The first movie I remember seeing with my mom was “Gunfight at OK Corral.” It was a busy day at the Utopia Theater. A small movie house. There were hardly any seats left by the time we got there, having walked from home. I had a non-driving mom who believed in healthy outdoor exercise.

Wyatt Earp at about age 33.

Wyatt Earp at 33. (Photo: Wikipedia)

We found a seat in the second row. Burt and Kirk had heads 20 feet high. It left an indelible mark on my mind. I became an O.K. Corral aficionado, catching each new version of the story as it was cranked out by Hollywood. When video taped movies became available, I caught up with all earlier versions, too.

I stayed with “Gunfight” as my favorite for a long time. Maybe I’m just fond of Burt Lancaster and Kirk Douglas. Garry generally favors “My Darling Clementine” but he is a John Ford fan.

In 1993, along came “Tombstone.” One viewing and it was my favorite version of the gunfight story. A few more viewings and it morphed into my favorite western. There are a lot of contenders for second place.

I don’t love it for its historical accuracy, though It is nominally more accurate than other movie versions. It omits as more than it includes. The Earps were a wild and crazy family. Doc Holliday was even wilder and crazier.

English: John Henry "Doc" Holliday, ...

John Henry “Doc” Holliday (Photo: Wikipedia)

They were all lethal and no more honest then they needed to be.

There were other Earp brothers who are always left out of the story, maybe because they weren’t in the peacekeeping business. Dad was a real piece of work and deserves a movie of his own. Although I tend to be prickly about historical details, I do not watch westerns for historical accuracy.

I watch westerns first and foremost, because I love horses. I will watch anything with or about horses. You could just run films of horses in a field and I’d watch that too.

Next, I love westerns because when I was growing up watching Johnny Mack Brown movies on the old channel 13 (before it became PBS) in New York, I always knew the guys in black hats were villains and the ones in white hats were heroes. It appealed to my 8-year old need for moral simplicity.


In westerns, revenge and righteous violence are good, clean fun. Not merely acceptable, but desirable. In the Old West, when you find a bad guy, get out the six-shooter, shotgun, or both — and mow’em down. Justice is quick and permanent. Without guilt. You can be a wimp in real life, but watching “Tombstone,” as Kurt, Val and the gang cut a swathe of blood and death across the southwest — I can cheer them on.


“Tombstone” is deliciously violent. The gunfight at O.K. corral is merely the beginning. There’s a deeply satisfying amount of killing to follow. I revel in it. When Kurt Russell declares that he’s coming for them and Hell will follow … I am there. Yes, kill the bastards. It’s so cathartic!

Garry and I made a personal pilgrimage to Tombstone.

Tombstone shopping

I have argued with people who keep saying the movie was filmed on a sound stage. Unless everyone in Tombstone was victim of a mass hallucination  — mass hallucinations are not nearly as common in real life as they are in Hollywood — during which time a movie company rebuilt the town to look like historical Tombstone, then filmed a movie, “Tombstone” was filmed in Tombstone.

I have pictures of Tombstone. We bought tee shirts. It was our favorite part of a long summer’s vacation in Arizona. Although there may have been some re-shooting on a set, the bulk of the film was shot in Tombstone. It was and remains the only thing of note to happen there in the past 100 years.

August was not the best time to visit, but our host worked. It was hard to find a good time to visit. The mercury climbed to 128 and never dropped below 120 while the sun shined. Which, that time of year, it does relentlessly. I think that’s why they invented awnings over the wooden sidewalks.

It was painfully hot. Maybe that how come everyone was shooting everyone else. Who wouldn’t want to shoot people living in that heat without air conditioning? It makes one cranky.

I don’t watch movies for a dose of reality. I have plenty of reality. I watch films to escape and entertainment. Westerns let me immerse myself in raw emotions that are unacceptable otherwise.

I love Tombstone. We’re going out west again in January, this time to Monument Valley. I’m counting on a John Ford rush!


Everyone knows the story of Wyatt Earp, Doc Holliday, and the OK Corral. It’s possibly the most iconic story out of the “wild west.” But there are many more stories yet untold. I’ve been following the trail of this one for a while. Doc Holliday. Wyatt Earp. Bat Masterson.

Afternoon walk - Tombstone

Where did they meet? How did Doc Holliday — legitimately a D.D.S.(doctor of dental surgery) and apparently a good one — wind up best friends with Wyatt Earp and his brothers? How did this polite, educated gentleman become a gunfighter and a gambler? When did Bat Masterson get into the mix?

The "Dodge City Peace Commission", June 1888. (L to R) standing: W.H. Harris, Luke Short, Bat Masterson, W.F. Petillon. Seated: Charlie Bassett, Wyatt Earp, Frank McLain and Neal Brown.

The “Dodge City Peace Commission”, June 1888. (L to R) standing: W.H. Harris, Luke Short, Bat Masterson, W.F. Petillon. Seated: Charlie Bassett, Wyatt Earp, Frank McLain and Neal Brown.

John Henry “Doc” Holliday (August 14, 1851 – November 8, 1887) became a gambler and gunman out of necessity.

Not quite the killer his reputation made him out to be, Doc’s reputation was part truth, mixed with a lot rumor and publicity. Often credited with killing people he never met, the rumors were fueled by Holliday’s own publicity.

He wasn’t fond of killing people. Being a notorious gunman made it less likely he’d be challenged. He was famous for shooting opponents in the hand or foot, thus ending a duel without killing anyone.

Stagecoach in Tombstone

Doc Holliday was otherwise known as a mild-mannered, well-bred southerner who would have rather been a dentist. Except for being tubercular. Tuberculosis is a career ender for a dentist.

Exactly how he met the Earp brothers and with which of the many Earps did he connect first? Lots of speculation, but no evidence that can stand up to scrutiny. When and where did Bat Masterson come into the mix?

Bat Masterson is a great character. He pops in and out of the story, shows up in the nick of time to pull someone’s iron out of the fire, then disappears back to his own story. Sounds like a supporting actor Oscar to me.


The OK Corral has been done to death. Can I convince someone to write this story? No zombies, no werewolves, no vampires. Let’s keep it all human, in the just-before-the-turn-of-the-century west.

Interesting Factoid: Doc Holliday was a cousin by marriage to Margaret Mitchell, author of “Gone With the Wind.”

There is history for which the facts are known. We don’t know who said what, but we know the players, dates, locations. Documentation exists.

Much — maybe most — history is not straightforward. There is no evidence. No indisputable documentation or trustworthy testimony. You might as well print the legend because that’s all you’ve got.

Sometimes, you can pick your favorite version of the tale. Or write your own. One is as true as another.


Tombstone poster

Wyatt Earp: All right, Clanton… you called down the thunder, well now you’ve got it! You see that?
[pulls open his coat, revealing a badge]
Wyatt Earp: It says United States Marshal!
Ike Clanton: [terrified, pleading] Wyatt, please, I …
Wyatt Earp: [referring to Stilwell, laying dead] Take a good look at him, Ike … ’cause that’s how you’re gonna end up!
[shoves Ike down roughly with his boot]
Wyatt Earp: The Cowboys are finished, you understand? I see a red sash, I kill the man wearin’ it!
[lets Ike up to run for his life]
Wyatt Earp: So run, you cur… RUN! Tell all the other curs the law’s comin’!
Wyatt Earp: You tell ’em I’M coming… and hell’s coming with me, you hear? …
Wyatt Earp: Hell’s coming with me!



The first movie I remember seeing with my mom was Gunfight at OK Corral. It was a busy day at the Utopia on Union Turnpike in Queens. Not a big theater, especially back when movie theaters were palatial.

There were hardly any seats left when we got there, having walked 2.5 miles from home. I had a non-driving mom who was a subscriber to healthy outdoor exercise. We did a lot of walking — she with enthusiasm and I because I had no choice.

We found a seat in the second row, from which vantage point Burt and Kirk had heads 20 feet high. It left an indelible mark on my mind. I became an O.K. Corral aficionado, catching each new version of the story as it was cranked out of Hollywood.

When movies became available on video, I caught up with all the earlier versions, too.

I stayed with “Gunfight” as my favorite for a long time. Maybe I’m just fond of Burt Lancaster and Kirk Douglas. Garry generally favored “My Darling Clementine” but he is a John Ford fan. We have our preferences and they aren’t logical.

In 1993, along came “Tombstone.” One viewing and it was my favorite version of the gunfight story. A few more viewings and it morphed into our mutual favorite version of the OK corral and one of our top 5 westerns of all time.

I don’t love it for its historical accuracy. As do all the Wyatt Earp – Doc Holliday movies, it omits more than it includes. The Earps were wild and crazy guys, a lot wilder and crazier than even the wildest, craziest portrayal Hollywood has yet put on the screen. Add Doc Holliday — who was a real nutter, a charming, psychopathic killer — and you have a seriously lethal bunch of guys.

There were quite a few other Earp brothers who are always left out of the story, maybe because they didn’t go into the peacekeeping business. Daddy Earp was a real piece of work and deserves a movie of his own. Although I tend to be persnicketty about historical details, I’m not when I watch westerns. No percentage in it. They are all wildly inaccurate.

Tombstone has a perfect balance of classic western ingredients. Justice, revenge, violence, horses, great lines, wit, drama, humor, excellent cinematography and enough mythology to make me go “Yeah!!”


Quotes of the Day:

Curly Bill: [takes a bill with Wyatt’s signature from a customer and throws it on the faro table]

Wyatt Earp: Curly Bill, huh? I heard of you.

C. S. Fly cabinet card portrait of Josephine S...

Josephine Sarah Marcus. She was for a time Sheriff Johnny Behan’s girlfriend but left him for Wyatt Earp. (Photo: Wikipedia)

Ike Clanton: Listen, Mr. Kansas Law Dog. Law don’t go around here. Savvy?

Wyatt Earp: I’m retired.

Curly Bill: Good. That’s real good.

Ike Clanton: Yeah, that’s good, Mr. Law Dog, ’cause law don’t go around here.

Wyatt Earp: I heard you the first time. [flips a card]

Wyatt Earp: Winner to the King, five hundred dollars.

Curly Bill: Shut up, Ike.

Johnny Ringo: [Ringo steps up to Doc] And you must be Doc Holliday.

Doc Holliday: That’s the rumor.

Johnny Ringo: You retired too?

Doc Holliday: Not me. I’m in my prime.

Johnny Ringo: Yeah, you look it.

Doc Holliday: And you must be Ringo. Look, darling, Johnny Ringo. The deadliest pistoleer since Wild Bill, they say. What do you think, darling? Should I hate him?

Kate: You don’t even know him.

English: Wyatt Earp at about age 25 at about t...

Wyatt Earp, about age 25 in Dodge City, Kansas. (Photo: Wikipedia)

Doc Holliday: Yes, but there’s just something about him. Something around the eyes, I don’t know, reminds me of… me. No. I’m sure of it, I hate him.

Wyatt Earp: [to Ringo] He’s drunk.

Doc Holliday: In vino veritas. [“In wine is truth” meaning: “When I’m drinking, I speak my mind”]

Johnny Ringo: Age quod agis. [“Do what you do” meaning: “Do what you do best”]

Doc Holliday: Credat Judaeus apella, non ego. [“The Jew Apella may believe it, not I” meaning: “I don’t believe drinking is what I do best.”]

Johnny Ringo: [pats his gun] Eventus stultorum magister. [“Events are the teachers of fools” meaning: “Fools have to learn by experience”]

Doc Holliday: [gives a Cheshire cat smile] In pace requiescat. [“Rest in peace” meaning: “It’s your funeral!”]

Tombstone Marshal Fred White: Come on boys. We don’t want any trouble in here. Not in any language.

Doc Holliday: Evidently Mr. Ringo’s an educated man. Now I really hate him.

Tombstone is deliciously violent. The gunfight at O.K. corral is merely the beginning. There’s a deeply satisfying amount of killing to follow. I revel in it. When Kurt Russell declares that he’s coming for them and Hell will follow … I am there. Yes, kill the bad guys.

It’s so cathartic! The only piece of armament I’ve ever owned is my Daisy Red Ryder BB gun and a 22 caliber target rifle, but I can pretend. And I’m a dead shot with the rifle and have slaughtered paper plates and other inanimate targets from New York to northern Maine.

I have a rich and rewarding fantasy life.

Thank you Tombstone!

Western movies. You love them or hate them. Hardly anyone is neutral. I’ve always loved them, since I was a little girl, pretending to be a cross between The Lone Ranger and Jesse James.

White Horse Wallpapers  25

But why? What is it about westerns that makes them so appealing to those of us that love them?

Let’s work this as a list, top to bottom. Remember, this is my list. You may have a completely different list and totally not relate to mine. That’s okay.

Why I love Western Movies

1) Horses. I love horses. The more horses, the better. You could leave out the riders and I would sit there and watch the horses, no problem.


2) Scenery. The deserts, the mountains, the plains. The dusty trail as the wagon train rolls westward. The Rocky Mountains looming, challenging. Sunsets over Monument Valley. Some of the most incredible cinematography has been done for westerns. From Ride the High Country to almost anything ever filmed by John Ford. To the dusty streets of Tombstone … the big sky hangs over everything, a huge blue dome. Everything is bigger, brighter, younger. The beauty is hard to match and it goes so well with the eye of the camera.

Dusty Streets of Tombstone

3) Simple ethics, simple philosophy. There is something terribly appealing about a world where the excuse “He needed killing” is an actual defense at trial. You can put a lot of violence into a western and it’s just fine. The bad guys wear black hats, figuratively or literally. The good guys are the ones with the nice horses, better clothing … and white hats. No ambivalence. No confusion. Not at all like the real world made up of endless shades of gray. It’s a black and white world, black and white morality. “He needed killing. So I killed him.” I get that.


4) Heroes. This is really a continuation of the previous, but Wyatt Earp kills a lot of people and it’s okay. I can cheer him on as he and Doc Holliday rampage through the west. “Yes!!” I cry, waving my fist in the air. I could never kill anyone, but I can be really grateful that someone else is doing it for me. In real life, I favor gun control. In westerns? Blast away!

Ghost Town by Apache Junction

If the movie also has a good plot, terrific sound track, great cinematography? Some wit, cleverness and even a few laughs? Bonus material.

That’s it. Pretty simple, eh? Horses, gorgeous scenery, good guys being good, bad guys being bad. Add music, dim the lights and pass the popcorn.



Sunset – Blake Edwards, 1988

File:Sunsetsmall.JPGSunset is a movie that grows on you, or at least it has grown on us. We’ve always liked it. Now, many watchings later, we like it even more. With Blake Edwards directing and starring James Garner, Bruce Willis, Malcolm McDowell and a score by Henry Mancini, you’ve got to figure this is going to be good entertainment. And you would be right.

The story starts with Wyatt Earp (James Garner) arriving in Hollywood to consult on a new film about the gunfight at OK Corral. Wyatt and Tom Mix (Bruce Willis) strike up a friendship, then team up to solve a real life crime committed by evil movie mogul Alfie Alperin (Malcolm McDowell). There are great lines in this movie, but the best is the wonderful refrain line, “Give or take a lie or two.”

The movie makes no pretence at historical accuracy. This is fun and fantasy, historical fiction mixed liberally with guns, early Hollywood mythology and at least one classic gunfight. It’s “once upon a time” style clearly announces that this is not a movie to be taken seriously. The characters are loosely — very loosely — based on real characters but the events portrayed never happened … give or take a lie or two.

So yesterday, while we were watching another favorite Blake Edwards film, S.O.B., we got to discussing which of the characters was Blake Edwards daughter Jennifer (it turned out to be Lila, one of the young hitchhikers). Garry pointed out that she had played Victoria Alperin in Sunset and while I was looking all this up, I wandered over to Wikipedia and started reading various bits of stuff about Sunset.

What to my wondering eyes should appear but a section titled “Historical errors.” Huh? I was intrigued, being as the film never claimed to be historical, accurate or otherwise.

They actually used to have a section in Wikipedia pointing out the historical inaccuracies in the movie:

Historical Errors

The action takes place in the year 1929, the year of the first Academy Awards presentation. It depicts Wyatt Earp arriving (and later leaving) Los Angeles by train; in fact, Earp had been living in the Los Angeles area since about 1910. It depicts Earp as single, in reasonably athletic condition, and carrying on a brief romance with young Cheryl (Mariel Hemingway); in fact, Earp, who was born in 1848, had long been married to Josephine Marcus. It similarly depicts Tom Mix as single and carrying on a prolonged and uninhibited romance with his assistant, Nancy; in fact, Mix was then, and for years afterward, married to his third wife. In the course of the film, Earp says that Calamity Jane’s real name was Mary Jane Cannary; her first name was Martha, not Mary. It depicts Earp as technical advisor to a Tom Mix film of the gunfight at the OK Corral in which Mix portrays Earp; Mix made no such film and never portrayed Earp, who served as an unpaid advisor, years earlier, on some silent movies. The film depicts Earp attending the first Academy Awards presentation at a late evening dinner; in fact, the awards were presented at a brunch on May 16, 1929—four months after Earp had died at the age of 80.

Final title cards of the credits:

Title Card: …and that’s the way it really happened.

Title Card: Give or take a lie or two.

It’s at moments like this I wonder if the people who write this stuff watched the movie. This is not a documentary. It isn’t even historical fiction. It’s a comedy, set in Hollywood circa 1929. The villain is completely fictitious. Whatever relationship existed between Wyatt Earp and Tom Mix is anybody’s guess. The only fact is that Tom Mix was a pall bearer at Wyatt Earp’s funeral.

Including this section at all indicates that whoever wrote it never watched the movie or missed not merely “the point,” but everything. For the first time in my life, I actually put a note into Wikipedia:

The movie is pure fiction and the refrain line, “Give or take a lie or two,” more or less sums up the “historical” accuracy. It does not claim to be historically accurate and in fact, makes a point — frequently repeated — that this is a Hollywood fairy tale that begins with “once upon a time,” or words to that effect. Critiquing the historical accuracy of a piece of comedic fiction is absurd. The following information may be correct, but it’s entirely irrelevant to the movie. —

Since I added my note, they changed the section to indicate that the movie is not supposed to be historical. Nonetheless, they continue to correct the history except they retitled the section Historical Context. So it’s slightly less stupid now. Glad my futile gesture was not entirely futile. What is the point in correcting historical errors — or providing historical context — for a movie that makes no claim of being historically accurate?

Who writes this stuff? You have to wonder. Or at the very least, I have to wonder.

Anyway, if you’ve never seen Sunset, the chemistry between Garner and Willis is great, the dialogue is witty, the movie is both funny and occasionally even suspenseful. Willis is at his charming best, as is Garner and together, under Edwards’ adept direction, they make magic.

Give or take a lie or two.

I'm part of Post A Day 2013

The dust rose from the desiccated, dusty road that is Main Street in Tombstone. The horses looked hot and tired. They had every right to be. It was godawful hot. In the sun, more than 125 degrees and I don’t care, dry or not, that’s like sitting in an oven. Add basting and soon, you could be Thanksgiving dinner somewhere.

Coming around - Stagecoach

I think when it isn’t so hot, you can ride the stage, but when the temps are that high, it’s not good to stress the horses more than they are already doing just by pulling the coach. It’s a pretty big carriage, though they are also big horses.

Still, heat kills. It’s bad enough to make horses pull the stage in such weather, but to add the weight of passengers might be too much. Those big horses come dear, you know. And the interior of the stage is not likely to too comfortable either.

As we wandered around the town, we bought souvenir tee shirts. One for me, one for Garry. Of course we did. Wouldn’t you? They were pretty pricey, so we bought only two. We also bought some books. And a calendar. I think we would have bought the coach, the horses and maybe the saloon if we could have. We really liked Tombstone.

Stagecoach in Tombstone

Garry’s tee-shirt says: “You tell ’em I’m coming!

My tee-shirt says “Hell’s coming with me!

Tombstone shopping

Before I put on  weight and mine got too tight, we used to wear them at the same time. You had to read both of us to get the entire quote. I liked that.


Stagecoach in Tombstone