WINDOWS ON MY WORLD – Marilyn Armstrong

FOWC with Fandango — Windows On My World

My big windows on the world all need cleaning. the ones in the back are easy because you can stand on the deck and just wash them, but the ones in front of the house are two stories up. The ground in front of them is soft and muddy from the constant rain and someone stole our two-story ladder. Eventually, they will become sunglasses … or I’ll have to hire someone to clean them. Not this year, though. Or next. Too many other things need doing.

I am in the middle of a mental muddle.

I have a big collection (not, fortunately, as big as it used to be!) of antique Asian art and hundreds of dolls from the 1930s through 1970s, all in pretty good shape. Some are still rather new, tags and all.

No one wants the pottery, which is heartbreaking. To me, these are pieces of the past. I hold one of these pieces and I can see the world in which they were born. I wonder how many hundreds — thousands? — of people have held them and in how many homes they were things of beauty. But unless I can find homes for them, these irreplaceable pieces will disappear from the world forever.

When you get to my age and the age of my friends, no one is collecting. Everyone is trying to find homes for things because we are suddenly sharply aware that we aren’t going to live forever and those pieces of porcelain aren’t going to live forever on the mantel or the shelves or cabinets. The idea of all of these things going to some big dumpster makes me a little bit sick.

Seriously: if you know someone who wants them, free, no strings, please let me know. I’ve run out of local places with room for them and my friends are my age and don’t want more of anything.

Does is really matter if the world has one more Han pot or Tang horse? I don’t know.

What about all the dolls of youth. Toys represent the world in which we live more than anything except maybe books. They show how we viewed children, especially girls and their roles in the world. I would love to know they will survive!

DISHES AS DECOR, PART 3 – BY ELLIN CURLEY

I use all kinds of plates and dishware as decorative elements all over my house. It makes sense in the kitchen and dining areas, but I also use them in my bedroom and bathroom and in my bookcases.

This is an arrangement of prints and plates on my small bedroom wall

On the large wall of my bedroom, I used a mid-century mirror from the Algonquin Hotel in NYC as the centerpiece. I surrounded the mirror with prints and plates to create a large vignette across the entire wall.

Long shot of the wall

This is my ‘toilet room’, as you can see by the toilet paper holder in this decorative vignette

This is a decorative baker’s rack used to display plates and chatchkus in the bathroom

Whimsical teapot and teacup in my bookcase

Teacups and matching dessert plates used with bookends to create a fun moment in my bookcase

DISHES AS DECOR, PART 2 – BY ELLIN CURLEY

I love to use all kinds of dishes and serving pieces as part of the decor in my home. I find it’s an inexpensive way to fill the walls and the shelves all over the house.

In Part 1, I showed you the kitchen area, where you would be most likely to find dishes as part of the decor. Now we’re moving into my family room, my dining room, and my foyer, where I also use decorative plates and other dishes, such as candy dishes.

These plates are in the wall cabinet in my dining room. I use the other dishes from these sets when I have company.

One of my favorite mid-century candy dishes used in the hanging shelves in the dining room

These two mid-century candy dishes are in the large, decorative bookcase in the family room

Red and blue mid-century candy dishes accent my artwork in the family room

This Crate and Barrel platter works beautifully with my art deco decanter and a modern glass box in my foyer. They sit on a 1906 stove with a glass top over the burners.

DISHES AS DECOR, PART 1 – BY ELLIN CURLEY

Growing up, we had some beautiful sets of China that we actually used to eat on. My mother also displayed pieces of her china sets whenever possible. So I love dishware and always try to buy interesting and beautiful pieces for meals, but also to use as part of the decor. It is an inexpensive way to add interesting chatchkas to your home – and my home is full of chatchkas, often arranged into decorative vignettes.

Here are some of the dishes I’ve used in my kitchen, eating area and sun porch, on shelves, on tables, and on the walls.

This cabinet is mostly decorative and I rarely use those items.

This cabinet is totally functional and houses my everyday dishes and cups.

I also use plates as wall decor.

The same fish plates used on top of the cabinets above the stove area in the kitchen

I still have many of my mother’s and my old china sets that are too country or too formal for my homey but modern house today. They also don’t fit in with my mostly aqua and turquoise color scheme. But I still love them and want to share them with you.

Formal dessert set I got for my first wedding in 1974

The charming and less formal set I bought for my first home in New York City in 1974 (from Italy)

My favorite of all my mother’s china sets which we used in our summer, country style house in CT

A PHOTO A WEEK CHALLENGE – DETAILED ACOMA SEED POTS – Marilyn Armstrong

Acoma Pueblo Pottery

The pottery of Acoma is strongly recognized for fluted rims, thin walls and geometric design. Potters of the pueblo implement similar techniques found in the local region, from collecting of the clay material from limited sources, forming the vessel for a specific use, decorated with hand-painted patterns and designs, to firing the pot at high temperature.

Traditional Acoma pottery is made using a slate-like clay found within the hills surrounding the Pueblo. When fired using traditional methods, this clay allows the potters to form very thin walls, a common and sought after characteristic of Acoma pottery.

Smaller seed pot

I bought these two seed pots years ago. I would have loved to own more of this pottery, but it is — not surprisingly — expensive and fragile. These designs are painted freehand. Again, no surprise, these artists often suffer from serious eye-strain.

Larger seed pot

Amazingly beautiful, incredibly detailed work … and these are not by any means the most detailed work. There is much finer work available. These were what I could afford.

Two Acoma seed pots

DELICATE – A PHOTO A WEEK – Marilyn Armstrong

A Photo a Week Challenge: Delicate


Delicate beadwork and fragile flowers.

Honestly? We don’t have a lot of “delicate” here. What we have is carefully placed where it can’t be knocked over by a clumsy human or enthusiastic dog.

In this house, if it can be broken, it has already been broken.

Very delicate. Also shattered and gone. All I have left is the photograph.

It’s why, though I love them, I shiver at the idea of a kitten. Dogs, at least, mostly hang with the floor. But cats leap and climb curtains. I don’t think this house would survive that.

I’m pretty sure I wouldn’t survive it either.