Some of the stories behind our favorite Christmas songs, by Rich Paschall, Sunday Night Blog
I did not know Dasher, Dancer and the gang until I learned the song. Of course, I learned it rather young, so perhaps no one had a chance to tell me. Besides, why would I want to get to know them since “they never let poor Rudolph join in any reindeer games?” But then one foggy something eve, I guess it was, I learned more about him.
Rudolph the Red Nosed Reindeer was a celebrity in this part of the country long before he became an international hit. Chicago-based department stores and mail order giant Montgomery Ward had been giving out their own coloring books at Christmas time for years. Robert L. May, an advertising copywriter, was assigned to come up with a Christmas story in 1939 — and Rudolph was the result.
When his wife passed away, the retailer offered to take May off the project, but he went on to complete it. The resulting book was distributed, but World War II stopped its publication due to restrictions on paper use. Rudolph made a grand reappearance in 1946.
Rudolph might have faded into a mere footnote of Christmas lore had it not been for May’s brother-in-law, songwriter Johnny Marks. He turned the story into a song, which made Rudolph famous throughout the country.
The song led to sequels by May, eventually to television and movie specials. Rudolph really did “go down in history.”
2014 was the 50th anniversary of the animated Christmas special children and adults still watch today.
The song was recorded by cowboy star Gene Autry. Legend has it, he was not fond of Rudolph the Red Nosed Reindeer, but his wife, liked the song. Autry’s 1949 recording became number 1 on the charts. It was the first number 1 song of the 1950s and became the second biggest-selling song of all time, until the 1980s. Another Christmas classic was already number one.
The Christmas Song is commonly called “Chestnuts Roasting On An Open Fire” and also has a Chicago connection.
Musician, singer, actor, composer Mel Tormé, a Chicago native and performer about town before hitting the big time, wrote the classic in 40 minutes one sweltering July day in California in 1944.
Mel spotted a few of the opening lines in a notebook by Bob Wells, a frequent collaborator, and went on to finish them and add music. Wells had just been writing down a few cold weather ideas to help him deal with the sweltering summer weather.
The song was subsequently recorded by Nat “King” Cole and his trio in June 1946, but Cole convinced the record label to re-record the song with strings. It is the second version, recorded in August 1946, that became a hit. Cole went on to record it again in 1953 and 1961. The 1961 version is the one you hear continuously throughout the season. The vocal performance of the last version is considered the best of Cole’s recordings.
Tormé recorded the song too. Years later he added a verse and a “coda,” which came from “Here We Come A-Wassailing.” In 1992, the composer of one of the best know Christmas songs of all time finally recorded an album of Christmas songs. Legend has it that The Christmas Song was not one of Tormé’s favorites, but he was grateful for the royalties.
The all time best-selling song was written for a movie, but not for the movie of the same name. White Christmas was one of twelve songs written by Irving Berlin that were included in his 1942 movie Holiday Inn.
The romantic comedy musical starred Bing Crosby and Fred Astaire in a boy-wins-girl, boy-loses-girl, boy-wins-girl story. Crosby leaves a musical act to run an Inn that is only open on holidays. Astaire comes to the Inn after his dance partner leaves him, giving us the opportunity to hear a variety of holiday songs by legendary song writer, Irving Berlin.
In the movie, White Christmas is a duet when we first hear it, and when it reappears late in the story, the female character Lila, played by Marjorie Reynolds, sings it. The song picked up the Oscar for best song of 1942. The recording by Bing Crosby the same year has gone on to sell over 50 million copies and holds the top spot by far. It too is part of our non stop Christmas soundtrack.
It is the overwhelming popularity of the song that led to a movie entitled White Christmas. Of course, Bing Crosby is back in another role, this time teamed up with Danny Kaye. Fred Astaire turned down the project.
White Christmas, like Holiday Inn, achieved great success, but its soundtrack never got a remix into stereo for release as an album. The master recordings were destroyed in a fire.