Reviewing the Oldies: Along Came Jones (1945)

Cropped screenshot of Gary Cooper from the tra...

I love western movies. I love horses. I love to laugh. What’s better than a funny western? Not much in my opinion.

My favorite — but little-celebrated — movies are western comedies. It isn’t the most popular movie genre, yet there are a reasonable number worth watching. Almost everybody has seen City Slickers and Blazing Saddles. How many people remember Cat Ballou, or have seen Rustler’s Rhapsody? Both charming and very funny movies. Lee Marvin got his only Academy Award for his role in Cat Ballou. On acceptance, he gave credit to his horse who deserved it. But I digress.

Along Came Jones is funny, but it’s gentle and sweet. It’s a love story with Loretta Young as the romantic interest, with Cooper in a role that it pokes fun at westerns and Coop himself without being mean-spirited. The plot is the basic mistaken-identity tale. Easygoing and slightly inept Melody Jones (Gary Cooper) and his friend George (William Demarest) ride into a town. Jones is mistaken for a badass bandit named Monte Jarrad (Dan Duryea) mostly because he has the same initials on his saddle. The mixup earns him a lot of unexpected respect (which he likes) then rapidly changes to trouble and finally love. The real Jarrad is hiding out in the home of his girlfriend Cherry (Loretta Young). In the beginning, she uses Melody to send the law off in the wrong direction, but as she gets to know Jones, her feelings change. There is a happy ending for all.

Cover of "Along Came Jones (Sub)"

Gary Cooper produced the movie and put his own money into it. It gave him a chance to be something other than the grim hero he so often played. In this, he is a lighter and more humorous version of his typical role. It was the only feature film Cooper produced during his more than 40-year movie career and Melody Jones was his favorite role. It’s easy to see why.

It’s a rare feel-good movie that isn’t trite. Cooper poking fun at Cooper is amusing without being over the top. His slow-talking, aw shucks style is perfect. This is an oldie that doesn’t play very often on cable, but it does pop up on Turner Classic Movies from time to time. If you find it, it’s worth watching. If you get TCM, you can find out when it’s playing on their website.

It has stood the test of time surprisingly well. You can see where financial corners were cut, but it doesn’t matter. The movie is character-driven and the scenery is just a stage set.  When we got a DVD player, it was the first movie I bought. It’s available at Amazon in combination with other Cooper movies and rather expensively on its own.

Cropped screenshot of Loretta Young from the t...

There’s no fancy cinematography, no nudity, cussin’, or graphic violence. A bit of shooting, no gobs of blood flowing. The tension won’t raise your blood pressure. It’s got some laughs and lots of smiles.  It’s a pleasant way to dump reality and visit a version of the old west that never was.

From Garry Armstrong, AKA “The Movie Maven”:

I spotted “Jones” when I was surfin’ the overnight movie fare and knew I’d struck gold for both of us. Charlton Heston once told me that Gary Cooper was his favorite actor and inspiration for his own little western “Will Penny”.

Coop was the idol of many, including one young woman in Brooklyn, New York, who decided to name her first-born after the legendary star in 1942. I digress, as usual, when talking about movies. After 15 years of commercial and critical hits, Gary Cooper was top gun at the box office in 1945. One of his favorites was “The Westerner” done 5 years earlier but that was stolen from him by Walter Brennan’s “Judge Roy Bean”.

Cover of "The Westerner"

Cooper loved his character in “The Westerner” and wanted to give him another go on his own terms. Melody Jones would be that guy. A Coop bio I read long ago says he made “Jones” mostly with his own money. Got it released as an independent so he would have last cut rights.

You’ll notice it’s low-budget by the exteriors and “rear projection” scenes, but that hardly matters. Loretta Young also did the movie “for a song”. Coop hand-picked Dan Duryea who was still a very young and aspiring actor with few major film notches, except for “Pride of the Yankees.”

Lane Chandler, one of the bad guys in the film, was originally supposed to do “Wings” (I believe), the silent that gave Coop his big closeup and break for stardom. Coop got that cameo not Chandler — and the rest is history.

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Categories: Entertainment, Humor, Love, Media, Movies, Reviews, Show Business, Television

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9 replies

  1. GREAT write, Marilyn! The oldies are the besties! No remake will ever take the place of the original western! 🙂

    Like

    • No. Garry pointed out last night that he has a lot of trouble with new westerns because the hero doesn’t get the wear the nice clothing like he used to. I second that. And I miss the hat, too.

      On Mon, Sep 23, 2013 at 10:01 PM, SERENDIPITY

      Like

  2. I think we could add James Garner’s “Support Your Local Sheriff” to the western comedy list. The jail without bars is a hoot. Jack Elam spoofs his bad guy image as does Bruce Dern. Walter Brennan (I believe in his last theatrical film role) is a riot mimicking his “Pa Clanton” role from “My Darling Clementine”. A lot of the standard western cliches are lovingly poked full of holes. The sequel, “Support Your Local Gunfighter” has its moments but is not quite as funny.

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  3. Nothing much to add as each of these four western comedies, mentioned, are classics in their own right. “Cat Ballou” still puts me on the floor, and of course, “Blazing Saddles” covers a lot of issues both in society and within the Hollywood movie scene. Good piece.

    Like

    • Thanks. It’s always been a favorite, but it seems to be mostly forgotten. I love it though. I think Rustler’s Rhapsody is my favorite at the moment, but that changes based on my current mood and the day of the week.

      Like

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