Daily Prompt: Non Sequitur – STROLLING THROUGH THE PARK ONE DAY

So there we were. Walking through the gardens. Just minding our own business. Sandy was rambling on about something that happened at work and I was just absorbing the atmosphere, you know? Sunshine, flowers. Clean air.

In the park by the falls

I realized I was thirsty and figured they had to have some kind of water somewhere. You know, like a fountain or something. Not bottled water. Regular water, free. Like it used to be. You remember, the good old days when two things were free — air and water? Not like now where you have to wear a mask everywhere just to breathe, so even air costs money. Or at least clean air costs.

I just wanted a drink of water, not another credit card charge, y’know? Yeah, I can tell you know.

I stopped, and looked around. I saw this guy, just standing around. He was wearing a Parks Department uniform, or that’s what it looked like, so I figured he would know if there was a drinking fountain, right? Y’know?

So I yelled over … I had to yell, it was noisy. Dogs barking. Kids shouting. Mom’s shouting back.

“Hey, buddy. Is there a fountain around here? Like, for drinking?”

And the next thing I know … he tried to hit me with a forklift!

Is that weird or what?

LOVING THE WESTERNS

Western movies. You love them or hate them. Hardly anyone is neutral. I’ve always loved them, since I was a little girl, pretending to be a cross between The Lone Ranger and Jesse James.

White Horse Wallpapers  25

But why? What is it about westerns that makes them so appealing to those of us that love them?

Let’s work this as a list, top to bottom. Remember, this is my list. You may have a completely different list and totally not relate to mine. That’s okay.

Why I love Western Movies

1) Horses. I love horses. The more horses, the better. You could leave out the riders and I would sit there and watch the horses, no problem.

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2) Scenery. The deserts, the mountains, the plains. The dusty trail as the wagon train rolls westward. The Rocky Mountains looming, challenging. Sunsets over Monument Valley. Some of the most incredible cinematography has been done for westerns. From Ride the High Country to almost anything ever filmed by John Ford. To the dusty streets of Tombstone … the big sky hangs over everything, a huge blue dome. Everything is bigger, brighter, younger. The beauty is hard to match and it goes so well with the eye of the camera.

Dusty Streets of Tombstone

3) Simple ethics, simple philosophy. There is something terribly appealing about a world where the excuse “He needed killing” is an actual defense at trial. You can put a lot of violence into a western and it’s just fine. The bad guys wear black hats, figuratively or literally. The good guys are the ones with the nice horses, better clothing … and white hats. No ambivalence. No confusion. Not at all like the real world made up of endless shades of gray. It’s a black and white world, black and white morality. “He needed killing. So I killed him.” I get that.

TombstoneOKCorral

4) Heroes. This is really a continuation of the previous, but Wyatt Earp kills a lot of people and it’s okay. I can cheer him on as he and Doc Holliday rampage through the west. “Yes!!” I cry, waving my fist in the air. I could never kill anyone, but I can be really grateful that someone else is doing it for me. In real life, I favor gun control. In westerns? Blast away!

Ghost Town by Apache Junction

If the movie also has a good plot, terrific sound track, great cinematography? Some wit, cleverness and even a few laughs? Bonus material.

That’s it. Pretty simple, eh? Horses, gorgeous scenery, good guys being good, bad guys being bad. Add music, dim the lights and pass the popcorn.

 

Reviewing the Oldies: Along Came Jones (1945)

Cropped screenshot of Gary Cooper from the tra...

I love western movies. I love horses. I love to laugh. What’s better than a funny western? Not much in my opinion.

My favorite — but little-celebrated — movies are western comedies. It isn’t the most popular movie genre, yet there are a reasonable number worth watching. Almost everybody has seen City Slickers and Blazing Saddles. How many people remember Cat Ballou, or have seen Rustler’s Rhapsody? Both charming and very funny movies. Lee Marvin got his only Academy Award for his role in Cat Ballou. On acceptance, he gave credit to his horse who deserved it. But I digress.

Along Came Jones is funny, but it’s gentle and sweet. It’s a love story with Loretta Young as the romantic interest, with Cooper in a role that it pokes fun at westerns and Coop himself without being mean-spirited. The plot is the basic mistaken-identity tale. Easygoing and slightly inept Melody Jones (Gary Cooper) and his friend George (William Demarest) ride into a town. Jones is mistaken for a badass bandit named Monte Jarrad (Dan Duryea) mostly because he has the same initials on his saddle. The mixup earns him a lot of unexpected respect (which he likes) then rapidly changes to trouble and finally love. The real Jarrad is hiding out in the home of his girlfriend Cherry (Loretta Young). In the beginning, she uses Melody to send the law off in the wrong direction, but as she gets to know Jones, her feelings change. There is a happy ending for all.

Cover of "Along Came Jones (Sub)"

Gary Cooper produced the movie and put his own money into it. It gave him a chance to be something other than the grim hero he so often played. In this, he is a lighter and more humorous version of his typical role. It was the only feature film Cooper produced during his more than 40-year movie career and Melody Jones was his favorite role. It’s easy to see why.

It’s a rare feel-good movie that isn’t trite. Cooper poking fun at Cooper is amusing without being over the top. His slow-talking, aw shucks style is perfect. This is an oldie that doesn’t play very often on cable, but it does pop up on Turner Classic Movies from time to time. If you find it, it’s worth watching. If you get TCM, you can find out when it’s playing on their website.

It has stood the test of time surprisingly well. You can see where financial corners were cut, but it doesn’t matter. The movie is character-driven and the scenery is just a stage set.  When we got a DVD player, it was the first movie I bought. It’s available at Amazon in combination with other Cooper movies and rather expensively on its own.

Cropped screenshot of Loretta Young from the t...

There’s no fancy cinematography, no nudity, cussin’, or graphic violence. A bit of shooting, no gobs of blood flowing. The tension won’t raise your blood pressure. It’s got some laughs and lots of smiles.  It’s a pleasant way to dump reality and visit a version of the old west that never was.

From Garry Armstrong, AKA “The Movie Maven”:

I spotted “Jones” when I was surfin’ the overnight movie fare and knew I’d struck gold for both of us. Charlton Heston once told me that Gary Cooper was his favorite actor and inspiration for his own little western “Will Penny”.

Coop was the idol of many, including one young woman in Brooklyn, New York, who decided to name her first-born after the legendary star in 1942. I digress, as usual, when talking about movies. After 15 years of commercial and critical hits, Gary Cooper was top gun at the box office in 1945. One of his favorites was “The Westerner” done 5 years earlier but that was stolen from him by Walter Brennan’s “Judge Roy Bean”.

Cover of "The Westerner"

Cooper loved his character in “The Westerner” and wanted to give him another go on his own terms. Melody Jones would be that guy. A Coop bio I read long ago says he made “Jones” mostly with his own money. Got it released as an independent so he would have last cut rights.

You’ll notice it’s low-budget by the exteriors and “rear projection” scenes, but that hardly matters. Loretta Young also did the movie “for a song”. Coop hand-picked Dan Duryea who was still a very young and aspiring actor with few major film notches, except for “Pride of the Yankees.”

Lane Chandler, one of the bad guys in the film, was originally supposed to do “Wings” (I believe), the silent that gave Coop his big closeup and break for stardom. Coop got that cameo not Chandler — and the rest is history.

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