of times and still marvel at its photography and editing. The scene of “Reb’s” funeral is classic – cinematic magic.

S.O.B. – 1981. Blake Edwards scathing take on Hollywood. It didn’t endear him to tinsel town’s movers and shakers, and they tried to sabotage S.O.B.’s distribution. William Holden and Julie Andrews head a wonderful ensemble cast. Holden’s dialogue to a suicidal friend could well have been Holden’s own eulogy.

CASABLANCA – 1943. Who doesn’t love this film? I met co-writer Julius Epstein in the 70’s. He shared lots of great stories about the making of Casablanca. He said every day was crazier than the previous one, with new dialogue arriving as scenes were set up. We saw a remastered Casablanca on the big screen last year, a celebration of its 70th anniversary. Bogie and the gang were in their prime.

Ask me to name my ten favorites next month, you’ll get different answers (with a few carry-overs)! Hooray for Hollywood!

WHY I LOVE LUCY – GARRY ARMSTRONG

I’ve got the end of summer blues. Maybe it’s the lingering memory of last year’s winter from hell. Walter Houston is talk-singing “September Song” in my head and he won’t go away. A phone call from a dear friend who has received some bad news from his doctor just deepens my melancholy. I need to get out of this funk.

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Melancholy. Melancholy Serenade. Serenade of the Bells. The Bells of St. Mary. A silly word link game I play to lighten things. It suddenly reminds me of another August more than three decades ago. Late August and Lucy.

The assignment? Cover Lucille Ball’s arrival in Boston. The nation’s favorite red-head was visiting her daughter, Lucy Arnaz, who was opening in a pre-Broadway show. It was pushing 9 pm, another long day. Yes, I had the end of summer blues.  Lucy finally arrived at Logan Airport, surrounded by an entourage and a gaggle of media.

I hung back, beckoning with my TV smile and waited for things to quiet down. I was looking down at my feet for a long moment when I heard the familiar voice. “What’s the matter, fella, long day?”, Lucille Ball inquired as I looked up, face to face with that very familiar face.

We smiled at each other. Real smiles. Not the phony ones. I didn’t realize it but Lucy had already cued my camera crew and things were rolling along. I’m not sure who was doing the interview.  Mostly we chatted about the “glamour” of TV, celebrity, long working days and Boston traffic.

I signalled the crew to shoot cut-aways, beating Lucy by a second and she winked. We shook hands and Lucy gave me an unexpected peck on the cheek..and another wink as she walked away with her entourage.

Lucy showFast forward to the next afternoon and the end of a formal news conference. Lucy seemed tired as she answered the last question about the enduring popularity of the “I Love Lucy” reruns. I was just staring and marvelling at her patience. She caught the look on my face and gave me a wry smile. As the room emptied out, Lucy beckoned me to stay. We waited until all the camera crews left. She offered me a scotch neat and thanked me for not asking any dumb questions during the news conference.

I asked if she’d gotten any sleep and she flashed that wry look again. Lucy gave me that “so what’s the problem?” look. I muttered something about being burned out and a little blue because summer was fleeting. She laughed. A big hearty laugh. Her face lit up as she pinched my cheeks.

Lucy showed me some PR stills from her “I Love Lucy” days and sighed. I showed her a couple of my PR postcards and she guffawed. Another round of scotches neat.

Lucy talked quietly about how proud she was of her daughter. I just listened. She smiled as she realized I was really listening.

A PR aide interrupted and Lucy looked annoyed. We stood up. I reached out to shake her hands but she hugged me. She pinched my cheeks again and gave me that wry smile again as she walked away.

AN AFTERNOON WITH ROBERT “MITCH” MITCHUM – GARRY ARMSTRONG

Marilyn and I watched an old Dick Cavett interview with Robert Mitchum on TCM (Turner Classic Movies) last night. We laughed a lot. It was a reminder of how good late night talk shows were. It also showed the legendary tough guy Mitchum as an affable and literate man who didn’t take himself seriously.

The Cavett show originally aired in 1970. I met Robert Mitchum the following year. Turned out to be a memorable encounter.

Robert Mitchum was in Boston to shoot “The Friends of Eddie Coyle”, a film about small The_Friends_of_Eddie_Coyletime criminals. There was nothing small time about Mitchum. I lobbied for and got the TV interview assignment. Those were the days of “The big three” television stations in Boston. Two of the stations had prominent entertainment reporters. I was the “go to guy” at my station.

The established entertainment reporters had first dibs on Mitchum. Fine by me. I waited until shooting had wrapped for the day. I lucked out because they finished just before 1pm. The star was in a good mood because his work day was over. We shot one reel of film and I got everything I needed.

Mitchum seemed surprised we weren’t shooting more. Actually, he smiled when I said we had a wrap.

I was getting ready to leave when Robert Mitchum asked what was next for me. Nothing, I told him. I was through for the day unless I was called for a breaking news story. I also assured him I probably would not be reachable. He smiled. He asked if I knew any quiet places where he could have lunch without being bothered. I nodded and he invited me to join him.

It was a small, dark place. It could’ve been a setting from one of Mitchum’s film noir of the 1940s. He smiled approvingly as we walked in. Several people greeted me. No one gave Mitchum a second look. We settled back with the first of many rounds that afternoon. At one point, Mitchum took off his tinted glasses, looked around the place and said I should call him “Mitch”. I nodded. He wanted to know how I could just disappear for the rest of the day. I told him I had recorded my voice tracks, shot all my on camera stuff and relayed cutting instructions after the film was “souped”. Mitch smiled broadly and went to the bar for another round of drinks.

robert_mitchum_by_robertobizama-d4ktib7We spent the next couple of hours talking about sports, music, women, work and celebrity. He noticed how people would look and nod but not bother us. I told him this was one of my secret places. Blue collar. No suits. He wondered why I hadn’t asked him about the “Eddie Coyle” movie or shooting in Boston.

Not necessary, I told him. Everyone knew about that stuff and it would be mentioned by the anchors introducing my stories. He smiled again, lit one more cigarette, and ordered another round.

It dawned on me that Mitch was leading the conversation. Talking about me. How I was faring as a minority in a predominantly white profession. Just like the movies, I told him. I explained I did spot news stories to get the opportunity to do features which I really enjoyed. He laughed and we did an early version of the high 5.

We swapped some more war stories, including a couple about Katherine Hepburn. He talked about working with her in “Undercurrent” with Robert Taylor when he was still a young actor. Mitch said Hepburn was just like a guy, professional, and lots of fun.

I mentioned meeting the legendary actress after I was summoned to her Connecticut home during my stint at another TV station. Mitch stared as I talked. I had tea with Katherine Hepburn who had seen me on the Connecticut TV station. She liked what she saw but had some suggestions about how I could improve what I did. I never could fathom why Katherine Hepburn would choose to spend time with this young reporter. No modesty. Just puzzlement. Mitch loved the story and ordered another round.

I glanced at my watch and figured I couldn’t stay incognito much longer. This was before pagers, beepers and, mercifully, long before cell phones. Mitch caught the look on my face and nodded.

Mitch walked me to my car and asked if I was good to drive. I tried to give him a Mitchum look and he just laughed. We shook hands and vowed to do it again.

Mitch headed back to the bar as I drove away.