If I’m going to be in a movie, I say — bring on the horses!
I grew up yearning for a horse and devoured any book about them. My favorites books were the Walter Farley’s Black Stallion series. I probably read the book so many times its cover fell apart.
All through my childhood, Walter Farley wrote a steady stream of new Black Stallion books — and I read every one of them. About his colts and fillies. About Alec Ramsey, who grew from a teenage boy to a man in the course of the series. Of Henry Daily, the old horse trainer whose career is revived by his accidental encounter with Alec and The Black. Many stories, as the years went on, were about the racing stable Alex and Henry build in upstate New York for which The Black was the founding stud. To this day, I know more about horses and horse racing than most people … because Walter Farley told me all about it in book after book.
Throughout my young years, I wished they would make The Black Stallion into a movie. I wanted to see The Black, to see Alec ride him. To see him come from behind and become the greatest horse to ever run on a track. I was bewitched by horses and was convinced I would need nothing else in this life if I had a horse.
Oddly, the great Secretariat’s real accomplishments — winning the Triple Crown in 1973 — remarkably mirrored those of the fictional Black. Watching Secretariat’s career — in the real world — made up for never having seen The Black race.
I never got a horse. Gradually real life overtook my fantasy life. College, work, husband, baby, home, friends replaced dreams of riding bareback on the greatest stallion of them all.
But the magic wasn’t over me because in 1979, Francis Ford Coppola made the movie I’d yearned for since childhood. He based the movie, The Black Stallion, on the first of Walter Farley’s Black Stallion books, the one he wrote in 1941. In making the movie, they changed the story some. This would have made me crazy as a kid, but by the time I saw the movie — in an old theater in Jerusalem, Israel — I was a 30-year-old mother living overseas and able to cope with relatively minor digressions from the original tale.
Last week, Turner Classic Movies showed “The Black Stallion.” So, of course, we watched it again. I’ve seen it many times. Each is seeing it for the first time.
I am swept away to a desert island for the adventure of a lifetime. Even if you aren’t a great horse lover, the score and the cinematography are so extraordinary, the movie is like a dream. They set the story in its original time period, the early 1940s which helps augment the dreamlike effect.
I want to be on that island with The Black. To ride him along the edge of the ocean, free from everything but the sun, the wind, the sand beneath my horse’s pounding hoofs. I would give a lot for just one day to live that dream.
“The Black Stallion” is a paean to horses, nature, and overcoming adversity. You don’t have to be a kid to love it. It also contains the least dialogue of any movie since the talkies took over Hollywood.
Director Carroll Ballard tells the story with luscious cinematography and a lovely soundtrack. Music fusing with images that wrench your heart.