My audio theater group, VoiceScapes Audio Theater, has been performing live, one hour shows of short, original, contemporary pieces. We perform mostly at local libraries about an hour from our home.


Down the ramp

Wheeling the box into the library

Libraries are a particularly good venue for us because two of our actors are popular, prolific, Audie Award winning book narrators, Barbara Rosenblat and Robin Miles. They are rock stars in the library and audio book worlds. So we get enthusiastic audiences of 30-40 people for each show.

Most important, we get the thrill of performing before a live audience!

Ellin Curley

I don’t perform because I am not an actor and we have professional actors who do all the acting. But I write most of the pieces we perform, along with my husband, Tom.

With the audience

Show time!

So I sit in the audience through the actual shows. It’s not the glamorous place to be. But I can’t tell you how awesome it is to feel the rapt attention of an audience and to hear wave after wave of laughter for something you have written. It’s an experience that is hard to describe. It’s beyond gratifying, approaching incredible!

But that’s the ‘sexy’ part of what we do. Nobody sees what goes on behind the scenes to get our show ready for prime time.

First, there’s the highly unglamorous task of packing up all our volumes of audio equipment. Microphones and mike stands, speakers, tons of wires to hook everything up, props like telephones, gaffers tape (of course), etc., etc. Tom has found canvas bags that fit most of the smaller items. These bags, along with eight bulky music stands, have to be brought up from the basement to the garage.

Barbara Rosenblat

Then we have to load the car. This is a highly precise and technical operation. Everything only fits if it’s all put in just right. We also have a giant ‘box’ that contains all the mixers and all the audio processing equipment. It’s on wheels but it weighs a ton. We have to jerry-rig ramps with pieces of wood to get this unwieldy piece of equipment up into the back of our SUV. This all takes plenty of blood, sweat and tears.

Once we arrive at our performance venue, the process has to be reversed. The giant box has to make it down the ramp and into the performance space. Everyone in the group chips in to help with all the unloading and setting up.

This involves dealing with lots of wires, which always seem to get tangled, no matter how careful you try to be. So untangling long expanses of wires is one of the most time-consuming aspects of the process. Once untangled, the wires all have to be plugged into and hooked up to the right mikes, speakers, outlets or whatever.

Once set up, all the equipment has to be tested and adjusted. If there’s more time before the show starts, we can squeeze in a quick run through of one or two of the more technical pieces.

The whole process, from arrival on site to show time, takes three hours! After the show, breaking everything down and packing it back up again, only takes about 45 minutes, with everyone helping out. It’s much faster to break down a complex set up than to get it up and running. Thank goodness!

L. J. Ganser and Robin Miles

After the show, the cast (and I ) get to go out for drinks and a late lunch or early dinner. Hanging out together is one of the best perks of doing live performances. It’s a great reward for all the hard work we put in to put on a show.

The cast – from left to right, Tom, Barbara Rosenblat, Ellin, Sue Zizza, Sande Sherr, and behind, Robin Miles and L.J. Ganser

Check out our website at and hear some of our fully produced material. Go to our Facebook page and friend and follow us to keep up with what we’re doing as a group and as individual performers.

Categories: #Photography, #Writing, Audiobook, Entertainment, Performance, Tom Curley

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8 replies

  1. What an undertaking Ellin. That is no mean task setting up and to bring life to your writing must be so gratifying.


    • It is such a rewarding and creative process. And I get to share it with a group of amazingly talented professionals. It’s actually a long process to get even one short piece from the original idea to a fully produced audio piece and then to a live stage. Everyone in our group work together so well. And we cooperate on all aspects of our performances. We are a very democratic group. Everyone contributes to every part of the process. The result is so much better and richer than something done by individuals.

      Liked by 1 person

      • I can really appreciate the amount of work that must go into it. When everyone works together it must be so much more rewarding.


  2. what wonderful creative fun


    • And it’s unique, like the shows on Broadway for a few characters — Love Letters was the last one I saw. I also remember the one with Hal Holbrook doing Mark Twain. And the movies, Sleuth (Lawrence Olivier and Michael Caine). All very similar in a way and all riveting.

      Liked by 1 person

      • Thank you Marilyn for comparing us to such awesome shows and actors! Our audiences really love our shows and find them unique and different than other types of theatrical experiences. It’s basically theater without sets, costumes and staging. Fully produced from an audio perspective, but without people walking around the stage.


    • You’re right. We have a great time with the whole creative process – from writing scripts, editing them, casting each piece, rehearsing, recording, adding sound effects and music and eventually performing the piece live. It’s a long but fun and gratifying process.

      Liked by 1 person

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