SINGING IN THE RAIN

My Top 10 “Rain Songs,” by Rich Paschall

Every time I consider a Top 10 list of songs, I think I will never come up with ten.  The fact is, I always pass 10 and must consider which ones to toss.  Remember, this is my top 10.  Some make the list only by virtue of the fact that I heard them thousands of times as I grew up.  They seem to be woven into my life and have been there now for decades.  I have one of recent vintage to toss on the list, I think you will like it.

I did notice there are a lot songs that are well-regarded in this area, but I could not bring myself to add them.  One is the horribly overblown version of November Rain by Guns and Roses.  The over long video with the orchestra and strings is a self-indulgent piece of … (I digress), but it nevertheless makes the top of some lists.  Guitarist Slash said in an interview last year he has no idea what the 1992 video for the song is about.  Yeah, it makes no sense to him either.

Without further a do, or is it ado, or a dew?  Anyway it is not just dew, it is rain and here they are:

10. I Wish it Would Rain, The Temptations
9. Fire and Rain, James Taylor. Taylor has given various explanations of its meaning.
8. Here Comes the Rain Again, Eurythmics
7. Rainy Days and Mondays, The Carpenters Yes, it is pop fluff. I like it anyway.
6. Rainy Night in Georgia, Brook Benton There are a lot of versions, Benton’s is the best.

There are a number of fan videos of Hunter Hayes performing Rainy Season, but nothing official.  Since I have not found a good one, I will give you this audio version from the Encore album.

5.  Rainy Season, Hunter Hayes

Neil Sedaka had a string of hits that go well back into the 1960’s.  His early rock songs made him a star.  In 1974 he composed Laughter in the Rain with lyrics by Phil Cody.  It was a come back for Sedaka and the song made number 1 by February of 1975.  Forty years later, at the age of 76, he gave the following performance.  Yes, I can find earlier versions where his singing is a little better, but I just love it when the old guys can still deliver the goods.

4. Laughter in the Rain, Neil Sedaka

There are a LOT of versions of “Come Rain or Come Shine.”  The Ray Charles version is particularly good, and I highly recommend it.  My addition to the list may surprise you.  Jerry Lewis was not known as a singer and yet, he had a successful album after the breakup of the comedy duo of Dean Martin and Jerry Lewis.  Jerry was eager to prove he had more talent than just as a slapstick comedian.  My mother owned the 45, or was it a 78 rpm, recording and we played it ad nauseam.  The A side was Rock a Bye Your Baby and certainly got a lot of radio and juke box play, but the B side was well-regarded also. There is a You Tube video of Lewis performing the song at one of the 1990s telethons.  I decided to just go with the actual recording he made famous.

3. Come Rain or Come Shine, Jerry Lewis (Jerry Lewis Just Sings)

Whenever I hear this hit song, I think of Paul Newman riding a bicycle in the 1969 movie, Butch Cassidy and the Sundance Kid. The song was written and produced by the song writing team of Burt Bacharach and Hal David.  It was offered to others, but the B.J. Thomas version is the only one that matters.  It was the first number 1 hit song of the 1970s.  On the version recorded for the film, Thomas was recovering from laryngitis.  It is why that version does not sound the same as the hit record.

2. Rain Drops Keep Falling on my Head, B.J. Thomas

Seriously, what do you think of when you think about rain songs? Purple Rain? Have You Ever Seen Rain? Who’ll Stop the Rain? What one song immediately comes to mind? All fans of movie musicals will think of my number one. Is there any other?

The 1952 film, Singing in the Rain, got its title tune from a 1929 (or earlier) song that appeared in 1929’s The Hollywood Music Box Revue.  It was recorded a number of times before it was recycled to great success as the centerpiece of the classic movie.  Gene Kelly directed and starred in the film, recording one of the most famous dance sequences ever shot.  The remarkable part is that Kelly was ill and running a high fever at the time of the performance.

1. Singing in the Rain, Gene Kelly

SOME OF THE GOOD STUFF

Worldly Encounters

What would I share with a casually met alien? The same stuff I’d share with anyone. Stuff that makes me smile, tap my toes, sing along.

Life is complex and uncertain. Eat dessert first.

These are favorites. Take them seriously at your own risk!

Life is messy and we are messy creatures. No easy explanations, so let’s just try to make the best of it.

Have a little taste on me.

WAXING NOSTALGIC

My Top Albums On Vinyl, Rich Paschall, Sunday Night Blog

Those who have lived through the eras of music on vinyl, reel to reel tape, 8-track and cassette tapes, CDs and digital formats may tell you that the best of all was the vinyl era.  Yes, audiophiles will tell you that the best sound actually comes off of records, not the other formats.  As records and recording equipment, speakers and headphones evolved over many decades, the sound steadily improved.  Before the giant rush to tape formats, recordings on actual vinyl records became quite advanced.  When mono became stereo, and stereo advanced to multi channel sounds, people were piling columns of speakers around their rooms in order to make it feel like the music was being played right there in the room with you.

There were people who could tell you which albums had the best “channel separation” and would place speakers where certain instruments would appear in one place, while others could be heard from elsewhere in the room.  As recording techniques became sophisticated, so did the listeners’ equipment.  If you had a great turntable, receiver, speakers and headphones, you probably needed an equalizer so you could balance your sound perfectly.  I had a friend who loved classical music.  His many speakers were placed strategically so as to have the symphony orchestra placed perfectly.  With a little mixing magic on the equalizer, you might feel you were hearing the music live.

Those days are gone and no matter how much you insist the sound is better today, no one with a “sophisticated stereo system” in the 1970s will agree with you.  Why that diamond needle riding along groves in vinyl produced such a great sound is definitely a wonder I do not understand, but it did.  Every now and then I hear a CD in my car that impresses me with some channel separation that produces different instruments from different speakers, but that is rare.  It does not compare with recordings of older times.

Albums continue to be released on vinyl but they do not match the numbers from the eras before cassette tape.  I must remind you here that 8 tracks were a “flash in the pan” and I am pleased to say I never owned one.  In 2014 more albums were sold on vinyl than any year since 1991, still, the numbers are paltry compared to the decades before that.  I laughed when I heard the biggest selling vinyl album of 2014, according to Billboard.com, hit 87,000 copies.  It was Jack White’s “Lazaretto.”  If you said “Who?” join the club.  Apparently, 10,000 copies is considered a hit.  Like I said, the vinyl era is gone.

So, with that in mind I offer my eclectic selection of 5 vinyl albums I have for decades and still think worthy of playing often.  The first is from my dear departed mother’s collection.  Her collection featured show tunes, which I guess is appropriate for me, as well as Caruso and Mario Lanza.  I can not tell you how many Saturday afternoons were filled with Mario Lanza.  Perhaps that was to drive us out of the house to play outside, I am not sure.  I still have an album called Andy Williams Million Seller Songs.  They were not all his million sellers, but a few were hits for him.  I like the whole thing.  It was released in the fall of 1962 and hit Billboard’s Top LPs in January 1963 and stayed there for 43 weeks.


If I loved a group, I inevitably wanted their Greatest Hits album.  A lot of my early favorites were by The Hollies.  The group was formed in 1962 and have continued on with various members. They had so many early hits they actually put out a greatest hits album in 1967.  Some of the songs were co-authored by one of the founding members, Graham Nash.  He left the group in 1968 to form another group on my list.

One group I have mentioned before in The Time It Is Today.  The Association were known for songs with a message.  I just about wore out their Greatest Hits album as it is filled with my favorites from the late 1960s.

I actually had the next album on cassette first.  Later, someone gave me Willie Nelson’s Stardust on vinyl.  This 1978 album was a revelation to me as I heard Willie sing standards from other eras.  Willie picked his favorites and did them proud with his unique interpretations.  This is a treasured piece of my surviving vinyl collection.

In my humble opinion, one of the greatest vinyl albums of all time is actually a double album by a group formed of David Crosby, Stephen Stills, Graham Nash and Neil Young.  The 1970 album 4 Way Street was recorded live at the Fillmore East in New York, The Chicago Auditorium, and The Forum in Los Angeles.  All four individually wrote the songs on the album.  The harmonies were classic and enduring.  The messages were timeless.

FOR MOTHERS EVERYWHERE, A SONG – MOTHER’S WALTZ:

Mother’s Day – May 10, 2015

FROM Serendipity: The big weekend has arrived. Mother’s Day has come around again. The melody of A Mother’s Waltz echoes in my mind. I feel as if it is something I remember hearing my mother sing a long time ago … but of course, it is brand new from swo8 Blues Jazz

The pictures of my family include my mother, me, much younger and my son as a toddler. Pictures of Garry’s family include his mother and father’s wedding, Garry’s dad back from WWII with little Garry on his knee. Garry’s mom as a young woman.

The pictures are family heirlooms that evoke strong and sometimes conflicted feelings.

Music by swo8 with pictures from Leslie Martel (swo8) and Marilyn Armstrong. Memories in music for all mothers everywhere.

FROM swo8: Mother’s Day is May 10th and the great American author and photographer (blush), Marilyn Armstrong and I have worked on another collaboration. To commemorate this day, we have created a photographic montage of families together. It includes eight generations of my family and three of Marilyn and Garry Armstrong’s families.

The song is bittersweet because to be a mother, is indeed bittersweet. Our children bring us our greatest joys and our greatest sorrows. The first couple in the video are my great-grandparents. My great-grandmother died in childbirth leaving 3 babies and a husband.

When my great-grandfather remarried the children were sent off to their aunt to be raised. The aunt is the lady sitting by the fire-place. The first photo of children is of my grandmother and her twin sisters. My grandmother being the oldest would have missed her mother the most. In spite of her early losses she became an extraordinary person and had a huge influence on me and my thinking.

To be a mother has got to be one of the most difficult endeavours to under take in one’s life. We are given this helpless creature for a short period of time to nourish, educate and inspire before they disappear into the ether of adulthood.

As a tribute to mother’s everywhere we dedicate this song, “Mother’s Waltz” by swo8 Blues Jazz and Marilyn Armstrong. 


Other posts you might enjoy:

POSTING IN THE TROT BY SWO8 BLUES JAZZ

FOREVER WALKING BY SWO8 BLUES JAZZ

FOREVER WALKING BY SWO8 BLUES JAZZ

I’VE GOT THE WINTER BLUES – SWO8 BLUES JAZZ

WAYFARING STRANGER

I am a poor, wayfaring stranger.

Traveling through this land of woe.

PL-6 window, cat, forsythia

PL-6 window test

Winter weary, we wander. Why does cold linger? What to do?

We were going north, but wonder now if that’s wise. If, when we wend our way so high into those mountains, will winter still linger there?

Watching out my window. I’m waiting for the world to renew itself. And me.

Will you bring me sunshine? If you do, I too will bloom. Yesterday, I noticed the Columbine shoots, dozens of shafts that herald tall lilies. Tulips by the score. Solomon’s seal almost ready. It too needs just a little encouragement. One sunny day is all we need. The roses have gone wild and will need cutting back.

What have we here? Another gray day. More coffee, I think.

Waiting is. I will work on my garden later, if the rain holds off. The flowers grow undaunted. They have hardier souls than me.

Fearful Symmetry

A MOTHER’S WALTZ: A COLLABORATION OF SWO8 & SERENDIPITY

Mother’s Day is May 10th

 April 23, 2015 by swo8

FROM swo8: Mother’s Day is May 10th and the great American author and photographer (blush), Marilyn Armstrong and I have worked on another collaboration. To commemorate this day, we have created a photographic montage of families together. It includes eight generations of my family and three of Marilyn and Garry Armstrong’s families.

The song is bittersweet because to be a mother, is indeed bittersweet. Our children bring us our greatest joys and our greatest sorrows. The first couple in the video are my great-grandparents. My great-grandmother died in childbirth leaving 3 babies and a husband.

When my great-grandfather remarried the children were sent off to their aunt to be raised. The aunt is the lady sitting by the fire-place. The first photo of children is of my grandmother and her twin sisters. My grandmother being the oldest would have missed her mother the most. In spite of her early losses she became an extraordinary person and had a huge influence on me and my thinking.

To be a mother has got to be one of the most difficult endeavours to under take in one’s life. We are given this helpless creature for a short period of time to nourish, educate and inspire before they disappear into the ether of adulthood.

As a tribute to mother’s everywhere we dedicate this song, “Mother’s Waltz” by swo8 Blues Jazz and Marilyn Armstrong. 


FROM Serendipity: It has arrived. The melody of A Mother’s Waltz echoes in my mind. I feel as if it is something I remember hearing my mother sing a long time ago … but of course, it is brand new from swo8 Blues Jazz

The pictures of my family include my mother, me, much younger and my son as a toddler. Pictures of Garry’s family include his mother and father’s wedding, Garry’s dad back from WWII with little Garry on his knee. Garry’s mom as a young woman.

The pictures are family heirlooms that evoke strong and sometimes conflicted feelings.

Music by swo8 … with pictures from Leslie Martel (swo8) and Marilyn Armstrong. Memories in music for all mothers everywhere.


Other posts you might enjoy:

POSTING IN THE TROT BY SWO8 BLUES JAZZ

FOREVER WALKING BY SWO8 BLUES JAZZ

FOREVER WALKING BY SWO8 BLUES JAZZ

I’VE GOT THE WINTER BLUES – SWO8 BLUES JAZZ

BRIAN WILSON, NO PIER PRESSURE

Young Voices and The Old Master, Rich Paschall

On the new Brian Wilson “solo album,” as most seem to be calling it, Brian is only going solo on four of the 16 tracks,  When you consider that he is backed by a chorus of singers on those, then you may think he has more of a “Beach Boys” album than a solo affair.  The author of most of the Beach Boys hits, however, can not call it a Beach Boys album.  He doesn’t own the name.

The first guest performer has a song that was not well received by most critics.  “Runaway Dancer,” featuring Sebu (part of the duo Capital Cities), is nothing like the other tracks.  It has a heavy dance beat that screams “pop record.” Yes, it is laden with Wilson vocal work.  Wilson’s own voice can clearly be heard throughout.  Perhaps the new direction can be attributed to the work of Sebu Simonian off-site.  Wilson’s demo was titled “Talk of the Town,” when it was sent to Sebu, who recorded his vocals at another studio.  Sebu is also credited with “Additional production,” which could mean a lot of things.  If critics wanted just another Beach Boys tune, they didn’t get it.

“On the Island” brings an almost Bosa Nova beat and some sun and sand to the album.  The song features the work of “She and Him,” which would be Zooey Deschanel on vocals and M. Ward on electric guitar.  Deschanel’s vocal is perfect for the tune about being “lost in this island nation.”

One track is given over to an instrumental, well sort of anyway.  A mellow piece of jazz shows up as the fifth track of the deluxe album.  The very sounds suggest sunset over “Half Moon Bay.”  The work features Mark Isham on horn, but the Wilson touch is there too.  Voices are blended throughout to create harmonies  giving this a soft and warm feeling.  It is a break from the other type of soft harmonies Wilson has layered throughout the album.

In case you think I loved every bit of this album, I must confess to be mystified by the song “Our Special Love.”  The track may have been the one slated to go to Frank Ocean. Wilson cancelled him out, explaining that Ocean wanted to rap his performance.  If you think a driving dance tune was not well received by hard-core Beach Boys fans, just imagine a rap tune.  Peter Hollens, a You Tube generation performer if ever there was one, shows up instead.  Little of Hollens can be heard on the track as Wilson takes the lead on the chorus and the over produced harmonies just about drown out much of Hollens work.  I am not even convinced the verses fit well with the chorus.  The music, uncharacteristic of a Wilson song, does not blend as you come to expect.

On the other hand, the light-hearted “Guess You Had To Be There,” featuring Kacey Musgraves on the verses with Wilson leading the Chorus is a perfect mix. The happy sounding tune is not as layered or over produced.  A banjo mixed into the song  seems to go with Musgraves work and one wonders if that is indeed her touch.  The lyric could easily be commentary by Wilson on the ending of the Beach Boys 50th Anniversary tour.  Anyway, it all seems to fit.

The most energetic and contemporary sounding track features Nate Ruess of Fun.  Just like he does with the work in his own group, Ruess energizes “Saturday Night” and turns in a spirited performance.  Given author and composer credit along with Wilson and Joe Bennett, Ruess has a contribution that may well turn up on the radio stations this spring.  You will have to catch the live performance on PBS Soundstage or a tease of it in the trailer we put up yesterday.  Here is the audio:

The final track of the album, “The Last Song,” was originally scheduled to go to Lana Del Ray.  When the list of songs finally came out, her name was not to be found.  At first, Wilson told interviewers that Del Ray had cancelled them, but it turns out that she actually recorded the vocal last year.  It was ultimately decided that the nostalgic piece about looking back on a career seemed to suit Brian Wilson much more that Lana Del Ray.  Is it the swan song of the music master?  Perhaps it is, but Wilson never seems to run out of tunes.

Don’t be sad
There was a time and place for
what we had

If there was just another chance
for me to sing to you…