SO YOU WANT TO BE A WRITER – PART III – MARTHA KENNEDY

Me in ObfeldenIs today Saturday? No, it’s Sunday. This should have appeared yesterday. Right here. Except — I thought yesterday was still Friday, but woke up very early this morning with the distinct feeling of having missed a deadline. In more than 40 years of working as a professional writer and editor — this is my first missed deadline. I suppose it was bound to happen someday, but I’m very sorry anyhow.

And so … a day late, but not too late … is the third of three posts by Martha Kennedy on getting a novel into print.

This one hits close to home for me. It’s the same process I went through. Many of us have self-published, and even more, will do so eventually. With traditional publishers thin on the ground, we find ourselves facing a choice: self-publish or keep trying to get a publisher to pay attention. At what point do you decide to stop waiting and move ahead on your own?


Self-Publishing – The Other Way to Do It

By Martha Kennedy

Some people have broken into “the big time” of commercial publication through self-publishing.

Most don’t.

There are manifestos now stating that self-published work is every bit as good as conventionally published work. That is not necessarily false, but is it necessarily true?

Lots of bad writing is published commercially. Still, I believe more bad writing is published by individuals using free, self-publishing platforms such as Lulu, Createspace, or IngramSpark.

The wonderfulness of “Indie” publishing is that anyone can publish a book, but being able to publish a book doesn’t mean the author can write. Which is why a stigma still lingers around self- or Indie-publishing. It is frequently a valid issue.

72-The Bros Path Cover PromoIn response to the problem, organizations are emerging that seek to find and reward good writing in self-published books. Since I only write historical fiction, I’m not familiar with all of the organizations but I know one.

IndieBRAG is a group of volunteers who read books that have been submitted to the organization. The books are rated on a very fine, proprietary “score card” which includes the physical presentation. If the book earns a certain average score or above, it is awarded the IndieBRAG Medallion.

Fewer than 10% of the books submitted (all genres) win this award. IndieBRAG then posts reviews everywhere relevant (Amazon, Barnes & Noble, Goodreads), stating, “We are proud to announce that TITLE by AUTHOR is a B.R.A.G.Medallion Honoree. This informs readers that the book is worth their investment of time and money!”

In my own area, the Historical Novel Society publishes a review several times a year. One of the reviews is Indie Novels. Such novels are submitted to them, then undergo a rigorous test before they can be awarded an Editors Choice or short-listed for the annual Indie Book Award.

The dark side of this trend is you will find companies online who will take your money in exchange for an award or a positive review.

None of these groups – good or bad — existed when I published my first “Indie” novel, Martin of Gfenn in 2011. I paid attention, though. As soon as I learned of new opportunities for my novel, I submitted it. Martin of Gfenn has won both an Editors Choice from the Historical Novel Society and an IndieBRAG Medallion. My second novel, Savior, is also an IndieBRAG Medallion honoree.

Nonetheless, self- or Indie Publishing — whatever you want to call it – has a long way to go before they will be as well-regarded and sought after as commercially (traditionally) published books. Beyond the “stigma,” lies another hard reality: people who publish their own books are (typically) writers, not marketers. Bookstores, especially chains like Barnes & Noble, don’t stock Indie books, though they will sell them by special order.

It does not mean you shouldn’t self-publish. It does mean you should be aware of the challenges involved.

It’s Easier Than You Think

For anyone whose ability to use common software is slightly above average, self-publishing is easy. For those who do not have the skills, every platform offers expert services plus many post-publishing services, among them, marketing. For me, the offers are great, but far out of my price range. Nor am I sure how effective they are … and I have no way to find out.

There are also many independent, free-lance, people who have made a business of editing, formatting, cover design — pretty much every service a self-published author needs to make a good-looking, readable book. These free-lancers are often more competitively priced than the same services offered via the publishing platforms.

I enjoy designing book and their covers. I’ve learned as I’ve gone along. I didn’t even attempt to publish Martin of Gfenn before I’d gone through the entire process with a small test book of essays. I do invest in a good editor with whom I work well.

When The Brothers Path experienced such maltreatment at the hands of agents and publishers, I decided to fight, to bust my ass marketing this novel and the other two, as well.

These days, I get up every morning, and “go to work” marketing my fiction. I have accepted advice from everyone who has offered it. I’ve also done a lot of online research. I’ve spent $300 on a virtual book tour and $100 for an advertisement on Goodreads.  I have set up giveaways (which not free for authors) and have made a book trailer for The Brothers Path. I have a webpage (marthakennedy.co) that tells everyone about all my novels and links back to each novel’s webpage.

I’ve sought reviews, issued a new edition of my second novel so it conforms more to the third because they are, loosely, prequel and sequel — both about the same family, though nine generations apart. I’m going at it as if I this was a paid job — because it is the only way I will get paid to do it.

Internally (hopefully not eternally), I’m contending with shyness and dislike of being with groups of strangers who expect something of me. I’m beginning to accept that I need to go out into the world to make connections rather than friends. I’m trying to manage a launch of my book that isn’t just me and my pals sharing a pizza.

But … I would rather write.

Why Write?

With all the obstacles to a book getting published, it’s not unreasonable to ask the question.

The experience of trying and failing to conventionally publish a novel turns many people away from writing. Maybe that’s a good thing. I don’t think anyone should write if they have another route to happiness.

Not being published does not have to mean not writing. Give that idea a little while to sink in. For anyone who genuinely loves writing and who has stories to tell, writing is a pleasure. All by itself. The reason I’m not (currently) satisfied with simply writing (although, in principle, I am completely satisfied with it), is because of the people who have read my books.

I write serious literature. It’s readable and friendly. The characters are likable, but you don’t write about leprosy, God, depression, death, religious war, bad parenting, adolescent confusion, torture and call it “light reading while you’re waiting for the airport shuttle.” I don’t write that stuff. I don’t know why I don’t write it. I just don’t.

Our writing reflects our lives, ourselves. I know things about my life that my readers probably will not guess at which I do not completely understand. But I’m willing to follow inspiration through the labyrinth toward a good story. I’m honored by the gift.

My novels have affected people. Many readers have left reviews on Amazon or Goodreads, or written directly to me, or spoken to me, telling me what a story meant to them.

A few weeks ago some friends and I were driving to Great Sand Dune National Park. This amazing place is in my neighborhood. Both neighbors have read — and loved — my books. They understand what I’m trying to do now. Their understanding means a lot to me. We got on the subject of why I write, in passing, light conversation, and I said, “This might sound arrogant, but my books are what I have to share with others.”

My friend said, “That’s not arrogant at all.”

To learn more about Martha’s historical fiction, go to marthakennedy.co. Her daily blog can be found at http://marthakennedy.wordpress.com/


THE BROTHERS PATH, by Martha Kennedy

The world-shattering tumult of the Protestant Reformation enters the Schneebeli household when Rudolf Schneebeli is born two months early and dies a few minutes later — without being baptized.

Named for the well trodden track linking the Schneebeli farmhouse to the old Lunkhofen castle, The Brothers Path is set in a Swiss village near Zürich, between 1524 and 1531.

It chronicles the lives of the six Schneebeli brothers, Heinrich, Hannes, Peter, Conrad, Thomann and Andreas. Each brother navigates his own path through, around or directly into the deadly drama of the Protestant reformation.

Two hundred years after the events recounted in The Brothers’ Path, thousands of immigrants, mostly Mennonites and Amish, left Switzerland for America seeking the safety and freedom they could not find at home. If the novel teaches a “lesson” it would to remind us why immigrants to America have always been adamant about separating church and state.

Use this link for: The Brothers Path on Amazon for Kindle and in paperback.


If you haven’t read part I, you will find it here: SO YOU WANT TO BE A WRITER – PART I 

You can find part II here: SO YOU WANT TO BE A WRITER – PART II 

SO YOU WANT TO BE A WRITER – PART TWO – BY MARTHA KENNEDY

Me in Obfelden

Welcome back!

Today’s post is the second of three parts by the Martha Kennedy as she struggles with the ever-changing requirements of marketing a novel.

Many of us have trod this path. More will tread it soon. Each of us has one or more stories to share about the perils of publishing in a market that is constantly reinventing itself.

This is for all of us who have written books, are thinking about writing a book, or are attempting to market a book in a world where none of the old rules apply.



SO YOU WANT TO BE A WRITER – PART II – AGENTS AND REJECTION
by Martha Kennedy


I once heard an agent speak to a group of writers. She said, “You have no idea how difficult our jobs are. We have to read all your manuscripts on our own time. We stay up late at night to get through all that.” Seriously. She said that.

This was at a well-known writer’s conference. I was listening to what had been billed as a presentation on, “Finding the Right Agent.” Hearing her, I thought, “Listen, Sweetcheeks. Your income comes from our work. If you don’t like your job, quit, but don’t insult the goose — geese — who lay your golden eggs, your Manhattan apartment, your travel allowance, and keep you in Manolo Blahnik shoes.”

At that same writer’s conference, I made appointments to pitch a novel that had once had an agent. That agent had not performed, so I had fired her and moved on. I knew the book was a very good book (it’s since won two awards). I signed up to talk to three agents during that conference at $40 a pop. My novel is about a man with leprosy. It’s set in the 13th century. The protagonist is an artist. Each agent had confirmed our pitch session and asked for a synopsis and a chapter or two so they would be prepared.

Here’s how that panned out.

One agent was sick of being an agent and sick of talking to authors, so I never got to give a pitch. She talked to me about the problems she was having with her teenaged son, then asked me to send the manuscript and never responded.

The next listened to my pitch and asked, “Have you done any research? Lots of you historical fiction people just make things up.” She asked for the manuscript and a list of sources.

The third listened to my pitch and at the end said, “So what happens to this guy? Does he get married and have kids? Or what?” (This story is about a leper, remember?)

I’m sure there are other kinds of agents. I just have not (yet) met one. Agents are the gate-keepers. To get access to major publishers, you must be an agented writer. There are almost no publishers available who will even consider a manuscript that is not submitted via an agent … and that means the agent must see your work as a future money-maker.

REJECTION


The advice you will get is inevitably “keep trying.” With rejection, you often get a note which says something along the lines of: “We accept new clients based solely upon the current needs and interests of this agency and we simply didn’t see a good match. Given that the publishing industry is admittedly subjective, no doubt another publisher will feel differently.”

“No mea culpa” it says. Not our fault. Annoying as that is to hear, it’s also true.

It means, “The market has little or no interest in this thing you’re trying to persuade us to represent. If it did, you can bet we’d be on it like piranhas on steak.” The only lie is that the publishing industry is “subjective.” It really isn’t. You can be sure they do good market research. While some publishers do not publish, say, “self-help” another publisher might. That’s the limit to the “subjectivity.”

That rejection, by the way, came from a small press who, the year before, had wanted to publish that very book.

When I got into this game there was no Internet. We had to use paper and envelopes and send everything with a(n) SASE. I actually found one of those in my file drawers last week with a hugely expensive return stamp on it and an address for where I lived fifteen years ago. “A relic,” I thought, “of forgotten times.” Though, truth be told (and why not?) a few agents will only accept paper queries. Hassle, yes, but they are possibly more likely to read your pitch for REAL. Here’s why…

My favorite rejection (and I can’t find it now that I want to quote it) was being told that when a particular agency ran my project through their computerized manuscript screening system, the algorithm responded that my work did not have the qualities deemed necessary to be a publishing success. I laughed at first, having been rejected by an algorithm, then I realized that with online submissions, a writer’s work is likely to be evaluated by a computer program designed to measure its probable marketability.

Which isn’t to say “don’t try.” Just know the cards are absolutely, certainly, 100% stacked against you unless you are keyed into the market; you are Dan Brown ahead of Dan Brown, so to speak. The downside to success (and it might not appear to be much of a downside) is that it’s very difficult for J. K. Rowling to write anything but Harry Potter. She wants to; she has a nom de plume under which she writes other things — none of them have had much success.

When you’re work is accepted by a publisher, you can get screwed in new and amazing ways. Many are the stories. Here’s mine. Last year I did the work of submitting my latest novel, The Brothers Path, to the available pantheon of agents and publishers who might be interested. I kept a spread sheet that helped me stay on top of the progress of the queries I’d sent.

The great day and jubilation came, and my novel, The Brothers Path, was accepted by two small publishers. I had to choose. My editor said it was an “embarrassment of riches,” but I didn’t feel that way because I had no crystal ball. Most other things being equal, one was closer and offered an earlier publication date, so I chose them, but with mixed feelings.

I was sent a good contract, signed it, prepared to move forward, still with my mixed feelings and the knowledge I’d have to talk to this publisher about one thing in particular …

You see, when I looked at their list of publications I saw Richard Wagner’s face on the cover of a book about Victorian England. I love Wagner. I figured “A book about Wagner!” and I checked the book out on Amazon. The story had nothing to do with Wagner.

Summoning my courage (after all the great big publisher was doing me the honor of publishing my book, right?) I told the publisher I was worried about the cover of my novel because, well, Wagner. He said he hadn’t known it was Wagner. He’d looked for free images of faces of 19th century men, and there was Wagner. He then let me know that he had since bought face recognition software (an algorithm?) so that wouldn’t happen again.

“And really,” he said, “how many American readers would recognize it?”

To myself, said, “I did.”

Things moved along fine until he went out of business. At the time, I was crushed. He sent me the formatted manuscript (a real boon to someone who knows she will be self-publishing). I set it up on Lulu and Createspace. Ordered some copies. Got them back and saw that this idiot had changed some of the words in my novel so that one or two important passages no longer made sense. I know I should have checked earlier, but…

If he’d read my book, he hadn’t understood it. He changed the word “fall” to “autumn” when it was used in a conversation between two clerics who are discussing the Garden of Eden and the discovery of human sexuality:

“Tell me, Brother. How many men and women come to you with stories of carnal desires and sin? And how many of those are members of your own order?”

Hannes answered honestly. “Everyone does. Everyone.”

“It is our nature. The Bible tells us to go into the Earth and be fruitful and multiply.”

“After the Fall Autumn, Brother Leo.”

He had changed “After the Fall” to “After the Autumn,” thus rendering the passage to mean that people couldn’t have sex until after December 21.

Since then there has not been a day I have not felt grateful to the fates for the way things turned out. “More tears are shed over answered prayers than over unanswered ones.” St. Teresa of Avila, but hey. I read that in Truman Capote’s unfinished novel, Answered Prayers.


Jonny Geller is a literary agent and joint CEO of Curtis Brown, the world’s oldest Literary and Talent agency, based in London looks at what lies behind some of the most successful books of recent years. He explores the patterns and trends underlying their popularity and describes what a literary agent looks for in a writer.


72-The Bros Path Cover PromoThe world-shattering tumult of the Protestant Reformation enters the Schneebeli household when Rudolf Schneebeli is born two months early and dies a few minutes later — without being baptized.

Named for the well trodden track linking the Schneebeli farmhouse to the old Lunkhofen castle, The Brothers Path is set in a Swiss village near Zürich, between 1524 and 1531.

It chronicles the lives of the six Schneebeli brothers, Heinrich, Hannes, Peter, Conrad, Thomann and Andreas. Each brother navigates his own path through, around or directly into the deadly drama of the Protestant reformation.

Two hundred years after the events recounted in The Brothers’ Path, thousands of immigrants, mostly Mennonites and Amish, left Switzerland for America seeking the safety and freedom they could not find at home. If the novel teaches a “lesson” it would to remind us why immigrants to America have always been adamant about separating church and state.

The Brothers Path on Amazon for Kindle and in paperback.

If you haven’t read part I, you will find it here: SO YOU WANT TO BE A WRITER – PART I


Come back next Saturday for part III of “So you want to be a writer.”

To learn more about Martha’s historical fiction, go to Historical Fiction by Martha Kennedy. Her daily blog is Where’s the Windmill? 

SO YOU WANT TO BE A WRITER – PART I – GUEST BLOG BY MARTHA KENNEDY

Me in ObfeldenToday’s post is the first of three parts by the fabulous Martha Kennedy as she struggles with the weird world of marketing a novel. Many of us have trod this path and even more will be treading it soon. Each of us has a story (or many stories) to tell about the perils of publishing in a market that’s been reinventing itself continuously for decades.

This is for all of us who have written books, are thinking about writing a book, or are attempting to market a book in a world where none of the old rules apply.


I write literary historical fiction, so everything I have to say is from that perspective. People who write different things, in other genres for different audiences are likely to have their own stories about this process. My novels (so far) all are set in the rather dim past in Switzerland. I suspect the ONLY genre less appealing to publishers than historical fiction might be poetry.

But that’s okay.

Before I submit a manuscript, I hire a professional editor. Then, I scrupulously follow the requirements of each agency to which I submit my project. There is really nothing more any writer can do. I write well. I know this because my work has won awards. And, strangely enough, I’m OK with the system as it is. It hasn’t worked for me, but I understand why. Here’s what I’ve learned.

YOU NEED A BIT OF LUCK

You can be the best writer in the world. Ever. Objectively the best. Yet it does not mean your work will sell to a publisher, get printed, or distributed to the public. On the flip side, you can be a not-so-good writer and wind up with a bestseller.

To detail the whole long road of what it takes to get your work commercially published these days, you have to know from the get-go that it might actually be (oh my god!) a crap-shoot.

It’s an inscrutable equation that leads to a bestseller. The right story. The right voice. The right time. Taken objectively, Dan Brown’s “The Da Vinci Code” is not a great work of art. It is, as Brown himself says, “An entertaining story.” A manipulative page-turner with a provocative, captivating theme. It was exactly right for the moment it was published. Dan Brown is a good writer, but a lot of what propelled his book into the stratosphere, was luck.

Another historical novel that’s not great literature (or even good literature, or good writing) is New York Times bestseller, “Mrs. Lincoln’s Dressmaker.” The author, Jennifer Chiaraverini, had a solid following based on the Elm Creek Quilts series and the book hit the market exactly as the United States elected its first Black president. There is much wrong with the book, including plagiarism, yet many people (not me) found it to be likable and readable.

This advice for authors about the advantages of being nominated for a Goodreads Choice Award is telling:

Being nominated for a Goodreads Choice Awards is the result of several factors:

A book needs to have gained traction on Goodreads with people rating and adding the book to their shelves. As always, getting your book into the hands (and e-readers) of as many people as possible is key. Goodreads has many tools to help authors and publishers promote their books to readers. These include our giveaways program, targeted advertising, Ask the Author, editorial interviews, and more.

Keep the moment going by sparking discussion about your book through Ask the Author.
Consider advertising the book on Goodreads to keep reminding people about the book (and mention existing ratings/reviews to reinforce how readers are loving it).

Write a really, really good book!

Writing a really good book is at the bottom of this list for a reason.

IT’S ALL ABOUT MARKETING

More important than your book is a query letter that stimulates literary agents to salivate while imagining the big bucks they’re going to get when they sell your book to a publisher. And maybe Hollywood.

Books have been written on how to write a query letter. I have written successful ones, I think. Honestly, I’m not sure if my letters were great or the person on the other end of the message liked the idea, or their boss said, “Hey, if you get a query for a book about leprosy in the 13th century, ask for the manuscript.” I have no way to know. Regardless, there are a few basics that apply:

  • It must be grammatically perfect. No typos (if you can swing it; I’m incapable).
  • It should be written with a degree of panache. You need to generate some excitement.
  • I learned to study my audience and followed instructions, skills every writer needs.
AGENTS

Love them or hate them, selling your book is a lot easier if you have one. That being said, agents are (in my experience) petty little gods and goddesses who deign to recognize the work of writers who they regard as fools.

Why do I have such a cynical view? Experience. I’ve queried hundreds of agents. Pretty much universally, I have gotten little but arrogance and rudeness in return. Lucky for me, I think it’s funny.

72-The Bros Path Cover Promo


The world-shattering tumult of the Protestant Reformation enters the Schneebeli household when Rudolf Schneebeli is born two months early and dies a few minutes later — without being baptized.

Named for the well trodden track linking the Schneebeli farmhouse to the old Lunkhofen castle, The Brothers Path is set in a Swiss village near Zürich, between 1524 and 1531.

It chronicles the lives of the six Schneebeli brothers, Heinrich, Hannes, Peter, Conrad, Thomann and Andreas. Each brother navigates his own path through, around or directly into the deadly drama of the Protestant reformation.

Two hundred years after the events recounted in The Brothers’ Path, thousands of immigrants, mostly Mennonites and Amish, left Switzerland for America seeking the safety and freedom they could not find at home. If the novel teaches a “lesson” it would to remind us why immigrants to America have always been adamant about separating church and state.

The Brothers Path on Amazon for Kindle and in paperback.


Come back next Saturday for part II of “So you want to be a writer.”

To learn more about Martha’s historical fiction, go to Historical Fiction by Martha Kennedy. Her daily blog is Where’s the Windmill? 

WAITING FOR A GOOD BOOK

To_Kill_a_MockingbirdRecently, I listened to To Kill a Mockingbird. It was re-released in a year ago by Audible.com, with a new narration by Cissy Spacek. After I settled into it, I remembered why I love it. It’s a rare story in which all the pieces fit. Some call it the perfect book. It may be.

It never hits a false note. Takes its time, tells the story at a leisurely pace. It talks about justice, injustice, racism, and the legal system. It’s about family, love, relationships and coming of age. Discovering the world is both better and worse than you imagined.

My granddaughter was assigned to read To Kill a Mockingbird for school and found it boring. I don’t agree, but I understand her problem. She lives in a world so changed from the one in which “Mockingbird” takes place, she can’t relate to it.

Harper Lee wrote about a world without cell phones or email. People walked more than they drove. Food grew in gardens. The world was segregated, separated by class, religion, and ethnicity. My granddaughter can’t even imagine such a world. In her world, the President is Black and her white grandma is married to a brown man.

Everything is instant. You don’t go to a library to do research. You Google it. There’s no time for slow-moving books that depict a less frantic world.

It’s no wonder the fastest growing segments of fiction are fantasy, mysteries, thrillers, and so on. These books are fun. Exciting. So much of “literary fiction” is dreary. Authors seem to have forgotten that literature is also supposed to be entertaining.

I need stories that are more than a dark mirror of reality. That’s not enough. I want a good plot. I need action, stuff to happen. I don’t want to just hear what characters are thinking. I want to see them moving through their lives. I need characters who develop, grow, are changed by events. And, I need heroes. Un-ambivalent good guys for whom I can root. I welcome enlightenment and education, but I require entertainment. Lately it seems the reality-based books I’ve read have forgotten how to entertain. The people they portray are sad, depressed, trapped, miserable. Living lives so hopeless they lack even the energy of desperation.

Are our lives truly so pathetic? So grey and drab? I don’t believe so. I think it’s easier — and fashionable in current literary circles — to write that way. Easier to capture a single note than a whole range of feelings. There are plenty of sad and hopeless characters, but there are also plenty of glad and joyous ones. Winners, not just losers. Heroes and success stories.

I don’t understand current criteria for publication. I don’t get it. A high percentage of the new books I read (I read a lot of just-published books for review) are dull. Many are also poorly written. I find myself wondering why this book, whatever it is, was chosen. To me, I has no merit. I don’t even review these books. I don’t like trashing books and authors, so if it’s that bad, I just skip it.

Boring to me, is the worst sin in literature. I don’t believe Faulkner, Wolfe, Hemingway … or for that matter, Harper Lee — would be published today. I doubt they’d get a reading.

I miss books based in reality. I bet there are great manuscripts waiting, their authors yearning to be published. I hope they get to it soon. Because kids like my granddaughter need to discover how much fun books about real people can be.

Crime and Redemption – From a Dead Sleep, John A. Daly

FROM A DEAD SLEEP
John A. Daley

Publisher: BQB Publishing — June 25, 2013
Category: Thriller/Suspense

Dead-Sleep-Front-Cover

Growing up in the secluded mountain town of Winston, Colorado – the middle of nowhere – carries its own burdens. Especially when you aren’t the kind of guy who gets much respect from anyone. Not that Sean Coleman has earned much respect. He’s always been a bully, even when he was in high school. His manners and personal habits are distasteful and he’s a drunk, the kind of drunk who gets mean then falls face down and lays there until morning.

The only thing that’s kept him going is his work as a security guard at his uncle’s company. It’s not much of a job, but Sean takes the responsibility seriously. Not far below his bad mannered alcoholic exterior, he wants to be a hero. He’s addicted to crime shows and he has an active — many would say overactive — imagination.

Whatever else is wrong with him, he’s no dummy. Sean is a keen observer of his surroundings, a man who notices small things, details others miss or dismiss. It’s gotten him into trouble in the past and it’s about to do it again. Early in the morning following a particularly unfortunate night of bad choices and heavy drinking, Sean is the sole witness to a bizarre suicide. The man is a mystery, a total  stranger — rare in a tiny rural town. Slowed by difficult terrain and his own sluggish, hung-over reflexes, his attempt to prevent the death are unsuccessful. Equally unsuccessful but much more embarrassing are his attempts to convince local law enforcement something really happened.

There’s not a shred of solid evidence. The body is gone, flushed away by the powerful current of the river into which it fell. Most people think Sean’s account is his imagination or an outright lie. Yet a there are some folks who know him well and harbor a nagging suspicion there might be something to his strange story.

Lacking a body or hard evidence, Sean finds he has become — again — the town’s biggest joke. But this time, he knows what he saw. He can’t let it go. When he finds a few scraps of evidence, he determines to follow the trail wherever it leads. He’s going to see this through to a conclusion. For good or ill. Because he’s been living a life he no longer wants. He needs a win, something to restore his credibility with the town, his family, and above all, himself.

Sean Coleman needs redemption.

With no money or even a cell phone, a credit card or a plan … armed with a fierce determination to prove himself and his father’s old 45 revolver, Sean embarks on a quest. It takes him cross-country to uncover a network of evil uglier and more dangerous than he imagined possible.

Sean Coleman is complex. An unlikely protagonist, a gray man in a black and white world. The theme reminded me of Clint Eastwood’s “Gran Torino” – the gruff, anti-social protagonist looking for salvation in a most unlikely way.

FROM A DEAD SLEEP is a page turner, an exciting, well-written thriller with a solid back story and more than enough plot twists to keep you guessing. Most interesting is the slow discovery of Sean as his personality is peeled back, layer by layer. Sean Coleman is not easy to like, yet you quickly find yourself paying him grudging respect, even admiration.

Enigmas are nested inside mysteries. It’s a lot of book and nothing is as it seems. The journey is well worth taking.

About the Author:

“Some writers are thoughtful. Some have style. John Daly has both. When I read his work, it’s time well spent.” – Bernard Goldberg, New York Times bestselling author of ‘Bias‘.

A lifelong Coloradoan, John Daly graduated from the University of Northern Colorado with a degree in business administration and computer information systems. He spent the next fifteen years developing accounting software and Internet-based work-flow collaboration solutions.Daly-John

With a thirst for creative expression that went beyond the logic and absolutes of computer programming, John developed an interest in writing. His early work included newspaper editorials and film and television reviews for entertainment websites. He later became drawn toward more substantive commentary on world events. He currently writes political, cultural, and media analysis columns for the website of Bernard Goldberg, former CBS News journalist and The New York Times bestselling author.

John felt compelled to take his writing to the next level after watching a television interview with former NFL football player, Tim Green. Inspired by Green’s career transition from a professional athlete to an accomplished author, John found the motivation to begin work on his first novel, FROM A DEAD SLEEP.

FROM A DEAD SLEEP is the story of a profoundly flawed man who witnesses a tragic event that no one else believes, and that man’s quest for the truth and redemption. The mystery novel unfolds in the dense mountain ranges of Colorado where John has spent much time camping, hiking, and enjoying the outdoors.
John lives in Greeley, Colorado, with his wife and two children.

You can visit John at these websites:

 johndalybooks.com or fromadeadsleep.com

John on Facebook: https://www.facebook.com/JohnDalyAuthor

John on Twitter: https://twitter.com/JohnDalyBooks

IF ONLY

For Posterity  My blog just went viral. My assignment? Write the post I’d like new readers to see and by which I’d like them to remember me. Write that post right now.


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Talk about a tall order. Golly gee whiz. You mean … like … right now, here, no prep, no thought. Write the post of posts, the one by which the blogging (and maybe literary) world will remember me. I’m not trying to be argumentative, but that’s like telling me to sit down and produce a best-selling book. Now, this minute.

Writing doesn’t work that way … and even if it did, I don’t work that way. Writing is a process. Idea or concept, followed by roughing out a draft. Wait a while, then come back, have another go at the draft. Maybe get someone else to read it.

Click publish. Will it be a hit? It’s a crap shoot. You may love it and think it’s the best piece I’ve ever written, but maybe no one else will like it. Or maybe I’ll think it’s mediocre, but you think it’s fantastic. Maybe I’ll read it tomorrow and the whole thing will give me a monumental headache. I’ll realize it’s a total piece of shit and delete it, too embarrassed to even keep it on file.

Art to order. Brilliance on demand.

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If only.

If only I could decide to write that best-seller, just sit down and do it. After which a publisher would agree, then promote, market, and publicize it. But of course, I’m still stuck on the “writing it” piece of the equation. Like today, now, this minute, I’m supposed to write the one post I’d like new readers to see and by which posterity will remember me. Just like that.

Does anyone know what, if anything, posterity will choose to remember? Because I sure don’t know. I’m not sure anyone will remember me at all, for any reason.

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What I know is each post I write is the best I can write on that day, in that moment. Maybe it will be a great little post. Maybe it will be popular and viewed by many people. Maybe no one will notice it at all and it will disappear. Probably, I won’t remember it either.

I’ll continue to do my best. And that will have to suffice.

NOT SETTING THE PUBLISHING WORLD ON FIRE

Almost every month, Amazon informs sends me a bit of money from sales of my book. The amounts are enough to get a cup of coffee and a doughnut at Dunkin Donuts, but not enough for a cappuccino or anything at Starbucks. I’m always tickled that someone bought a copy. I’ve set the Kindle price as low as they will allow, so I don’t exactly make a killing on royalties.

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I wrote the book in 2007. Publication date is officially September 27, 2007, though it really didn’t “hit the market” so to speak until 2008. I did lots of “author things.” Television interviews on local cable, radio interviews. I got a bit of nice local press.

I arranged book signings. They were fun, though turnouts were small. I got to meet other local authors, some of whom have become friends.

I sold a few hundred books. Not bad for a self-published book. For a while, I got royalty checks that were large enough for a cheap dinner for two at a local fast food joint. I briefly thought Teepee would be a minor straight to DVD movie, but financing failed. So much for Hollywood.

It’s difficult to successfully market a self-published book. Like all new authors, I had dreams of glory. I dreamed of Hollywood and best-seller lists. I was deluded.

A highly personal book largely based on life experiences will sell only if written by a celebrity. Even celebrity tell-all books don’t do well, moving from display in the front of the store to the discount bargain bin faster than you can say “I didn’t know he/she wrote a book …”

Recently, I got to read a lot of books deemed “the best fiction of the year.” I have no idea on what basis these books were determined to be the best of anything. The overall quality is pathetic. Most of them are uninspired, derivative, and trite. Boring at best, unreadable at worst. Many will cause you gastric distress and lead to a burning need to read something involving wizards, vampires, and time travel.

Every now and again I bump into a winner … an author who can really tell a story, and a story that transports me to another place. I live for those moments. It’s too rare.

Which brings me back to my book. It is not deathless literature, but it’s better than most of the books designated as the best of the year’s fiction. My book has characters, humor, and the semblance of a plot as well as a good-faith attempt by the author (me) to make a point. At the very least, you will learn how to build a tepee (perhaps how not to build a teepee). You might not love my book, but I’m pretty sure it won’t bore you into a stupor.

These days, books that sell are mostly cops and courtrooms, whodunits, thrillers, terrorists, fantasy, and the supernatural. Is the real world too dull to write about? Are we that boring?

If you are interested, you can buy the paperback here and the Kindle edition here. If you belong to Amazon Prime, you can borrow it for free.

I worry about the state of publishing. I am sure more good writers can’t find a publisher than can.

Why not publish more books? E-books cost nothing but storage space . Books like mine, published as “print to order”, don’t exist until after they are bought and paid for. It’s risk free and would be good for everyone.

I fear how many authors are ruined by their inability to play the marketing game. Writing a book is easy compared to marketing it. The race by publishers to put out only best-sellers doesn’t work anyhow. Most books flop, just as they always have.

As far as I can tell, most acquisitions editors wouldn’t know a great book if it bit them on the ass. It’s not that I’m so great and couldn’t get a reading, a publisher, or an agent. It’s that what does get published is so dreadful.