WRAPPED UP

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It’s here. Christmas Eve. To all of you with whom I’ve shared this blogging year, Merry Christmas. May your next year be the best ever. Joy to the world and let’s have a little bit of peace!

Bishop's ready! Doesn't he look ready?
Bishop’s ready! Doesn’t he look ready?

It is Christmas Eve. The packages are all wrapped. The pies are baked. The family will be here later, but meanwhile it’s nice and peaceful.

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A VISIT FROM ST. NICHOLAS – or – THE NIGHT BEFORE CHRISTMAS

By Clement Clarke Moore

‘Twas the night before Christmas, when all thro’ the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds,
While visions of sugar plums danc’d in their heads.

1864
1864

And Mama in her ‘kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap —
When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.

1883
1883

Away to the window I flew like a flash,
Tore open the shutters, and threw up the sash.
The moon on the breast of the new fallen snow,
Gave the luster of mid-day to objects below;
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,
With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.

1886
1886

More rapid than eagles his coursers they came,
And he whistled, and shouted, and call’d them by name:
“Now! Dasher, now! Dancer, now! Prancer and Vixen,
“On! Comet, on! Cupid, on! Donder and Blitzen;
“To the top of the porch! To the top of the wall!
“Now dash away! Dash away! Dash away all!”

1896
1896

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the house-top the coursers they flew,
With the sleigh full of toys — and St. Nicholas too:
And then in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.

As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound:
He was dress’d all in fur, from his head to his foot,
And his clothes were all tarnish’d with ashes and soot;
A bundle of toys was flung on his back,
And he look’d like a peddler just opening his pack.

1898
1898

His eyes — how they twinkled! His dimples: how merry,
His cheeks were like roses, his nose like a cherry;
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.
He had a broad face, and a little round belly
That shook when he laugh’d, like a bowl full of jelly:
He was chubby and plump, a right jolly old elf,
And I laugh’d when I saw him in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread.

He spoke not a word, but went straight to his work,
And fill’d all the stockings; then turn’d with a jerk,
And laying his finger aside of his nose
And giving a nod, up the chimney he rose.

1901
1901

He sprung to his sleigh, to his team gave a whistle,
And away they all flew, like the down of a thistle:
But I heard him exclaim, ere he drove out of sight —
Happy Christmas to all, and to all a good night.

CENTERPOINT: CEE’S COMPOSE YOURSELF PHOTO CHALLENGE

CEE’S COMPOSE YOURSELF PHOTO CHALLENGE: WEEK #11 CENTERPOINT (Continued)

Some words from Cee:

To continue our discussion of the rule of thirds, let’s start by breaking it. Before you can break any rule, you have to understand it enough to be able to break it successfully. One thing you can do to break the rule of thirds is to put your subject in the middle of the frame. Although, using the counterpoint doesn’t always work. It can make for a rather boring photo. If you are going to use the middle at all, you need a specific and small point of focus, something that will draw immediately the eye to the center of the frame which your eye will then flow through the rest of the photo.

(Note: a square framed picture works best for a subject in the middle because it helps keep your eye in the center of the picture. We’ll talk about square perspectives in an upcoming essay.)

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For me, pictures that fit into this style best are macros of any kind — usually flowers — and tight portraits. Occasionally, a landscape will also fit these parameters, but not frequently.

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For reasons that can be a bit hard to explain, in action photos, the rule of thirds often seems irrelevant, maybe because a powerful subject dominates a picture without regard for placement.

Kaitlin 15th birthday

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Enjoy your holidays, everyone!