Is today Saturday? No, it’s Sunday. This should have appeared yesterday. Right here. Except — I thought yesterday was still Friday, but woke up very early this morning with the distinct feeling of having missed a deadline. In more than 40 years of working as a professional writer and editor — this is my first missed deadline. I suppose it was bound to happen someday, but I’m very sorry anyhow.
And so … a day late, but not too late … is the third of three posts by Martha Kennedy on getting a novel into print.
This one hits close to home for me. It’s the same process I went through. Many of us have self-published, and even more, will do so eventually. With traditional publishers thin on the ground, we find ourselves facing a choice: self-publish or keep trying to get a publisher to pay attention. At what point do you decide to stop waiting and move ahead on your own?
Self-Publishing – The Other Way to Do It
By Martha Kennedy
Some people have broken into “the big time” of commercial publication through self-publishing.
There are manifestos now stating that self-published work is every bit as good as conventionally published work. That is not necessarily false, but is it necessarily true?
Lots of bad writing is published commercially. Still, I believe more bad writing is published by individuals using free, self-publishing platforms such as Lulu, Createspace, or IngramSpark.
The wonderfulness of “Indie” publishing is that anyone can publish a book, but being able to publish a book doesn’t mean the author can write. Which is why a stigma still lingers around self- or Indie-publishing. It is frequently a valid issue.
In response to the problem, organizations are emerging that seek to find and reward good writing in self-published books. Since I only write historical fiction, I’m not familiar with all of the organizations but I know one.
IndieBRAG is a group of volunteers who read books that have been submitted to the organization. The books are rated on a very fine, proprietary “score card” which includes the physical presentation. If the book earns a certain average score or above, it is awarded the IndieBRAG Medallion.
Fewer than 10% of the books submitted (all genres) win this award. IndieBRAG then posts reviews everywhere relevant (Amazon, Barnes & Noble, Goodreads), stating, “We are proud to announce that TITLE by AUTHOR is a B.R.A.G.Medallion Honoree. This informs readers that the book is worth their investment of time and money!”
In my own area, the Historical Novel Society publishes a review several times a year. One of the reviews is Indie Novels. Such novels are submitted to them, then undergo a rigorous test before they can be awarded an Editors Choice or short-listed for the annual Indie Book Award.
The dark side of this trend is you will find companies online who will take your money in exchange for an award or a positive review.
None of these groups – good or bad — existed when I published my first “Indie” novel, Martin of Gfenn in 2011. I paid attention, though. As soon as I learned of new opportunities for my novel, I submitted it. Martin of Gfenn has won both an Editors Choice from the Historical Novel Society and an IndieBRAG Medallion. My second novel, Savior, is also an IndieBRAG Medallion honoree.
Nonetheless, self- or Indie Publishing — whatever you want to call it – has a long way to go before they will be as well-regarded and sought after as commercially (traditionally) published books. Beyond the “stigma,” lies another hard reality: people who publish their own books are (typically) writers, not marketers. Bookstores, especially chains like Barnes & Noble, don’t stock Indie books, though they will sell them by special order.
It does not mean you shouldn’t self-publish. It does mean you should be aware of the challenges involved.
It’s Easier Than You Think
For anyone whose ability to use common software is slightly above average, self-publishing is easy. For those who do not have the skills, every platform offers expert services plus many post-publishing services, among them, marketing. For me, the offers are great, but far out of my price range. Nor am I sure how effective they are … and I have no way to find out.
There are also many independent, free-lance, people who have made a business of editing, formatting, cover design — pretty much every service a self-published author needs to make a good-looking, readable book. These free-lancers are often more competitively priced than the same services offered via the publishing platforms.
I enjoy designing book and their covers. I’ve learned as I’ve gone along. I didn’t even attempt to publish Martin of Gfenn before I’d gone through the entire process with a small test book of essays. I do invest in a good editor with whom I work well.
When The Brothers Path experienced such maltreatment at the hands of agents and publishers, I decided to fight, to bust my ass marketing this novel and the other two, as well.
These days, I get up every morning, and “go to work” marketing my fiction. I have accepted advice from everyone who has offered it. I’ve also done a lot of online research. I’ve spent $300 on a virtual book tour and $100 for an advertisement on Goodreads. I have set up giveaways (which not free for authors) and have made a book trailer for The Brothers Path. I have a webpage (marthakennedy.co) that tells everyone about all my novels and links back to each novel’s webpage.
I’ve sought reviews, issued a new edition of my second novel so it conforms more to the third because they are, loosely, prequel and sequel — both about the same family, though nine generations apart. I’m going at it as if I this was a paid job — because it is the only way I will get paid to do it.
Internally (hopefully not eternally), I’m contending with shyness and dislike of being with groups of strangers who expect something of me. I’m beginning to accept that I need to go out into the world to make connections rather than friends. I’m trying to manage a launch of my book that isn’t just me and my pals sharing a pizza.
But … I would rather write.
With all the obstacles to a book getting published, it’s not unreasonable to ask the question.
The experience of trying and failing to conventionally publish a novel turns many people away from writing. Maybe that’s a good thing. I don’t think anyone should write if they have another route to happiness.
Not being published does not have to mean not writing. Give that idea a little while to sink in. For anyone who genuinely loves writing and who has stories to tell, writing is a pleasure. All by itself. The reason I’m not (currently) satisfied with simply writing (although, in principle, I am completely satisfied with it), is because of the people who have read my books.
I write serious literature. It’s readable and friendly. The characters are likable, but you don’t write about leprosy, God, depression, death, religious war, bad parenting, adolescent confusion, torture and call it “light reading while you’re waiting for the airport shuttle.” I don’t write that stuff. I don’t know why I don’t write it. I just don’t.
Our writing reflects our lives, ourselves. I know things about my life that my readers probably will not guess at which I do not completely understand. But I’m willing to follow inspiration through the labyrinth toward a good story. I’m honored by the gift.
My novels have affected people. Many readers have left reviews on Amazon or Goodreads, or written directly to me, or spoken to me, telling me what a story meant to them.
A few weeks ago some friends and I were driving to Great Sand Dune National Park. This amazing place is in my neighborhood. Both neighbors have read — and loved — my books. They understand what I’m trying to do now. Their understanding means a lot to me. We got on the subject of why I write, in passing, light conversation, and I said, “This might sound arrogant, but my books are what I have to share with others.”
My friend said, “That’s not arrogant at all.”
To learn more about Martha’s historical fiction, go to marthakennedy.co. Her daily blog can be found at http://marthakennedy.wordpress.com/
THE BROTHERS PATH, by Martha Kennedy
The world-shattering tumult of the Protestant Reformation enters the Schneebeli household when Rudolf Schneebeli is born two months early and dies a few minutes later — without being baptized.
Named for the well trodden track linking the Schneebeli farmhouse to the old Lunkhofen castle, The Brothers Path is set in a Swiss village near Zürich, between 1524 and 1531.
It chronicles the lives of the six Schneebeli brothers, Heinrich, Hannes, Peter, Conrad, Thomann and Andreas. Each brother navigates his own path through, around or directly into the deadly drama of the Protestant reformation.
Two hundred years after the events recounted in The Brothers’ Path, thousands of immigrants, mostly Mennonites and Amish, left Switzerland for America seeking the safety and freedom they could not find at home. If the novel teaches a “lesson” it would to remind us why immigrants to America have always been adamant about separating church and state.
Use this link for: The Brothers Path on Amazon for Kindle and in paperback.
If you haven’t read part I, you will find it here: SO YOU WANT TO BE A WRITER – PART I
You can find part II here: SO YOU WANT TO BE A WRITER – PART II