When I got 1000 hits in about half an hour, I knew that they must be rebroadcasting this season’s premier episode of Criminal Minds. I’ve written close to 1000 posts, but this is the only one that gets that kind of response.
So, it must be the perfect time to re-post this piece. The question is whether or not the plot used in the premier show of season 8 of “Criminal Minds” is based on a song by a group named Blitzen Trapper, whose lead singer/lyricist is Eric Earley. This comes up each time the show airs, which is how come I get all these hits on that post.
To settle the issue once and for all — or until the show airs again — one of my correspondents is a producer on Criminal Minds. He assures me the group is being compensated and nothing underhanded is going on. I’m grateful to discover things are not as bad as they seem. It’s so rare. Usually, whatever is going on, things are worse than I imagined possible.
I’ve gotten a bunch of emails from people who seem otherwise intelligent yet against all reason believe big corporations would never take advantage of “little people,” and certainly would never commit (gasp) plagiarism. What makes this belief bizarre is that the corporations under discussion are run for and by people in show business. Unless my correspondents are living on a different planet than me, why would they think this? Have these people displayed such high moral character that they are incapable of illegal or immoral behavior? Could anyone be that naïve?
Corporations spend millions of dollars on public relations and advertising campaigns designed to convince us that they have our best interests at heart. They are entitled to give it their best shot, but why would anyone actually believe them? How has any corporation ever shown itself to be on any side but its own? And show business folks? These are not people famous for moral turpitude. Plagiarism is ridiculously commonplace. I don’t know a writer with hopes of breaking into “the business” who hasn’t had a piece of work stolen. Here’s how it works.
You go for an interview. You bring your story idea, your script, manuscript, lyrics, arrangement, proposal, whatever. You present it to the person to whom you hope to sell it. You make your pitch, praying this is the big score you’ve been waiting for. Alas, it is another rejection. You’re used to rejection. It comes with the territory.
A few months later, a new television series is introduced that has an identical storyline to the one you were trying to sell to that very production studio. A few relatively minor details have been altered, but you recognize it and so do all your friends.
Wathcha gonna do, eh? You’re going to sue the studio? Take the network to court? Bring suit against the record label? You have that kind of money and clout? If you were pitching your material, you are probably broke. They’ve got armies of lawyers. You’ve got your paycheck and tips from waiting on tables while you try to finish your next piece. Only in the Bible does David win. Goliath wins in the real world.
There is a great deal of plagiarism in television and movies, so much that the relevant lawsuits rarely make the news any more.
In the software world, accusations of intellectual property theft have reached the point where, after endless legal battles between Microsoft and Apple, every major manufacturer is suing every other manufacturer for copyright infringement. Who wins? Since everyone steals from everyone else and everyone is guilty to some extent, the winner is the company with the best lawyers or the most political influence. And of course, who paid off who.
Oh no, that doesn’t happen, you cry! Our legal system can’t be bought and sold. Right. And the tooth fairy left you a buck under your pillow last night. No really, she did. Honest! My congressman told me, so it must be true.
Public servants are as honest as the day is long. Corporations care about you and me. Hollywood and television executives are persons of the highest moral character. The moon is made of green cheese. Tomorrow I’m going to sprout wings and fly.
In this case, I believe my source, that Blitzen Trapper is being duly compensated and the worst crime involved is bad scriptwriting, which is not illegal, though it ought to be. The writers assumed the audience would not Google the song lyric within the first 10 seconds after the show’s characters said “there’s no reference to it anywhere.” Obviously they think we the audience are incompetent and stupid. It’s infuriating but it’s not against the law. Yet.
Just when I’m getting on my high horse about how we aren’t as dumb as they think we are, I get letters from readers proving that a lot of people may really be that dumb, or at least that naïve. I find this scary. Hell, these people are allowed to vote!
My signature line on email uses the following quote: “Never attribute to malice that which is adequately explained by stupidity.” – Robert Hanlon
In this case, for this show, I may have attributed to malice that which was in fact adequately explained by stupidity. That’s their excuse, but what excuse do you have for believing propaganda paid for by people who would squash you like a bug without a second thought?
I don’t get it. Maybe someone can explain it to me,
- The FBI can’t do a simple Google Search? (teepee12.wordpress.com)