A HARVEST MOON

It was the full harvest moon last night with a partial lunar eclipse in some latitudes. We have no unobstructed view of the sky from anywhere on this property, but I still felt it was worth the effort to see if I could get a few interesting pictures.

The pictures were taken over the course of a few hours. You probably can’t see the difference, but the moon is at a different angle in the later pictures than the earlier ones. Even with the trees, it’s still lovely.

MOON OVER

72-moon-set-030316_016

Every photographer has to take a few pictures of the moon. I’m no exception. Of course, because the moon does not rotate on her axis and shows us only one face, most moon shots look much the same.

72-sunrise-moonset-030316_020-2

Those few times when I have been able to shoot the through trees in the woods, I got something a little different.

MOON | THE DAILY POST

WHAT LURKS IN THE DARK?

Humans, throughout history, have feared the dark. Our eyes are not well-adapted to seeing in low light levels and we fear what we cannot see. Our hearing is not as acute as our feline and canine companions. Nor can our sense of smell inform us what may be stalking us in the night.

72-City_Night-Pops2013_083

Almost all of our literature that contains night images is — at least — a bit scary.

Yet, in the normal course of things, most of what is “out there” in the dark is pretty much the same stuff that is there by day. It’s not scarier or more dangerous. We just aren’t sure what it is.

dark cemetary

It would seem that the uncertainly — for humans — is the same as frightening. Would anyone like to take a shot at why this is so? Does it go back to caves and lurking saber-toothed tigers? Or is in buried deep in our DNA.

DARKNESS | THE DAILY POST

OPENINGS: DOORS AND WINDOWS

cee's fun foto chall

From Cee:

This week’s topic is Doors and Windows. Some doors have windows in them such as house doors, commercial building doors, garage doors, vehicle doors, bulldozers and trains these are some of what I am looking for. You can all have a solid door with a window being prominent in your photo as well. Both items need to be represented somehow. Be creative.

Doors and windows from Boston, Upton, Uxbridge, Amherst, Williamsburg, and Baltimore.

 

ODDBALL NIGHTS IN BOSTON

CEE’S ODD BALL PHOTO CHALLENGE: 2015 WEEK #50

cob-banner

Imagine. Week 50! Two weeks to the end of the year. Where did the other weeks go? They just blew through here, leaving dust and dog hair in their wake.

What is an Oddball?

Noun –
1. A person or thing that is atypical, bizarre, eccentric, or nonconforming, especially one having beliefs that are unusual but harmless.
Adjective –
2. Whimsically free-spirited; eccentric; atypical: an oddball scheme.

Taking pictures on the streets of Boston is entirely different than shooting in Uxbridge.

72-BW-Cherrie-Ron-Pops-2015_010

I had fun with these … seeking a certain “mood” … hoping for a cinematic sensibility. All taken in downtown Boston in and around Symphony Hall.

72-Pops-2015_039

A bit film noir?

72-Pops-2015_028

UXBRIDGE AFTER DARK – GARRY AND MARILYN ARMSTRONG

72-OIL-GAR-Night-Uxbridge-121015_011

From Garry:

Every year, the town strings lights around the Commons. We first saw this in Boston, two dozen years ago. The idea seems to have caught on all over New England. So at Christmas, wherever you find a town Commons, you’ll find lights strung on all the trees.

72-Poster-GAR-Night-Uxbridge-121015_001B

From Uxbridge, to Boston, to Worcester, to all villages great and small around New England, see the pretty lights.

71-Poster-GAR-Night-Uxbridge-121015_014

It’s a New England thing. Because you won’t find Commons in other parts of the country. I’m sure they decorate … but they do their thing. We do ours.

72-GAR-Night-Uxbridge-121015_036

Marilyn and I went shooting yesterday evening. It was warm as springtime and clear as crystal. A good night for romantic lighting in the middle of our little town.

72-Poster-GAR-Night-Uxbridge-121015_021


From Marilyn:

I used two different cameras – the Pentax Q S-1 and the Panasonic Lumix DMC-FZ200 and got quite different results. The pictures taken with the big Panasonic came out better, as regards color and contrast, though sharpness (or lack thereof) was about the same for both cameras. 

Garry used his Pentax Q 7 and his pictures came out rather better than the pictures I took with my Q S-1 … so maybe it was the photographer, not the equipment.

72-Duplex-MA-Night-Uxbridge-121015_042

In either case, I suspect tripods would have dealt with all the problems — for both cameras. I have a tripod. I need to actually use it.