Of all the things we do in December, our trip to the Boston Pops for their Christmas concert is my favorite. First of all, what’s not to like?

It’s a great concert, fine orchestra, perfect symphony venue. Boston’s Symphony Hall was built in 1900. It’s a classic, both architecturally and acoustically.


According to the BSO’s website, Symphony Hall opened on October 15, 1900 with an inaugural gala led by music director Wilhelm Gericke. The architects, McKim, Mead & White of New York, engaged Wallace Clement Sabine, a young assistant professor of physics at Harvard, as their acoustical consultant.


Symphony Hall is widely regarded as one of the top concert halls in the world. The walls of the stage slope inward to help focus the sound. The side balconies are shallow so as not to trap any of the sound, and the recesses of the ceiling, along with the statue-filled niches along the three sides, help to distribute the sound throughout the hall.


The 16 replicas of Greek and Roman statues are related in some way to music, art, or literature.


They were placed in the niches as part of an appreciation of the frequently quoted words, “Boston, the Athens of America,” written by Bostonian William Tudor in the early 19th century.


The concert organ at Boston’s Symphony Hall

The Symphony Hall organ — an Aeolian Skinner designed by G. Donald Harrison and installed in 1949 — is one of the finest concert hall organs in the world.


A couple of interesting points for observant concert-goers: Beethoven is the only composer whose name was inscribed on one of the plaques that trim the stage and balconies; the other plaques were left empty since it was felt that only Beethoven’s popularity would remain unchanged.


The initials “BMH” for “Boston Music Hall”, as the building was originally to have been called, appear on the stairwell banisters at the Huntington Avenue side, originally planned as the main entrance. The old Boston Music Hall was gutted only after the new building, Symphony Hall, was opened.

Four calling birds ...

Four calling birds … in “The 12 Days of Christmas

This year’s program was a bit different than previous year’s. Instead of the usual reading of “The Night Before Christmas,” there was a reading and music dedicated to the 100th anniversary of the beginning of World War I (November 1914) and the spontaneous “Christmas Truce” of 24 December 1914.

The classic performance of "Sleigh Ride" brought the audience to its feet

The classic performance of “Sleigh Ride” brought the audience to its feet

There was less use of projected images, more orchestral music. But Santa Claus made his traditional appearance and “The 12 Days of Christmas” was as joyful and raucous as ever. The program was intentionally more inclusive. It was great hearing some songs I remember my mother singing in Yiddish played by this wonderful orchestra.


Sometimes the question comes up whether it’s worth supporting orchestras and concert halls like this … and I think of how much we would lose without them. The shine in the eyes of my granddaughter the first time she saw Symphony Hall. For that matter, the shine in my eyes the first time I heard a concert in Carnegie Hall. These places are national treasures. We have so little of our past preserved. I am so grateful we have held onto these precious, beautiful places.


And the music. Oh, the music.

Categories: American history, Architecture, Boston, Christmas, History, Music, Photography

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15 replies

  1. Beautiful photos. I used to make a few bucks selling programmes for classical concerts at a big hall in the centre of Auckland when I was a lot younger. Then I got to see and hear the orchestra for free. Your post brings back those memories. 😀


  2. Thank you for sharing such wonderful photos- looks like an amazing evening.


  3. For a few years I had seasons tickets to the BSO. I always loved Symphony Hall. I also used to go to the Thursday rehearsals. I never saw the Pops Christmas show, though.


    • Ironically, I’ve never been to the BSO’s regular season, though I’ve been to many classical concerts in other cities and other halls. I keep hoping tickets will come our way. Maybe eventually. Meantime, I’m glad enough for the Pops!

      Liked by 1 person

  4. Magnificent. Oh, how I’d love to sing on that stage.


  5. Beautiful photos! And I so wholeheartedly agree with you about concert halls being national treasures. They, along with museums, should be funded more not less.

    Liked by 1 person

    • Thank you. The BSO is lucky in having generous corporate sponsors. They couldn’t survive a season on receipts from concerts alone, even if every one of them was a sell out. Boston is a city with a long history of culture — music and the arts. I wonder how smaller cities will manage to hold onto their concert halls … IF they will manage to keep them.

      Liked by 2 people

      • You’re right. It’s the smaller communities that will suffer the losses. I know both the Meyerhoff Symphony Hall (home of the Baltimore Symphony Orchestra) and The Lyric in Baltimore (near me) have many private, wealthy sponsors and so they, like the BSO are lucky in that regard. I feel for the smaller groups who struggle for fundraising.


      • We’re fortunate to have a kind and generous friend who makes it possible for us to attend the Christmas Pops Concert every year. This was a “first” for our Granddaughter’s latest beau. I think he liked it.


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