I was delighted to see this challenge … until I realized that I often — okay, usually — don’t remember how I made a picture look “that way.” I wing it because, in Photoshop, I don’t know what I’m doing most of the time.
I’ve never studied Photoshop. Never taken a course, or been tutored. I’ve doped out how to do the things with occasional kindly tips from other photographers. I know how to do the things I need to do often. And I’ve worked my way through a lot of years and many iterations of Adobe’s software.
I can crop, sharpen, re-balance color. Now, thanks to Bob Mielke, I can adjust specific areas of a picture, zeroing in on a particular section I want to fix.
It is a bit haphazard, I admit. The negative side is reproducing results sometimes impossible. The good news is I discover all kinds of nifty stuff. It’s a new set of toys every day!
I’ve been messing around with art effects for a long time, even before I had Photoshop. Back when I used Corel (because Photoshop was out of my price range), it had good effects. I did a lot of experimenting. I called the results “artographs” because they have photographic roots, but are no longer true photographs.
Personal taste is the overriding consideration in this sort of thing. I like painterly effects, poster effects, solarization. I like outlining, turning things into “drawings,” and toy camera effects. For me, art effects are playtime. I hope you like some of them too.
IN-CAMERA DIGITAL ART EFFECTS
These days, pretty much every camera you can buy has art effects built in. Surprisingly, some of them are remarkably good. Better than you will get using Photoshop. If you haven’t tried them, give it a shot or three. I had never used them until I recently tried them by accident. I liked the results very much. The first two pictures in this post were done using the Art Effects Bracket on an Olympus PEN PL-5.