MISTAKE … OR NOT

That first marriage was a mistake. It had to have been because it didn’t go the distance. Maybe it wasn’t a mistake. Maybe it was the right thing when it happened, at that time. Later, when we were older and had changed, the marriage no longer fit. Is moving on the same as failure? As error?

I know that the assumption these days is that relationships which don’t last forever are mistakes. I disagree. A lot of pairings were perfect — in their time and place. In the context in which they were born.

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Time moves and life flows along. The world changes as does what we need, want, love, like, enjoy. Sometimes dramatically, sometimes gradually. Change is life. It’s great if a couple can evolve while remaining compatible, but if that doesn’t happen and we move on, does that mean whatever happened before is nullified? That it was a mistake?

The end of something — or that something ended — does not define what went before. We are composed of millions of pieces. Unlike a jigsaw puzzle, our pieces can be put together many ways to form different pictures. Over a lifetime, we’ll rearrange our pieces many times. I would hope so, anyway. A life without change doesn’t sound like much of a life.

MISTAKE? | DAILY POST

FILM NOIR OVERLOAD – GARRY ARMSTRONG

This is too good to run just once. And it’s Saturday. Movie night.

Serendipity Seeking Intelligent Life on Earth

Dark, rain-glistened streets. Ominous shadows hover in trash littered alleyways. Cats screech in the distance. Gunshots ring out and a body slumps into the gutter.

The world of film noir.

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As a kid, these were the second show in an afternoon at the movies. The “B” movie. Always in black and white, less than 90 minutes. Featuring the nearly-stars such as Dana Andrews, Richard Conte, Linda Darnell, and Sterling Hayden.

The titles were straightforward. “Where The Sidewalk Ends”, “This Gun For Hire”, “Kiss of Death”, “The Street With No Name”, “The Narrow Margin,” and “The Killers” among other small films now considered film noir classics.

The people were familiar too. The P.I. (Private Eye). He usually had a five o’clock shadow, chain-smoked, drank cheap whiskey out of the bottle or a paper cup. He worked in a dingy second floor office. The client? Usually a husky voiced, chain-smoking, heavily made up siren out of the…

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FRAMED – GARRY ARMSTRONG

PHOTO CHALLENGE: FRAME


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Using parts of the landscape to frame the picture has always come naturally to me. Maybe it’s all those years of television videotape — and so many John Ford movies — but I automatically look for ways to frame a scene.

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It is not merely decorative. It also provides perspective and draws the eyes of the viewer into the scene … a principle that works for both still and moving pictures.

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Summertime … framed by trees and water. Downtown Uxbridge in August.

I participate in WordPress' Weekly Photo Challenge 2016
I participate in WordPress’ Weekly Photo Challenge 2016

NATURAL FRAMES AND PERSPECTIVE

FRAME | THE WEEKLY WORDPRESS PHOTO CHALLENGE


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I learned to take pictures by copying other photographers work, especially the landscapes of Martha’s Vineyard by Alfred Eisenstadt.

72-Closeup-Dam-Mumford-MA-082516_006One of the first things I noticed is that he invariably had something in the foreground as well as a strong diagonal leading into the frame.

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And he used natural formations of trees and rocks to frame it.

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I do the same or, at least, try. Probably not quite a well as the master, but I aim high, even if I don’t always hit the target.

I participate in WordPress' Weekly Photo Challenge 2016
I participate in WordPress’ Weekly Photo Challenge 2016