Tag Archives: Movies

THE WESTERN FILMS OF ROBERT MITCHUM By GENE FREESE

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THE WESTERN FILMS OF ROBERT MITCHUM
Author: Gene Freese
Publication date: November 2019
244 pages in softcover, $39.95
pISBN: 978-1-4766-7849-8
eISBN  978-1-4766-3746-4
McfarlandBooks.com – 800-253-2187

McFarland, Publisher

Most biographies of Hollywood film stars are from the “print the legend” department. Collections of studio publicity releases, agents’ fact free notes and war stories from old Hollywood friends and foes. They’ve been repeated so many times by media outlets and film “historians.”  it’s hard to separate fact from fiction.

That’s Hollywood.

Gene Freese, author

It’s not the case in “The Western Films of Robert Mitchum” by Gene Freese. This book is one of the rare times when you get more than what the title suggests.

Author Gene Freese has done his work the old-fashioned way. Lots of grunt work and untold hours digging through library archives, multiple screenings of films and videos, myriad interviews — in person, on line, by telephone, and through letters from a cross-section of people who’ve given insight to the complex puzzle of the man who was Robert Mitchum.

If you’re expecting a glossy account of the rebellious Mitchum who earned his Hollywood spurs as a hero, villain and contrary old-timer of the west, Gene Freese gives you far more that you expect from a book about a film star. In this book, you get to know the man who inhabited Robert Mitchum’s body, soul, and screen persona.

Practically every would-be Hollywood trivia buff knows about Mitchum’s much-ballyhooed marijuana arrest in the ’40s.  It’s an incident that’s gained legs, often overshadowing the actor’s impressive body of work.

It took Mitchum a while to come to terms with his infamous marijuana legacy while striving to become a diverse and accomplished actor. As Gene Freese explains, Robert Mitchum was so fond of playing the maverick on and off screen, he was perhaps guilty of printing his own legend, an irony not lost on the man who told friends to call him “Mitch.”.

Gene Freese traces Mitchum’s rough and tumble beginnings, separating fact from fiction. They are no less fascinating without the Hollywood public relations excesses. In fact, they are more interesting given Freese’s matter-of-fact detail of “Mitch’s” harrowing years as a young man, bumming his way cross country with real life hobos during the great depression.There was nothing glamorous or romantic about sharing a railroad box car with grimy men who had little to live for and were quick with a shiv to quiet upstart youngsters like Mitchum.

As author Freese explains, Robert Mitchum’s tough guy persona was born during his formative years. Hollywood was far from Mitch’s mind when he decided to see the country on his own terms. It was Woody Guthrie wanderlust.

Gene Freese’s anecdotes are rich with detail as the youthful Mitch is schooled by real-life hardliners who brooked no fools. Mitchum would use the behavior of those tough guys in his actor’s toolbox. Freese describes how Robert Mitchum closely studied the people around him, grew to understand them and ultimately allowed them to inhabit his screen persona.

Many of Gene Freese’s accounts of Robert Mitchum’s life hit home. I had the opportunity to spend a long social afternoon with Mitchum in the early ’70s when he was filming “The Friends of Eddie Coyle” in Boston. I was a television news reporter and the lunch followed the interview I’d done with Mitchum. Our time was spent in a seedy bar where Mitch could relax without having to deal with gawking fans. Mitch was relaxed and I got to see many sides of his personality, so well described by Gene Freese.

Garry Armstrong and “The Western Films of Robert Mitchum”

The Western Films of Robert Mitchum” reads like a friendly chat by a fire in the evening. It’s conversational and comfortable. Gene gives you film details much like your favorite sports writer breaks down a game. I found myself slowing down to get all the details, my fingers tracing the information from title, producer, director, stars, right down to the extras and wranglers.  If you ever wondered who played the henchman, the bully or the bartender, Freese has the names and terrific back-stories to go with character actors like Ward Bond, Paul Fix, and Morgan Woodward — names you might recognize if you are a western movie fan.

Freese gives you a fresh and honest look at Robert Mitchum’s family life. Robert Mitchum was married to one woman for his entire life, something the tabloid people rarely mention. Mitchum’s father role, as Gene Freese tells us, was far more accomplished than most of his peers.There are plenty of family stories that I’m sure will surprise and delight you.

Robert Mitchum’s “noir” westerns finally get some long overdue attention. Films like “Blood On The Moon,”  “Pursued,” and “Track Of The Cat” played in theaters and television and never got proper critical appreciation. “Just another western,” many folks thought. Gene Freese conducts Film 101 and you’ll be surprised, I think, at how good those movies are.

Robert Mitchum’s non-westerns are not overlooked. Think about “Night of the Hunter” and “Cape Fear” to mention two of Mitch’s scariest villains. Gene Freese gives you a lot to chew on about Mitchum’s approach and work on those two classics.

As a western fan, you’ll want to know more about Mitchum’s work with John Wayne. Their relationship, on and off screen, is fascinating and funny. Drinking prowess was just a small part of it. If you recall “El Dorado,” Wayne and Mitch (aka “The big two”), is exhibit A and the book has all the details.

In his later years, Robert Mitchum made some questionable professional choices.  Some mediocre films were made and other excellent roles were turned down. He worked a lot and Gene Freese pulls no punches as he explains how it happened.

“Tombstone” was Robert Mitchum’s last important movie job.  He was the narrator. He could’ve been in the movie but chose instead to be “the voice.”  Gene Freese, again, gives information which is unknown, even to many “movie mavens.”.

As a huge fan of old Hollywood, I loved the book. My heroes have really always been cowboys. Gene Freese’s “The Western Films of Robert Mitchum” not only left me better informed, it also left me smiling. We need more smiles.

NAMES CAN NEVER HURT YOU – GARRY ARMSTRONG

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A while back, Marilyn wrote a piece using the word chutzpah. This is a word I’ve always badly mangled when I try to say it. It’s just a word, what the heck? That was my take for many years until Robin Williams and Billy Crystal gave me a proper public whupping for butchering the pronunciation of chutzpah.  I don’t try to say it in public anymore. It’s a word. I respect it because it carries its own meanings and images.

These days, people often use words or phrases without understanding their origin or meaning. I hear political aspirants, celebrities, athletes and civic leaders say things that make me scratch my head and run back to my dictionary.  Words!  They can be powerful tools used correctly. They can be dangerous used in ignorance.

I grew up in a home full of books. Including dictionaries. Big ones and pocket dictionaries. My parents insisted on using proper language and crisp diction. Street slang guaranteed a head slap or a smack. My two brothers and I were warned about using prejudicial clichés. Since my head has never been properly wrapped, I’ve been guilty of violating those warnings because of my warped sense of humor.

Marilyn warns people that I have toys in the attic.True. And some of the toys are very old.

A friend and I were trading insults the other day. I snapped at him with, “That’s white of you”.  His smile said everything. Words!  You gotta know who, when, and where to use them.

Way back in olden times, I was 19-years-old and worked in a department Store in Hempstead, New York. I was the only non-Jew working in the children’s shoe department. I was waiting on a customer who drove me bonkers. I couldn’t take it anymore and told the parent he was a schmuck.

The manager quietly called me into the stockroom, explained what schmuck meant and asked me never to use it again — even if the customers were jerks. I think he was smiling although reprimanding me. It was a word I’d often heard used in friendly banter, but I didn’t know its origin or meaning. It was just a word. What was the big deal?  I was 19 and knew everything!  I used big words, “20-dollar” words to impress people. People often complimented me, saying I spoke very well. I didn’t understand the veiled insult behind many of those compliments.

After all, they were just words.

John Wayne, of all people, once commented on words and ethics.  It was movie dialogue but still reverberates a half century later. In the 1961 film, “The Comancheros,”  Texas Ranger “Big Jake” Cutter (John Wayne) is lecturing his younger sidekick, Monsieur Paul Regret (Stuart Whitman). Regret asks Big Jake to spin a lie to his superiors to alleviate a problem. Big Jake refuses. Regret doesn’t understand, saying they are just “words.”

Big Jake, with that iconic Wayne frown, says softly, “Just words??  Words, MON-soor, are what men live by. You musta had a poor upbringing.”  Regret looks puzzled, not fully grasping the ethical code of this rough and ready Texas Ranger.  It’s a sublime moment and perfect for the young 1960’s when youth was defying the older generation’s moral code.

I recalled the scene years later in an interview with John Wayne. He smiled, shaking his head because he was in the middle of on-going national dissent against the Vietnam War.  Wayne was one of the most visible and vocal “hawks” in the Vietnam controversy. He had been ridiculed by strident protesters at a Harvard University gathering earlier that day.

“Words, dammit,”  Wayne looked at me, angry and sad. “My words! No damn Hollywood script. I have as much right as those damn college kids.”  Wayne was fuming. The Hollywood legend collected himself as I redirected the conversation to my time as a Marine. I had enlisted in 1959, fired up by the “Sands of Iwo Jima.”

“Words. Good words,” I said to Wayne who smiled broadly.

Today, words are often tossed around loosely on social media with little regard to truth or the repercussions of ill-advised words. We have a president who uses words without thought in a daily barrage of tweets. Our media is engaged in a daily war of words, ignoring crucial issues facing our nation and world. Those of us of a certain age shake our heads as we watch young people immersed in tweets rather than direct conversation with friends in the same room. Words have become an endangered species.

I remember the good old days when me and friends went face to face with verbal jousts like “Your Mother wears combat boots!”

Words!  I love’em.

IN THE MAINSTREAM – RICH PASCHALL

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LGBTQ in cinema, by Rich Paschall

We don’t need a declaration from an orange politician to know that June is the national Pride month. There may not be Pride parades this year due to the COVID-19 pandemic and the restrictions that followed, but we have a Pride list of movies for your viewing enjoyment. Stay home, save lives, watch movies.

Pride parade

For this list, we have chosen films that have made it into the mainstream of cinema. Most enjoyed wide distribution and many found commercial success. There are many award winners including some that received Oscars at the annual Academy Awards. You should be able to find all of these screen gems on DVD or online.

In some of these movies, gay issues are the main topic. In others, it is just a part of the storyline and not necessarily the main theme or focus of the film. I have seen all of the films on the following list, or I would not have included them. There may be many other commendable films that could easily be included. Rotten Tomatoes, the movie review site, has a list of 200 best LGBTQ movies of all time, although many are foreign films that would not be considered mainstream here.

I will start with an honorable mention from the foreign film category, however, and offer you the critically acclaimed Brazilian film, Hoje Eu Quero Voltar Sozinho, entitled “The Way He Looks” for American audiences. The feature is based on the hugely successful 2010 short film that instantly went viral on YouTube. It now has over 8 million views and you can find it here, although I recommend finding the feature-length film.  The language is Portuguese. Both the short film and the feature have English subtitles.

Now grab your popcorn and be prepared to be entertained by some of the best movies ever made. A few are of historical interest, so you may learn a little history along the way. When I compiled the list there were 20, so I decided to rank them all.

20. Weekend. (2011) The British feature concerns two men who meet and spend the weekend together. After that…well, there will be no spoilers today.
19. The Children’s Hour. (1961). Based on the 1934 Lillian Hellman play, the film downplayed the whispered lie about a gay love affair between the two female teachers. Audrey Hepburn and Shirley Maclaine star. The film was nominated for five Oscars.
18. I Am Michael. (2015) The biographical drama concerns a gay activist turned Christian preacher. James Franco stars as the conflicted main character.
17. Dog Day Afternoon. (1975). Based on the true story of a bank robbery gone wrong, Al Pacino stars as real-life Sonny Wortzik trying to steal money for his transgender mate’s surgery. It was nominated for five Oscars, winning one.
16. I Love You Phillip Morris. (2009) Based on the true-life story of the con artist Steven Jay Russell and the man with whom he falls in love in prison. Jim Carrey gives a strong performance in the comedy-drama.

15. The Crying Game. (1992) The tense drama is set during the conflict in Northern Ireland. A member of the IRA promises to protect Dil, the mate of a rival fighter. The film picked up six Oscar nominations, winning one for Best Screenplay. The story included an element most audience members did not see coming.
14. Mysterious Skin. (2004)  Joseph Gordon-Levitt in an early film role as a male prostitute. Set in the 1980s, the storyline follows the life of two friends and their separate paths following a childhood incident. It’s not for the squeamish.
13. My Own Private Idaho. (1991) The cult classic stars River Phoenix and Keanu Reeves as street hustlers and friends.  It picked up a variety of Film Critics and Film Festival awards.
12. Another Country. (1984) The British historical drama stars Ruppert Everett and is set in the public schools in the 1930s. The story concerns the openly gay student, Guy Bennett, who is based on the real-life spy Guy Burgess.

11. Howl. (2010) James Franco stars as Beat Generation poet Allen Ginsberg. The experimental film style concentrates on Ginsberg’s poem of the same name and the 1957 obscenity trial that followed. The reenactment of the Six Gallery Reading in 1955, spread throughout the film, is often illustrated through animation. Franco also relives a Ginsberg interview where his comments about the poem and the trial are being recorded. Franco carries the movie as Ginsberg with his top-notch performance.

Like many good movies, we are ending with a cliff hanger. The top ten movies will be up tomorrow, but you can start on this list today. The above includes comedy, drama, and comedy-drama. There is romance and there is history. There is mysterious skin and there are mysterious people.

For a look at the trailer of any of the above movies, just click on the title. If you want to play them all and get a sneak peek at tomorrow’s list, click here.

ALMOST INTERVIEWING JIMMY STEWART – GARRY ARMSTRONG

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Full disclosure upfront. I never met Jimmy Stewart. No interviews. No emails. No phone conversations. But I’ve got Jimmy Stewart in my brain, maybe because Stewart is TCM’s “Star of the month.” They’ve been airing most of the legendary star’s films from the ’30s through the ’80s. There was a masterful Stewart profile hosted by Stewart’s good friend, Johnny Carson. He made it feel like two buddies reminiscing about the best years of their lives.

Stewart, (center) with Amos on his right, and the B-52 crew moments after safely landing at Andersen. Before leaving Guam the next morning, Stewart again thanked Amos for his professionalism during the emergency and presented him with signed prints for each of the crewmen. (Courtesy Bob Amos)

The other night might have been my first (Yes!) viewing of 1954’s “The Glenn Miller Story.” Somehow, “The Miller Story” escaped me during those years when I went to the movies 3 or more times a week. I absolutely enjoyed the warmth and nostalgia of the movie in a way I rarely feel about contemporary films. I’ve been steadily humming “Moonlight Serenade” for the last two or three days.

Jimmy Stewart is stuck in my mind. I’m doing an interview with him — but it never really occurred. I’ve been digging through my mental folders and files for why I feel this link to Stewart. I’m aware of all his unforgettable film performances, from “Mr. Smith” to “Wonderful Life” to “Harvey.” And all those rugged 1950s and 1960s westerns — including “The Man Who Shot Liberty Valance.”

I couldn’t find that link.  It’s more than just the fan and movie maven thing going on.  What was it?

It hit me as I was cleaning my hearing aids. The answer!

During the late 1980s — maybe 1988 or 1989 — during Ronald Reagan’s second term in the White House, life was changing for me. Marilyn was back in my life after spending almost a decade in Israel. And I finally was able to wear the new, smaller hearing aids that are nearly invisible to onlookers.

I was elated!  No more of those ugly, big hearing aids. I was always sure people stared at them while I worked on local TV News. That was when I remembered — a conversation I had with a colleague. She was the station’s entertainment reporter and had noticed me talking to myself as I checked the audio of my tiny new hearing aids with a big smile on my face.

I was in the middle of covering a major trial that was getting international attention. I saw my image on network news shows. No hearing aids were visible. Oh, the vanity! I explained to my colleague what the tiny hearing aids meant to me. How I’d coped with a major hearing loss most of my life and the adjustments I had made to succeed in TV News.  She was genuinely surprised and smiled with an appreciative tap on my shoulder. We’d sat close to each other in the newsroom for months, talked about business and personal things — but I’d never mentioned my hearing loss.

That was also the summer Marilyn and I entertained actress Patricia Neal and legendary photographer Alfred Eisenstadt at our Martha’s Vineyard cottage, a rented place we shared with other TV news friends. Word of our friendship with Neal and Eisenstadt made the rounds in the local entertainment news world. I remember sharing stories with my entertainment reporter colleague. Sometimes name dropping can be a lot of fun … and this was one of those times.

“I met Jimmy Stewart at a Washington, D.C. cocktail party,” my colleague told me one afternoon. She had my complete attention.  “Poor Jimmy. He was struggling with his gigantic hearings aids.”

I listened with fascination. I didn’t know Jimmy Stewart needed hearing aids. It never showed in his movies or TV interviews. I listened closely for details on Stewart’s dilemma.

“Jimmy couldn’t hear what was being said at the party,” my colleague told me, “He kept looking at me awkwardly and fumbled with the conversation.”

I had an epiphany.  Jimmy Stewart fumbled with a conversation because he was trying to absorb and register what people were saying to him. The famous Jimmy Stewart verbal fumble was his way of coping with hearing problems. I probably smiled to myself as my colleague went on with her description of Jimmy Stewart’s cocktail party struggles. Fascination turned to compassion as I imagined myself in Stewart’s place, trying to filter our multiple conversations, loud music, and ambient background noise.

The Stewart story quickly faded out from my mind as I returned to my story and a pressing news deadline.

There was a letter on my desk a few days later. I was running late for the trial and was worried about getting a good seat so I could hear the lawyers and the judge,, so I didn’t get to it that day.

Trials were always a major headache for me. Years earlier, I’d taken my situation to myriad judges, court officers, and lawyers. I wanted everyone to know I was working with this handicap and wanted to be sure I got all their wise words accurately. They appreciated my candor and efforts were made to make sure I could get the information accurately and efficiently.  My best, most sincere face helped my cause. If you’ve heard this from me before, know it was the prologue for my relationship with Jimmy Stewart.

I finally opened the letter a day or two after it arrived. I was immediately suspicious. Phony, threatening, and suggestive letters are common for a TV news reporter. This one wasn’t in thick crayon or illegible ink scrawl, but I was still suspicious.

“Dear Garry,

I hope you don’t mind my assumption of friendship since we’ve never met. I deal with this business of celebrity all the time and it is presumptuous.”

I continued to read with skepticism until I realized this missive was from Jimmy Stewart. He went on to explain his cocktail party hearing problems, his encounter with my colleague who apparently talked about me and my hearing problems. Jimmy Stewart heard about this Garry Armstrong guy who was a success on Boston television news despite hearing problems. I blushed a little as I read Stewart’s account of my bravery. Most of the letter, however, dealt with Stewart’s details about his hearing aids, its components. He wanted my take on the efficiency of these new little hearing aids.

I put the letter in my desk, planning to take it home and show to Marilyn because I wasn’t good at holding on to such possessions in my professional life. My attention turned to the trial and my report for the six o’clock news.

Fast forward several hours, including my ritual, stop at the local bar before heading home — without the letter. Out of sight and mind.

I did manage to write Jimmy Stewart a few days later. I spent most of the letter talking about how I struggled with my hearing and the use of the aids. I must have appeared awfully vain, talking about overcoming my reluctance to wear hearing aids because I thought it was a stigma. My vanity was probably also obvious when I mentioned some of Stewart’s colleagues I’d met in my career.  I was young and lacked humility, telling Stewart about time I’d spent with Katherine Hepburn, Jimmy Cagney, Gregory Peck, and other stars. I forgot to mention the other stars, like Albert DiSalvo, Whitey Bulger, and Tip O’Neil.

In retrospect, I can only wonder what Jimmy Stewart thought as he read this silly, name dropping letter from a young Boston reporter.

Another Stewart letter arrived several days later. No indication of displeasure in my letter. He asked lots of questions about my hearing aids, my interview tact, and how I handled myself in large crowds. There was a hint of getting together when he came east again.

The meeting never occurred. Perhaps that’s why I’m now having these dreams about the sit-down interview that might have been.

Me and Jimmy Stewart. It never happened, but it could have. It almost happened.

HOLLYWOOD FANTASIES, GARRY ARMSTRONG

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I love movies. Old movies  Movies from the ’30s, ’40s, and ’50s. I grew up watching these films. They were movies from Hollywood’s golden age when fantasy really trumped reality. These were films seen in theaters. First, second and the beloved third run or neighborhood movie houses.

old hollywood glamor shots

This was before television. The movie theater experience was as much fun as seeing the film. That’s where the fantasy began.

I saw my first movie in 1946. I was four years old. The movie was “The Best Years Of Our Lives”. My Mom and Dad took me to see the film in a big glittery theater in Manhattan. New York. The city that never sleeps. My Dad, in his Army dress uniform with ribbons and medals, had just returned from Europe. World War Two had ended less than a year earlier. I vaguely remembered the headlines. My Dad seemed ten feet tall in his uniform. My Mom was more beautiful than I could ever recall. She looked like a movie actress in one of those popular magazines of the day. I felt as if we were in a movie that evening. It was magical!

I remember some of the scenes from the movie. The returning GIs, looking down on their hometown from the air. The family reunions. The men looked like my father and yet they didn’t. I was bothered but didn’t understand. I dreamed about the movie that night. My Dad was the star. My Mom was Myrna Loy. I was the son receiving souvenirs from my Dad. I could see myself in the movie.

astair and rogers

That fantasy would replay itself many times over the following decades. It grew with the films of my youth. The westerns, especially. I adored westerns. I liked seeing the good guys always beat the bad guys. I liked the way the good guys dressed and the horses they rode. Curiously, none of the guys — good or bad — looked like anyone in my family but that didn’t matter to me. I didn’t think much about it. I was all of those good guys! Most of all, I was John Wayne. Later, I was so much John Wayne I enlisted in the Marine Corps right out of high school. That’s another story.

As my fantasy grew, I also discovered I was a romantic. This is a guy secret. I liked romantic movies with happy endings. I was Joseph Cotten pursuing Jennifer Jones in “Love Letters” and “Portrait of Jennie”. I was Spencer Tracy, the underdog to Clark Gable, vying for the affections of Myrna Loy and Claudette Colbert.

Somewhere, stashed away, I have an old notebook. One of those notebooks with lined pages used for compositions in grade school. I used to write imaginary castings for movies with myself as the star opposite Hollywood legends. Actually, I added some reality. I worked my way up from “and introducing Garry Armstrong” to co-star, and finally as a star. Fortunately, that notebook was never discovered in class.

Marilyn and I have been watching (again) a series, “MGM – WHEN THE LION ROARED”. It’s a fascinating look at the rise and fall of Hollywood’s most prestigious studio. As we look at the series, I fantasize again about being there in Hollywood during its golden age.

MGM_backlot

Fantasy dissolved into a dream last night. I was in 1930’s Hollywood. I was at MGM. I saw the legends. Gable, Tracy, Garbo, Crawford and all the others. The dream unfolded rather skillfully. I was a freelance writer working under a pseudonym in separate quarters. This is how I, a man of color, could exist in that world. It was perfectly splendid. My work was excellent. Others took credit but all knew who I was, especially Louis B. Mayer. I never asked for a raise. My scripts all had the MGM touch.

In real life, I’ve had the chance to meet many of those legends who’ve been part of my dreams. As a TV news reporter, I’ve actually had the opportunity to socialize with some of them. You’ve read about some of them in other posts. It’s funny when reality meets your dreams and fantasies.

I’ve done some extra or background acting. It was interesting but the hours are long, like those I logged for almost 40 years on television. I don’t like getting up early anymore. I haven’t quite closed the door, mind you. I hang onto the fantasy I’ll get “the call” for a lead role in a major movie.

And, the Oscar goes to …

FILMS ALL GUYS SHOULD SEE – RICH PASCHALL

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My personal top 20, by Rich Paschall

Since you are likely hiding out at home and looking for something to do, I offer again my top films for you to watch. Yes, I said at the beginning “films all guys should see”, but a lot of gals will enjoy these as well. They are examples of solid film making with strong casts. If you don’t own a copy, you can likely order them online.

These movies are the opposite of “chick flicks.”  You know what I mean, the romantic comedies starring Sandra Bullock or Reese Witherspoon, Jennifer Lopez, or Zac Efron.  You may have to see those as a consequence of the long tradition of “date nights,” but let us move onto something with a little more substance. If your “date” does not want to watch any of the movies listed below, go to another room.

There could be hundreds of good films for this list.  The heroes are strong, the action is intense, the dialogue is smart and every guy in the theater (or living room) would like to be the leading man of the story.  They speak not only of good versus evil or right versus wrong, but they also include noble intentions… most of the time anyway.

Since I had to stick with movies I have seen, the list will probably date me to a time when I went to the movie theater more often.  A few of these I have only seen at home, but on a much larger television than when I was young.  Whether you are a Citizen Kane or a Raging Bull, it will be a Bad Day At Black Rock if you do not see all of these.  I normally do a top ten but I could not fit The Great Escape on the list and M.A.S.H. them down to 10.  It may not yet be High Noon, but it is time for the list.

The Magnificent Seven

The Magnificent Seven

20.  The Magnificent Seven. An outstanding remake of the Japanese classic The Seven Samurai, but set in the old West
19.  Dirty Harry. “I know what you’re thinking.”  This movie contains some of the greatest film quotes of all time.
18.  On The Waterfront. Marlon Brando could have been a contender. In fact, he won an Oscar.
17.  Patton.  George C. Scott will scare the heck out of you as the American General and war hero.
16.  Von Ryan’s Express.  A mesmerizing performance by Frank Sinatra trying to lead his troops to safety.
15.  Rocky.  Admit it, you love it.  It is a triumph of the spirit.  The sequels … not so much.
14.  Run Silent, Run Deep.  Burt Lancaster and Clark Gable face intrigue and insurrection on a submarine.
13.  The Bridge on the River Kwai.  Alec Guinness as the noble British officer forced to build a bridge with his fellow prisoners.  And the Oscar goes to…
12. The French Connection.  New York, France, drugs, car chases, cops, and the perfect cast.  An Academy Award winner.
11. The Good, The Bad and the Ugly. Il Buono, il Brutto, il Cattivo. The ultimate “Spaghetti Western.”

10.  Dr. No.  Bond, James Bond  If it is not exactly what Ian Fleming had in mind for his spy hero, it is nonetheless a great start to the ongoing series of action-adventure movies.  If it were not for Sean Connery, would this series have gone very far?

The Maltese Falcon

09.  The Maltese Falcon.  Humphrey Bogart plays the detective who hunts down those responsible for the death of his partner.  It’s an odd speech he gives to Mary Astor at the end, but the final scene remains a classic.

08.  North by Northwest.  Cary Grant is forced to find the killer of an official at the United Nations.  The cross-country thriller is one of the finest works of director Alfred Hitchcock.

07.  Cool Hand Luke.  Paul Newman is a hero of another kind in the 1967 prison movie which earned an academy award for George Kennedy.

06.  Glory.  I loved Matthew Broderick in a number of lightweight movies, but here he rises to the dramatic occasion as the young officer who leads a troop of black soldiers into battle during the Civil War.  Denzel Washington and Morgan Freeman also head the stellar cast.

05.  12 Angry Men.  One room, 12 men, one case, all dialogue.  Henry Fonda leads the powerful cast as the hold-out jury member who is not convinced of one boy’s guilt.  The confined setting adds to the unfolding tension.

04.  Jaws.  This movie made a lot of people afraid to go into the water.  Three unlikely people (Robert Shaw, Roy Scheider, and Richard Dreyfuss) go shark hunting in this 1975 thriller, directed by Steven Spielberg.

03.  In The Heat Of The Night.  Sydney Poitier commands the screen as the Philadelphia detective in the wrong place in the South. Rod Steiger is the ultimate racist southern sheriff.  The movie should make you squirm just a bit (or a lot) no matter what side of the color line you are on.  This is way beyond the sanitized television series and an important movie in 1967.

02.  The Godfather.  While some will not agree, I find this the best of the trilogy.  Marlon Brando is the Godfather, the Italian don, head of the crime family.  The 1972 film is a movie you can not refuse.

01.  Casablanca.  If you did not know this was coming, you have not been following me for very long.  It may be Casablanca, but we’ll always have Paris.  Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains, Sydney Greenstreet, Peter Lorre and a supporting cast that looks like they belong in the French Moroccan city.

Find trailers for the top 10 here on my YouTube channel.

2019 MOVIES IN REVIEW – Marilyn Armstrong

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We’ve been catching up with the movies we never got to see in 2019. Many — maybe most — of them have been available on Netflix, Hulu, or Prime for a while, but we never got around to viewing them. A few more we got as gifts. So this is what we’ve seen of this year’s movies.

The first movie we watched was “Little Women.” I’ve read the book who knows how many times and visited Orchard House many times. I’ve also seen all the productions of the movie, my favorite being the 1994 version with Winona Ryder as Jo March. It’s still my favorite version. This one was weirdly disjointed.

I understand what the director was trying to do, but I didn’t think it worked. If I hadn’t read the book many times and seen all the other versions of it, I wouldn’t have had any idea what was going on. It’s not terrible, but it’s not exceptional in any way. With a cast of such great stars, it should have been better. A lot better.

Our next movie was “Harriet,” the story of Harriet Tubman. Garry has an issue watching movies about slavery in the same way I have an issue watching stuff about the Holocaust. We were both over-exposed to our collective history in early childhood.

I pointed out that “Harriet” actually had — as much as any movie of its kind can have — a “happy” ending. She was a historical figure, so we knew how it worked out. It wasn’t just all your ancestors lining up naked to be gassed en masse. He agreed to watch it. I don’t carry the weight of slavery as my personal history, but it turns out you don’t have to be Black to hate slavery and slave owners on southern plantations.

By the end of the movie, when Harriet rides off with a rifle on a white horse, I was cheering. Garry thought it might make a good television series. Harriet could rescue slaves every week and maybe blow away a slave owner or two.

We were so encouraged that the next movie we watched — or tried to watch — was “A Marriage Story.” I don’t care how many Oscars it won. By about an hour into it, neither one of us could watch any more of it. It’s available on Netflix, by the way, so if you are in the mood to watch a couple tearing each other to pieces while getting a divorce, feel free to watch it. How interesting that this movie won Oscars, but “Harriet” didn’t. Make of this what you like, but Harriet was by far the better movie with better action and acting top to bottom.

Even after turning it off, “Marriage Story” left a bad taste in our mouths. Garry suggested “The Two Popes,” a movie I had marked for viewing a few weeks ago. We hadn’t gotten to it.

It was about the papacy of Benedict XVI (Anthony Hopkins) and the 2013 election of Pope Francis (Jonathan Pryce). Two great actors dominating the movie and I thought it was excellent. I don’t know how accurate it is, but it was gripping and often quite funny. It’s also playing on Netflix, so if you can, it is definitely worth seeing.

We took a pass on “The Irishman,” also on Netflix.

We also saw “1917.” Garry liked it more than I did. The pointlessness (futility?) of war and all that. I thought it was a good movie but not a great one. Garry may differ on this one.


And this is as far as we’ve gotten with last year’s movies. I’m not sure there are any more in which we are interested.

And having run out of new movies, we settled happily last night into a rerun of “The Mask of Zorro.” Give me a handsome dude in a mask, riding a glorious horse and I’m a happy camper.

ME AND DUKE WAYNE – BY GARRY ARMSTRONG

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I liked him so much I named a dog after him. Now that is appreciation.

Our Arizona vacation is a trip back in time to some of my favorite western movies and TV shows. The cactus covered fields and surrounding mountains evoke memories, especially of John Wayne-John Ford classics.

The locales around Phoenix are similar to areas in Utah where Wayne and Ford made some of their iconic films. In the aftermath of two vacations in Arizona, there were requests for my oft-told story about meeting Duke Wayne. If you’ve heard it before, head for the nearest saloon, Pilgrim.

Forty-three winters ago, as I reckon, it was John Wayne versus the anti-Vietnam War crowd at Harvard and surrounding areas of Cambridge, Massachusetts.

Sunset reflected on the Superstition Mountains

Duke was cheered and jeered as he sat atop an armored “half-track” which moved slowly through the crowd as light snow fell. Some dissidents lobbed snowballs at Wayne as they shouted in derision. The Duke smiled and waved.

At one point, everything stopped as the legendary star hopped out to shake hands amid a flurry of snowballs. It was a bad situation for a reporter attempting an interview.

Me in Arizona

I remember calling in a few favors. Somehow, Duke and his entourage slipped into an empty theater. Long moments — to me, it was an eternity — followed as I waited alone on stage. Suddenly, the stage lit up. I froze.

“Hello, Garry!” Duke Wayne boomed in a friendly voice as he ambled in that familiar gait across the stage and greeted me. My TV persona kicked in as I shook hands with my hero, beaming with a happy smile.

I was oblivious to the cameras and time. Later, I would learn that it was a pretty fair interview with me swapping stories with Wayne including some anecdotes about my stint in the Marine Corps. Apparently, that impressed the Duke. He laughed when I recalled how I’d upset several drill instructors during basic training with my irreverent behavior.

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The interview apparently ran long because a press agent finally had to pry Duke loose to resume his “march” to Harvard.

During a formal, group interview at Harvard, Wayne singled me out as “his pal and former Gyrene”. I remember basking in the glow of that moment as other reporters glared at me. Later, as the gathering dispersed, Wayne approached me and said, “Good to see ya again, Gyrene”.

I offered what must’ve been a broad, idiotic smile and said, “Good to see YOU again, Duke.” I could see, over my shoulders, my crew smirking and laughing. It didn’t matter to me. Back in the newsroom, I walked around repeatedly asking people if they knew who shook my hand that day. Finally, someone told me to throw some cold water in my face and get on with my job.

Prickly and then some!

They didn’t get it. I had spent “private” time with the Duke. With Hondo, Sgt. Stryker, Ethan Edwards, Capt. Nathan Brittles, and Rooster Cogburn … among others. Damn, I had swapped stories with the man who really shot Liberty Valance.

Sadly, there were no personal pictures from that memorable day. No autograph. I’d always felt uneasy about asking celebrities for these signatures and autographed pictures. Not asking did open the door for more candid conversations and some unforgettable social afternoons and evenings with Hollywood legends, royalty, presidents, sports heroes, wise guys, godfathers.

Even Mother Theresa who singled me out from a crowd, chastising me about news coverage. I never figured that one out.

Topping all those memorable days and nights was my afternoon with the Duke. Back here in Arizona, where the Duke galloped through so many westerns, I think maybe … mebbe … I can top that encounter in the future.

That’ll be the day!

SIGNS OF OUR TIMES AND FAREWELL MY LOVELY – GARRY ARMSTRONG

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Last night, I was gritting my teeth over the Senate Impeachment travesty and another household repair issue. The tank on the toilet in our primary bathroom cracked just hours after Marilyn had workers back to redo problems on our new shower. All this while we’re figuring out how to pay for a newer version of our 31-year-old oil burner, the baseball sign-stealing scandal, the recent bitterly cold winter, never-ending begathon calls from political candidates, not to mention marathon barkathons from our furry kids, I was ready for the cuckoos’ nest.  (Yes, I know this is exhibit A of a run-on sentence.)

I opted for the MLB Channel and Ken Burns’ “Baseball’ series. Marilyn had bought me the boxed DVD series but this was running, so I tuned in. We got the 1960s episode.  As only Burns, Lynn Novak and company can do it, it was a Ph.D. on the good, bad, and ugly of the 60s which remain etched in most of our memories. Certainly, it’s etched in mine since I was in the middle of many of its biggest stories.

1969 The Amazing Mets!

The Curt Flood saga is always good to see. I think most people don’t remember Flood’s contribution to the game and the price he paid for going up against the establishment. Today’s free agents and their agents should be forever grateful to Curt Flood and maybe send him a cut of their deals.

It was also good to see Casey and his Amazin’ Mets. I had the good luck to be a young newsie, covering Casey, Marvelous Marv, Elio Chacon and those loveable, bumbling guys who would blossom into Seaver and the ’69 World Champs. I loved seeing Casey, the 70+ loveable legend who gave me some of the funniest interviews ever. I usually forgot the question I asked as Casey continued talking in Stengelese –10 minutes or more, uninterrupted.

Ebbets Field

The eulogies to Ebbets Field, the Polo Grounds, Shibe Park and other ancient stadiums paving the way for domed stadiums and fake grass would make another great post.

Profiles on Sandy Koufax (what a handsome dude), Stan Musial, Earl Weaver, Frank Robinson, Jim Palmer, Ty Cobb (his last days, never to be mourned at this address),  Marvin Miller, Yaz, and Bob Gibson were so well done. Bob Costas, the perennial Boy Scout with the great pipes and memories of the game — and Billy Crystal, The Yankee fan, recollecting the flight of the Dodgers and demise of Ebbets Field.

Then it was time for my bedroom movie. Robert Mitchum in his 1975, “Farewell, My Lovely.”  I’d seen it first run in the movies and didn’t fully appreciate Mitch. I thought he was too old.

Time makes all the difference. Last night’s viewing was a revelation. Mitch was perfect as the aging, tired, down-on-his-luck private eye. He brought a new meaning to world-weary. He was the best Phillip Marlowe of them all. His narration of the film was an added delight. I listened carefully to the narration.  A lesson for would-be narrators or audiobook performers.

Although in color, director Dick Richards used washed out hues to give it a film noir look. It should’ve been in B&W – but I guess the AVCO Embassy suits nixed the idea.  Mitchum’s work was masterful and now is in my top five ratings of his body of work.

John Ireland was sublimely good as Mitch’s cop pal.  Ditto the rest of the cast including Harry Dean Stanton, Sylvia Miles (Oscar-winning best-supporting actress), Charlotte Rampling, Anthony Zerbe, and a young Sly Stallone.

I waited for and enjoyed Mitch’s weary line to Ireland. “Dave, why is it that everything I touch turns to shit?” Mitch gave a Tom Selleck mega-sigh and Ireland stares at him with compassion.  Great scene.

What a guy!

“SAN ANDREAS FAULT” ALL THE AWFUL IN ONE MOVIE! – Marilyn Armstrong

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Fandango’s Friday Flashback — December 7

Last night, tired of the endless depressing, appalling, horrible news, Garry played a movie he had previously recorded.

San Andreas Fault is not merely a disaster film. It is every disaster film you have ever seen in one film. It’s earthquakes that will turn Kansas into the Pacific beach capital of the nation. It’s crashing buildings, towering infernos, the hugest OMG tsunami. We get to see the bravest heroes and most craven cowardice.

It’s all there.

The crashing bridge

Every cliché from every disaster movie made in this and the previous century includes a lot of movies.  Worse, I’m pretty sure we’ve seen all of them, but we’d never seen this one before.

I think it was originally filmed in 3D. Everyone said it was drivel, but it made more than $300,000 million at the box office, so clearly drivel sells well.

Crashing cruise ship

It certainly sold well at our house. When the intended second husband of Dwayne “The Rock” Johnson‘s wife (Carla Gugino)  played by Ian Gruffudd (aka “The Asshole”) abandons Rock’s daughter to her fate, trapped under fallen cement in a parking garage, it’s no less than you expect from the cowardly CEO of a major corporation.

Hollywood crashing

We know they are cowards because … well …that’s what they always do in the movies, right? Have you ever seen a brave, manly CEO stand up to anyone or anything outside a boardroom? Especially when they are trying to marry the hero’s ex-wife who we all know should be with the hero.

Even though The Hero can’t utter a coherent sentence (and probably hasn’t since he came back from The War (insert name of war here), he’s a hero (with medals to prove it) and would never run, not even when a million tons of water and a complete cruise ship is about to fall on his head.

The Rock watching everything crash

Finally, the family reconnects. The entire west coast is smoldering ruins covered by about half the Pacific Ocean. There isn’t a bridge, a building … nothing. Total, absolute devastation everywhere.

Garry is giggling to himself.  Because he knows. I know. We both know. It’s coming.

The Rock, arm around his wife, his daughter saved, is gazing over the wreckage of the world and Garry murmurs … “Now, we rebuild.”

Beat. Beat. Beat. Pause.

And THEN The Rock says: “Now, we rebuild.”

Garry collapsed into laughter. The last time he laughed that much was when Trevor Noah had Ben Carson on the show and Trevor did a better Ben Carson than Ben Carson. Garry was still howling while the credits rolled.

A perfect ending.

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We’d seen the world end. We’d see the best, the bravest. The worst. We’d seen the most depraved cowardice imaginable and in HD wide-screen.

But now, we rebuild. We have to rebuild … because … SAN ANDREAS 2 is coming! As the headline says, this will finally allow The Rock (who no longer calls himself “the Rock”, so you have to call him Dwayne) to punch an earthquake.

This is everything that we fear will result from climate change, but it all happens in one movie. I need to see this again. Especially how they rebuild a world that has been totally wiped out.

OF ALL THE GIN JOINTS IN TOWN … — Marilyn Armstrong

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Last night, we watched Casablanca. Again. We’ve seen it on TV. We even watched it on the big screen in the movies. Last night, we watched it once more — and it still has the best dialogue of any movie of its kind. There are other, more exciting movies, more thrilling movies, though I find Casablanca pretty thrilling. What Casablanca gives us is the reality of a war that never was, but which we needed.

The passionately dedicated French underground.

The anti-Nazi heroism of ordinary people, willing to put their lives on the line for the greater good.

“What if you killed all of us? From every corner of Europe, hundreds, thousands would rise up to take our places. Even Nazis can’t kill that fast.”

Not the way it was, but the way we wanted (maybe needed) it to be. Even now, we want the grandeur of people at their finest. Truth be damned.

And love. Undying love that lasts through war and loss, no matter what the world brings. As we watched — and we know the movie well enough to hear the line coming — Garry looked at me and I grinned back. Wait for it … wait for it … Ah, there it is!

“Of all the gin joints, in all the towns, in all the world, she walks into mine…”

There’s the first of many great lines, There are many more. We went to the movies to see Casablanca on the Big Screen when TCM sponsored a release of this1943 Oscar-winning classic a few years ago.

“We’ll always have Paris. We didn’t have, we, we lost it until you came to Casablanca. We got it back last night.”

The filming of the movie was a crazy time. The script was written — and it’s a great script — page by page. The actors didn’t know what they’d be doing any day until the pages arrived.


The set was chaotic and Ingrid Bergman wasn’t happy. Bogie was underpaid — a bad contract with Warner’s he had signed before he was a big star. Casablanca went a long way to fix that. Claude Rains earned more than Bogie, and he was arguably worth it.

(Standing in front of the plane in the fog.) “I’m saying this because it’s true. Inside of us, we both know you belong with Victor. You’re part of his work, the thing that keeps him going. If that plane leaves the ground and you’re not with him, you’ll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.”

“…But what about us?”

However it happened, Casablanca is movie magic. It’s a brilliant and witty script that plays even better on the big screen than it does at home.

“…When I said I would never leave you…”

“And you never will. But I’ve got a job to do, too. Where I’m going, you can’t follow. What I’ve got to do, you can’t be any part of. Ilsa, I’m no good at being noble, but it doesn’t take much to see that the problems of three little people don’t amount to a hill of beans in this crazy world. Someday you’ll understand that.”

(Ilsa lowers her head and begins to cry.)

“Now, now…”

(Rick gently places his hand under her chin and raises it so their eyes meet, and he repeats–)

“Here’s looking at you, kid.”

Maybe it’s something about how differently we focus when we watch it in a theater than when we see it at home, with the dogs, the refrigerator, and a “pause” button. A difference in the “presence” of the film. The clarity of the visual presentation.

“Louie, I think this is the beginning of a beautiful friendship.”

I’m sure it was and somewhere, it still is.

MOSES, MEL, AND ME – GARRY ARMSTRONG

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Before I put a finger on the keyboard, I admit this is probably heresy, at least to some people. One simply doesn’t make fun of religious movies. It is simply not done. Especially not these days.

But I do.

Every Passover or Easter (usually, it’s both together), Marilyn and I watch “The Ten Commandments.” We don’t watch it for its high level of religious sentimentality. While Cecil B was going for life-altering moments, he gave us some much-needed laughter.

It isn’t a movie that has stood up well to the years. Time tested it — and found it wanting.

Heston-Charlton-Ten-Commandments

Every year when some big religious holiday rolls around, the lineup of movies on our favorite cable stations includes all the familiar biblical movies. Few are watchable even a few years past their shelf date, much less stand ye olde test of time.

Most are obviously well-intended, like George Stevens’, “The Greatest Story Ever Told”. But the man who gave us classics like “Shane”, “A Place In The Sun” and “Giant”, wound up with a ponderous and static film in “The Greatest Story.”

Its biggest sin? Boring. Truly dull.

As I write, we are watching Mel Brooks’, “History of the World-Part One.” This movie is the perfect antidote to historical films that have become parodies or which were not really all that good in the first place. We probably have a greater appreciation of history because of Mel’s equal opportunity insults rather than the cardboard epics which play fast and loose with facts.

Mel Brooks last supper

I must admit I love watching gladiator movies. It’s a guy thing, like war films.  I also enjoy seeing semi-clad (or even lesser clad) young women engaging us in erotic dances before evil monarchs who are not playing with a full deck. We’re not talking about great cinema here.

Charlton “Call me Chuck” Heston was really honest when he talked about playing Moses. He told me it was a good gig. Working with Cecil B. DeMille (for a second time) was good for his résumé. It gave him a boost for the religious epic he really wanted to do — “Ben Hur.”

“Ben Hur” is one of the few good religious films to come out of Hollywood. William Wyler’s fine direction and brilliantly done stunts using real live (and one who died) human being — were spectacular. No computer generation. It hadn’t been invented. The chariot race alone is worth the price of admission.

history-of-the-world--part-1

This is obviously subjective stuff. If you love Cecil B’s heavy-handed narration of his version of the Old Testament, so let it be written. So let it be done. Meanwhile, we’re back with Mel. It’s the French Revolution and those generously endowed girls are displaying their charms.

It’s good to be the king!

SPACE AND SUPERHEROES – ELLIN CURLEY

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I’m usually not a big fan of space or superhero shows, but I really like the “Star Trek”-ish television show “The Orville” and the movie “Wonder Woman.”

I think the reason I like these two particular representatives of their genres is that they focus on the human (or not quite human) relationships. The shows are not primarily about the pyrotechnics, battle scenes, superpowers or twenty-third-century technology, although those are elements of both shows. In these two stories, the characters and their interactions don’t get lost in — or play second fiddle to — special effects.

In the first part of “Wonder Woman”, I became absorbed in Diana’s early life on a mystical island of Amazon women. Then I enjoyed watching her adjust to life in the early 1900s of WWI. I also loved the way her romance with Steve evolved. The movie is, at heart, a beautiful love story.

I’m a big fan of WWI and WWII movies. The major plotline here revolves around a ratty band of anti-heroes — plus Wonder Woman. They are trying to destroy the Germans’ new, extra lethal nerve gas before it can be used on the Allies. You could also almost call the movie a WWI drama with superheroes.

Talking about “Wonder Woman”, I have to mention the star, Gal Gadot. In addition to being breathtakingly gorgeous, she exudes intelligence, strength and compassion. She embodies the quintessential modern female superhero.

If you have any reservations about watching something like “Wonder Woman”, I recommend it as more than just a typical comic book-based movie.

“The Orville” has a “Star Trek” vibe. But again, it is much more than your average space travel adventure. Members of the crew have quirky and interesting personalities and there are many fun and intriguing relationships on the ship. For example, the Captain and the First Mate are ex-spouses who haven’t fully worked through their issues.

Seth McFarlane is the writer, producer and also plays the Captain. He is fantastic, as usual.

There’s lots of humor and lightness in the show as well as charming banter between the exes. In addition, there are serious and topical issues that are brought up and discussed in most episodes. There was one that dealt with the conundrum of whether or not to change the sex of a female baby who would face serious discrimination and banishment on an all-male planet.

The plots are good and I find it an engaging and entertaining hour of television. I have ADD and often can’t sit through a one hour show, so that says a lot for me!

Over the years, I’ve become an expert at glazing over during most of the comic or space ship-based shows I watch with my husband. These are two that actually got my attention and kept me engaged.

Kudos to the makers of “Wonder Woman” and “The Orville.” You can watch “The Orville” on Hulu and Wonder Woman is, I think, still available on Netflix. But if not there, it’s surely on one streaming channel or another.

ALL I WANT TO DO IS ENTER MY HOUSE JUSTIFIED – Garry Armstrong

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It’s a memorable line from the classic western, “Ride The High Country”. The 1962 MGM film was released with little fanfare. Hard to figure because it starred two long-time movie cowboy heroes, Randolph Scott and Joel McCrea and was directed by the maverick, Sam Peckinpah.

“High Country” also introduced the spunky Mariette Hartley. The supporting cast reads like a who’s who of top-notch character actors: James Drury, Warren Oates, L.Q. Jones, John Anderson, John Davis Chandler, Edgar Buchanan and R.G. Armstrong (no, not a relation).

Another classic western, “The Man Who Shot Liberty Valance” was released the same year and overshadowed “Ride The High Country.”

“All I want to do is..enter my house justified” is Joel McCrea’s summation of his very ethical lawman who’s grown old and, with little money to show for his estimable career, but refuses to abandon his ethics for a grab of the money he’s transporting from a mining town to the bank that hired him  based on his reputation.McCrea is sharing his belief in honesty with longtime pal, Randolph Scott who temporarily has been seduced by greed and plans to steal the money. It’s against typecasting to have Randolph Scott as the former lawman on the verge of becoming a thief — at the expense of his life-long and honorable friend, Joel McCrea.  When I saw the film in ’62, I found it hard to grasp Randolph Scott as a bad guy.

He does a very believable job as the ambivalent villain wannabe. Scott’s old and jaded gunfighter is exasperated by a lifetime of upholding the law with very little money to show for all the bullets he’s taken. It’s the old west take on “show me the money.”

Joel McCrea’s insistence on honesty and taking the high road despite many obstacles is a parable for our current political world where ethics and honesty have become a sham and a bad joke leveled at people blinded by our P.T. Barnum Commander-In-Chief.

Can you imagine a Presidential tweet saying, “All I want to do is enter my house justified”?  The unfolding impeachment proceedings mock any pretense at ethics and honesty in the Oval Office. The McCrea line also flies in the face of all the Gordon Gekkos in our public arena where “greed is good” is the unofficial mantra.

Think of the high-profile celebrity parents facing the music and jail time for trying to buy a college diploma for their kids.  You don’t enter your house justified with that as your moral code. Our political and moral swamp is spilling over instead of being drained.

Randolph Scott and Joel McCrea

It’s taken a while for me to see “Ride The High Country” as more than just an excellent western.  Its underlying message about moral codes is clear to me now.  The same can be said for “The Man Who Shot Liberty Valance,” the movie that gave us the iconic (yes iconic) line:

“This is the west, Sir. When fact catches up with myth,
you print the legend.”

There’s a lot of legend printing going on these days. Come to think of it, there are a lot of Liberty Valance wannabes trying to muck with our Constitution and standards set by the men who wrote it. To be fair, some of those guys liked to print the legend too. But, that’s another story.

Randolph Scott sees the light in a memorable shoot out, teaming up with Joel McCrea, to take down execrable killers at the end of “Ride The High Country.” Spoiler alert?

Marriage parade in a mining camp

Nah. Would you expect anything less from Randolph Scott?

We could use Scott and McCrea right now to run the current gang of miscreants out of town and out of the country — with some jail time thrown in.

They will never enter their house justified.