DOUBLE YOUR PLEASURE, DOUBLE YOUR FUN! – Marilyn Armstrong

FOWC with Fandango — Duplicate

FYI, recent updates in both Mac and PC have made the interface for YouTube very  … different. I’m not even sure how I finally got this to work at all.

 

 

NOT QUITE THIRTY – Marilyn Armstrong

We are about to celebrate our 29th  wedding anniversary. As I ponder the upcoming 29th — a year short of the big 3-0 — I hear distant bells.

I remember the wedding. The thrill of ultimate victory, the agony of getting there. How, by the time I got to the altar, I was a nervous wreck, but Garry was cool as the proverbial cucumber and looked dashing in his tuxedo.

After it was clearly established that we were definitely, unquestionably, without any doubt, getting married, it came down to details. Dates. Rings. Caterers. Bakers. Flowers. Music. Photography. Videography. And (trumpets) a ceremony.

I had been married twice before — okay, three times because I’d been married in a registry office in London, then the whole Jewish medieval ceremony in Jerusalem. Having been there and done that. I wanted to elope or maximum, go to city hall, have the mayor marry us. He would have. We knew the guy and still do.

We could have been married at City Hall, I’d toss a bouquet, someone would throw some confetti, and voilà. Married. After that, we and our actual friends could all go out for Chinese.

Garry wanted a Real Wedding.

He was 48 years old. Never married. This would be his one and only wedding and by golly, he was going to Do It Right.

“I want a real wedding. In the church in which I grew up. In New York,” says Garry. “And I want my old pastor to officiate.”

“Pastor G. is retired … like fifteen years ago.”

“I’m sure we can work it out.” When he said we, I thought he meant he and I would do this thing together. Because where I come from, that’s what “we” means. I was delusional.

“Why can’t we just do something in Boston? New York is 250 miles away. You haven’t lived there in 30 years. Everyone you know except your parents live in Boston or some other part of the country.”

Garry’s face was set and stony. He wanted a hometown wedding in the church he attended as a child. With the Pastor who ran the church when he was a kid. Who was very retired.

Did I mention my husband is stubborn? He is very stubborn.

“This is going to be a lot of work. It’s hard to plan a wedding long distance,” I point out. “And I have a full-time job. in case you’ve forgotten.” Garry is unfazed.

“We can,” he repeats, “Work it out.” There was that we again.

“Fine,” I eventually agree. “We’ll have a wedding. In New York. At your church.”

There were caterers to hire. Music to be arranged. A bagpiper (don’t ask). Battles over the guest list. A cake to be designed. The cake was my favorite part. It went like this. Having settled on a vanilla cake with lemon filling, we needed to decide on decorations.

“Do you want the bride and groom in white or black?”

“Can we have one of each?” No, we could not. In 1990, they do not have a mixed couple cake topper. I offered to take a marker and paint the groom black, but inexplicably, Garry found this objectionable. I suggested they take two sets and cut them in half, but it was deemed too complicated. In the end, I opted for wedding bells, the DMZ of wedding cake toppers.

So, Garry got his wedding. It was (for him) as simple as simple could be. Marilyn arranged the wedding. Garry showed up in a tux.

You see? We worked it out.

P.S. I eventually learned that “we’ll work it out” always meant “you’ll take care of it for me.” That included moving, packing, unpacking, cooking, arranging vacations, airline tickets, mortgages, and car loans. For Garry, it meant “show up nicely dressed and smile.”

TOO LATE LEGAL – Marilyn Armstrong

“Have you considered marijuana?” floated past me on the conversational breeze. It was my previous cardiologist speaking. Was I in the Twilight Zone? No, he was merely suggesting pot might be a good drug. For me. It would deal with a variety of issues. He wasn’t suggesting “medical marijuana” because though theoretically we have it, insurance won’t pay for it and almost no doctors are certified to prescribe it. But don’t worry, now we can buy it recreationally — and legally — at a local shop.

“Uh, yes,” I said. “The downside, other than the price tag, is coughing. Coughing hurts.”

“Take in more air when you inhale,” he said. “You’ll cough less.”

Right. Like I didn’t know that already. He forgets that mine is the generation that made it popular. The biggest users of legalized pot are —  you guessed it — senior citizens.

I grew up in a world where getting busted for having a couple of joints in your pocket could land you in jail for a long time. A world in which marijuana supposedly was the gateway drug to a life of dissipation and degradation which would end with you lying face down in a gutter in a part of town where the cops won’t go.

Now I live in a world where the cardiologist recommends smoking pot.

My mother was born in 1910 and passed in 1982. Growing up, horse-drawn carts were far more common than automobiles. She was a child during World War I, a married woman and a mother in World War II. She survived — somehow — the Great Depression and marched with friends and family in a spontaneous parade of celebration when the New Deal passed. Even though the Depression didn’t really end until World War 2 and brought employment to everyone who wasn’t fighting.

By the time she passed, there was cable television, home computers, and two cars in every driveway. One day (I was a kid) I shouted: “Oh look, a horse and cart!”

She looked bemused. “When I was your age,” she said, “We used to shout “Look, a motor car!”

And today, my cardiologist suggested pot. Okay. I think I see a motor car.

Our local cannabis shop is at the edge of town, close to the main road that goes to Rhode Island. Convenient. It also has a parking lot.

I was afraid they’d put the shop in the middle of town and we’d have a permanent traffic jam.

Massachusetts, in its infinite wisdom, has so heavily taxed cannabis that it’s more expensive to buy it legally than to get it from ye olde dealer. In fact, it’s a lot cheaper to buy it from the same guy you bought it from before they made it legal. Competition lowered his prices while the state upped theirs. Figures, doesn’t it?

As it turns out, pot has no particular medical advantages for me.  The cannabutter I made was so strong, I didn’t feel better. Mostly, I just passed out.

I wish it did work medicinally. I wish something would work. The company that made the medication that always worked for me stopped making it a few months ago. It was cheap to buy and it helped. But it wasn’t profitable. Now we are searching for something else that won’t make me sick, make my heart stop, or give me ulcers while reducing the pain enough to allow me to function.

Pity the pot didn’t do it.

THE LAST OF THE SILVER SCREEN COWBOYS – Garry Armstrong

A Nostalgic Spoof of Those Great Old Westerns

We watched “Rustler’s Rhapsody” again last night, this time with Rich Paschall who had never seen it before.

We love this movie. It’s an affectionate spoof of the B-Westerns of the 1940s starring Tom Berenger, Patrick Wayne, G.W. Baily (“Major Crimes” on which Berenger has a recurring guest role), Andy Griffith, and Fernando Rey.

The women include Sela Ward, a solid dramatic actress perhaps best remembered as Dr. Richard Kimble’s slain wife in the movie version of “The Fugitive.” There’s also Marilu Henner who riffs on all the “Miss Kitty/Miss Lily” saloon ladies of our favorite TV westerns.

Andy Griffith and Fernando Rey both play power-mad cattle barons. Fernando usually plays an international drug czar and you probably remember him in “The French Connection”. He is slimy sinister personified. Rey and Griffith make a very odd couple. Check out the scene where they argue about who gets to do the countdown for killing the hero. They are hilarious, but Andy Griffith steals the show.

We love the movie so much we owned three identical copies of it on DVD, one of which now belongs to Rich. It wasn’t going to be available for long, so we bought extras. Just in case.


rustler's rhapsody dvd cover

Tom Berenger is The Hero who shoots the bad guys in the hand. Pat Wayne is the other good guy, but he used to be a lawyer, so be warned. Casting Pat Wayne was an inspiration. “Rustler’s Rhapsody” could easily be an homage to his Dad’s ‘poverty row’ westerns of the 1930s. Pat even nails Duke’s acting range of that period.

My heroes have always been cowboys, even the stalwarts of those budget-challenged B movies. I had the good fortune to spend time with two legends of the genre. Buster Crabbe and Jack “Jock” Mahoney.

Crabbe, most famous for his “Flash Gordon” days, contends he had more fun playing the lead in the oaters where the line between good and bad is always clear and you get to wear nice costumes. He considers his westerns as “small classics” not B movies. (Crabbe continued his career into the late ’60s when producer A.C. Lyles revived the B cowboy movie with over the hill actors including Johnny Mack Brown, Rod Cameron, Bob Steele, Hoot Gibson and Richard Arlen among others).

Jack “Jock” Mahoney, known to many as TV’s “Range Rider,” is a former stuntman who graduated to supporting roles as nimble villains and finally established a following at Universal-International, playing literate good guys in lean, well-written westerns. Mahoney clearly is proud of his work in the B movies. I remember the smile on his face as he recalled the fun of being recognized as a cowboy hero.

I think all the cowboy actors I’ve met (Including John Wayne) would heartily approve of “Rustler’s Rhapsody”. It’s an affectionate tribute to their work.

This is the song they play at the end of the movie when the credits are rolling. I love the song and the memories it brings because I’m of the generation that went to the movies and watched those B movies as part of the afternoon doubleheader at the Carlton or Laurelton, the second or third-run movies houses where you could see two movies and a cartoon for a dime. Eleven cents if you were considered an adult. Which turned out to be any child older than 10, but they still made you sit in the kid’s section — which I firmly believed (and still believe) was unconstitutional.

Warner Brothers, 1982. “Last Of The Silver Screen Cowboys” by Rex Allen Jr. and Rex Allen Sr. Be sure to listen for Roy Rogers in the final commentary and chorus!

NOSTALGIA IN PHOTOGRAPHY – Marilyn Armstrong

A Photo a Week Challenge: Nostalgia

Nostalgia. I lost most of my early pictures to the “I love you” virus in the late 1990s. It destroyed every single picture I had stored since I started using a digital camera. I didn’t have a backup. The lesson was most painfully learned.

Now, I have backups. More than one. Multiples. So instead of nostalgic pictures, this is as good a selection of old or older pictures I could find. Some go back to the early-1940s. Most are more recent.

 

Really old friend.

BE HOME BEFORE THE LIGHTS COME ON – Marilyn Armstrong

When I was growing up … and even when my son was growing up in the 1970s, kids went out to play. Alone. Unsupervised. Unstructured. Disorganized with not a single adult to keep an eye on us. We built “forts” and “clubhouses” out of crates and old boxes and anything we could find that mom wouldn’t miss.

We played stickball with old, pink Spalding balls that were often long past bouncing or even being “round.” You didn’t go and buy a “stickball set.” You found an old broomstick and someone had a ball, or what used to be a ball, or you all chipped in and bought one in the local (!) toy store.

The dock at River Bend

Remember toy stores? Not “Toys R’ Us.”

Local shops where you could buy a ball or a bat or a Ginny doll for a few cents or a few dollars. The shopkeepers were always grumpy old guys (probably a lot younger than we are now), but they had a gleam in their eye. If you don’t like kids, you don’t run a toy store.

We ran around a lot. Playing tag was basic. Even dogs play tag. “Catch me if you can,” you shouted and off you went. If you got tagged, you were O-U-T. But if you could run fast enough, you could grab whatever was “home” and one shouted “Home free all!” and everyone was back in the game.

There was Hide and Seek, another classic. Someone hid, everyone hunted. You had to be careful. If you hid too well, your friends might get bored looking for you and go do something else. But no one’s mother came to complain that you were being bullied. This was stuff you dealt with because there will always be bullies. Unless you were in real danger, it was better (then and now) to cope on your own. Much better than waiting for rescue.

In the real world, rescue is rare, but bullying is not.

1953 -I’m in the middle

Jump rope. There was always an old piece of laundry line somewhere. They actually call it skipping rope in other parts of the country. In the cities, the Black girls played a variation called “double Dutch” using two ropes. We all knew how to do the double Dutch ropes turning, but none of us ever mastered the technique of actually jumping. More like an intricate dance — and I also wasn’t ever much of a dancer.

Klutz that I was and am, I was barely competent on a single line, much less two. I remain in awe of how incredibly graceful, athletic, and coördinated those girls were … and are. There was a feature about them on the news a couple of weeks ago and I am no less awestruck now than I was more than 60 years ago.

Photo: Garry Armstrong

Along with jumping rope came chanting. All those weird little ditties we sang as we jumped. They mostly were alphabetic and involved names and places.

“I call my girlfriend … in …” when we were playing in a group. You could gauge your popularity by when and who “called you in” to jump in tandem. Looking back, I think the problem was not unpopularity, but being a washout as an athlete. I was a slow runner, an indifferent jumper, and a terrified tree climber. On the other hand, when it came to derring-do, I was a champ. I could organize games of pretending –pirates and cowboys and outlaws and cat burglars.

We burgled, but we never stole. We weren’t thieves, just little girls trying to prove we could do it.

I don’t see kids playing outdoors these days. Almost never, except as organized groups with one or more adults supervising. Calling the plays with whistles and shouts. Children are not allowed to “go out and play” anymore. Everyone is afraid of something. Bullying, kidnappers, traffic, skinned knees. Unlike we kids who were always covered with scabs from a thousand times falling down on the sidewalk or street.

Come home with a bloody knee today and they’ll call an ambulance. Growing up, unless you appeared to have broken something, a bath was the remedy of choice and usually, beneath the dirt, was an unbroken kid.

Photo: Garry Armstrong

It makes me wistful, thinking about it. My family was dysfunctional, but I could escape by going out to play.

“Bye, Ma, I’m going out,” and off you went. It was the best part of being a child. Those months between school and hours after school (much less homework and we still learned more!) contained what seemed unlimited freedom. That was the freest I would ever be in this life.

Once you were out of the house and too far away to hear your mother calling, you could do whatever you liked. You could be whoever you imagined. There was nothing you had to do, no place you needed to be. Until the streetlights came on.

Streetlight is on. Time to go home!

You had to be home when the streetlights came on. It was a fundamental law, the bottom line. Do what you will, but be home when the streetlights come on. In those warm summers of childhood, the days flowed in an endless stream.

Darkness fell late. There was more than enough time.

THE RETURN OF BELL BOTTOMS – Marilyn Armstrong

When I look back at what I miss from my old days, mostly, I miss the pants. The wide bell bottoms were the most flattering jeans I ever wore. They made my legs look longer and my hips narrower.

From 1969 and for the next few years, fashion and I were simpatico.

It was the hippest of times and I was happy. I was young. I wore bell bottoms. Patchwork jeans were my favorites, although at the end of the day I looked like I’d been sitting on a waffle iron.

My shirts had purple fringes.

96-BabyOandMe-HPI wore granny glasses with rose-tinted lenses. My hair was cut in a shag. I had my baby in a sling on my hip, a Leica on my shoulder and a song in my heart (probably the Beatles). That was a good as it got for me.

I miss that clothing, the bell bottoms, the fringes. I really miss my old Leica. Mostly, I want my bell bottoms back!

ROMANTIC ME – Marilyn Armstrong

LOVE AND MARRIAGE ARE NOTHING LIKE A HORSE AND CARRIAGE


I was 18 when I married for the first time. I was in my senior year of college, working at the radio station and beginning to get the hang of writing for people other than myself.  Jeff ran the college radio station. He was the Station Manager.

Garry, my once and future husband, was Jeff’s second-in-command — the Program Director. The two were coincidentally also best friends. Along with most of the people I count as friends all these long years later, we were having a great time doing weird and creative stuff … a permanent party, or so it seemed.

Gar and Mar in Dublin 2000

It wasn’t just the usual college hi-jinx. Aside from the stuff we did at the station, we were creative party givers. Our Fall of Sauron Day parties became the stuff of legend –scripted, costumed, with special effects. We were young and healthy and could party all night, yet still rise up and go the work the following morning — looking barely the worse for wear. Ah, youth.

I married Jeff in August 1965. I spent the next year finishing my B.A. and having my spine remodeled, so it was a few years before I got on with life. My son was born in May 1969. We named him Owen Garry, Garry being his godfather. Fast forward through a non-acrimonious divorce. I later realized if you just give up everything and walk away, it’s easy to be amicable. It’s also something you will probably regret — eventually.

Off to Israel, I went with The Kid. Not too long thereafter, I married in Israel. The less said about this mistake, the better. In 1983, a state visit from the ex and (now) current husband (they rode together), showing up right in time for war in Lebanon. It ruined our plans to visit Mt. Hermon and the Galilee but created great anecdotes which Garry and I tell after dinner around the fire.

I have one (fuzzy) picture of me, sandwiched between Jeff and Garry, all arm-in-arm, the Dead Sea behind us. The picture was taken by husband number 2 (the one I don’t want to talk about).

Photo: Debbie Stone
Photo: Debbie Stone

August 1987.

I’m back! Garry and I are an item. Having been apart for so long brought us closer together than we’d imagined possible. The previous decade hadn’t dealt kindly with either of us and we saw one another with new eyes. I think we’d always been a little in love, but there was an endless number of reasons why it wasn’t the right time to do something about it.  Now, shortly after my Israeli divorce from husband number 2 was finished, Garry and I got married.

And here’s how it really happened.

I’d been away for two weeks in California on business. I had come back early because I got sick and came down with the flu. Just as well, because an earthquake — the one that stopped the World Series — occurred the following day and if I’d stayed, I’d have been crushed under the collapsed highway.

Garry was glad to see me … until I coughed. Then he wasn’t so glad. If you want to know the definition of “mixed emotions,” it’s a man overwhelmed with joy to see the woman he loves — but knowing the first kiss will include influenza. The definition of true love? He kissed me anyway.

And got the flu.

So after we both stopped coughing, Garry took me out to dinner. He was nervous. He was driving and we went around Leverett Circle at least half a dozen times. He kept missing the turn-off. Meanwhile, he was explaining how he’d had a conversation with his pal about real estate, and how prices were down, and how maybe we should buy something. And live together. Like maybe … forever? Was forever okay with me?

So having listened for a pretty long time, I said: “So let me see if I’ve got this right. You want to buy a house? Move in and live together? Forever? As in married?”

“All of that,” he said and drove around the loop one more time.

“I don’t know about you,” I said, “But I definitely need a drink.”

Garry, now

The following morning, I asked Garry if I could tell my friends. He said, “Tell them what?”

“That we’re getting married,” I said.

“We are?”

“You said we should buy a house and live together forever.”

“Is that a proposal?”

“It is where I come from,” I assured him. Wouldn’t you think that was a proposal? I had to remind him about buying a ring, too but eventually, he got into the groove, realized all he had to do was tell me what he wanted and show up in a tux and he’d be a married guy. Piece of cake.

We got married 6 months later having known each other a mere 26 years.

I declined to have my first ex-husband as best man at my third wedding. We did, however, have the “real” reception at his house. There was the official one at the church, but the fun event, with all the friends, music, wine and sharing … that one was over at the old house where I used to live with Jeff.

Garry and I will celebrate our 29th anniversary in September. When you find the right one, time flies.

STICKBALL SEASON IS COMING – Marilyn Armstrong

It’s heading toward the end of April and the Sox, last year’s series winners, are having a hard time. While not in last place, they’ve lost more than often than they’ve won. Many of the teams who were supposed to be leading their division are not doing well.

It’s early yet. If they are still tanking by the end of May, we’ll have to get serious about worrying. Garry would normally be obsessively glued to the television, but when his team isn’t playing well, he’s afraid to watch. He thinks watching is a jinx.

The sportscasters were talking about somebody getting stuck with an error because he couldn’t catch a ball on a bad bounce and how hard it is to catch them when they take an unpredictable bounce.

Spalding Hi-Bounce BallThis got me thinking about stickball.

These professional players get gazillions of dollars to play professional baseball. They have parks with groundskeepers, bases, uniforms, baseballs, and even bats! How would they do without all that fancy stuff, huh?

We didn’t have any of that. No siree. We played that old-time American favorite, stickball. We hit with old broomsticks using a pink rubber Spalding ball — which might or might not be round.

The broomsticks were worn out. If it was any good, your mother was using it, so before you got to play, it had to be pretty beat up.

The ball? Half the time, they weren’t even round anymore. They had lumps of pink rubber which had — long in the past — been balls with bounce.

In hometown stickball, assuming you actually hit whatever was thrown (dubious), you had no way to predict where it would go. All bounces were bad. An old, not-round Spalding rubber ball could go anywhere.

The bases were “the red car over there” and “the big maple tree in front of Bobby’s house.” Everyone agreed the manhole cover was home because it was more or less in the middle of the road. Third base was the drainage grate over the sewer. Watch your feet and DON’T let the ball go down the drain.

It left the game wide open for serious disputes about fair versus foul. The team who was most vigorous in pursuing fairness or foulness got the call, especially since we were our own umpires and decisions were voted on and the bigger team (by numbers or just physically bigger) always won.

If those super highly paid athletes had to play stickball, how well do you think they’d do? I’d like to see those tough major leaguers playing stickball with a worn-out broomstick and an old pink Spalding ball bouncing wildly all over the place.

That would teach them humility in a hurry.

STRAWBERRY JAM – Marilyn Armstrong

I was 46 years old when my homemade strawberry preserves jelled properly.

Probably what broke the barrier was overcoming a longstanding aversion to putting sufficient sugar in the mix. Alternatively, I could have solved the problem by adding tapioca starch or pectin, but I’m a bit of a food snob.

I wanted my preserves made of just fruit and sugar.

The day the preserves came out perfectly was the day my first husband finally died. He had been dying for a long time. It was a Friday, a rare brilliant spring day in New England.

Jeff had been sick for almost a year in what we politely called a coma, but which was actually a vegetative state. Now gone. I had not come to terms with it though I’d had plenty of time. Probably no amount of time would have been enough.

Other than Jeff’s dying, it was a good time for us. Garry and I were happy. We were good together, busy with career and friends.

Yet there was an underlying sadness we could not avoid, the knowledge that death was near.  Happiness and sadness don’t cancel each other out. The good things are not a balance against pain. Feelings aren’t an equation. You can’t add columns of positive and negatives in your life and come up with a number in the middle. In the real world, joy and misery cohabit. We live with both.

Emotions are messy.

My head was a wheel of memories, a slide show carousel. Faces, places, good years, bad. Bittersweet, sad, joyous, funny. Strawberry jam that never jelled.

I married Jeffrey at 18 and thought myself very mature. He was almost 30, but he thought me very mature too. Both of us were wrong.  We muddled through. We were hard triers. When we had no idea what to do, we faked it.

Eventually, we became the people we pretended to be and it turned out, not the people we needed to be.

1965 in the WVHC office

Though we went in different directions, we stayed friends. No matter where on Earth I was, I knew Jeffrey was there for me. We had a better divorce than most marriages.

Decades passed.

Jeff’s health deteriorated. He survived things that should have killed him, so what a shock he should die of the thing that was supposed to extend his life. The heart surgery should have given him years, maybe decades.  When Sue called late on an August evening it upended reality.  His body wasn’t dead, but his brain was. The future world would be without Jeff.

I would never call to tell him something funny that happened, hear his sarcastic, drawling response. It wasn’t supposed to be this way. Someone rewrote the script when our backs were turned.

Fall passed and winter too. Jeff remained in a vegetative state. Someone who looked just like him was wearing his body and that shell remained alive through the seasons. We visited. I stayed for weeks to help care for him. Finally, as spring was nearly summer, the piper played. Now, the ashes were scattered.

Just the other day, Garry glimpsed someone in a crowd who looked exactly like Jeff.

HANGING OUT WITH ROBERT “MITCH” MITCHUM – Garry Armstrong

Marilyn and I watched an old Dick Cavett interview with Robert Mitchum on TCM (Turner Classic Movies) last night. We laughed a lot. It was a reminder of how good late night talk shows were. It also showed the legendary tough guy Mitchum as an affable and literate man who didn’t take himself seriously.

The Cavett show originally aired in 1970. I met Robert Mitchum the following year. Turned out to be a memorable encounter.

Robert Mitchum was in Boston to shoot “The Friends of Eddie Coyle”, a film about small-time criminals. There was nothing small-time about Mitchum. I lobbied for and got the TV interview assignment. Those were the days of “The big three” television stations in Boston. Two of the stations had prominent entertainment reporters. I was the “go to guy” at my station.

The established entertainment reporters had first dibs on Mitchum. Fine by me. I waited until shooting had wrapped for the day. I lucked out because they finished just before 1pm. The star was in a good mood because his workday was over. We shot one reel of film and I got everything I needed.

Mitchum seemed surprised we weren’t shooting more. Actually, he smiled when I said we had a wrap.

I was getting ready to leave when Robert Mitchum asked what was next for me.

Nothing, I told him. I was through for the day unless I was called for a breaking news story. I also assured him I probably would not be reachable. He smiled. He asked if I knew any quiet places where he could have lunch without being bothered. I nodded and he invited me to join him.

It was a small, dark place. It could’ve been a setting from one of Mitchum’s film noir of the 1940s. He smiled approvingly as we walked in. Several people greeted me. No one gave Mitchum a second look. We settled back with the first of many rounds that afternoon. At one point, Mitchum took off his tinted glasses, looked around the place and said I should call him “Mitch”. I nodded. He wanted to know how I could just disappear for the rest of the day. I told him I had recorded my voice tracks, shot all my on-camera stuff and relayed cutting instructions after the film was “souped”. Mitch smiled broadly and went to the bar for another round of drinks.

robert_mitchum_by_robertobizama-d4ktib7We spent the next couple of hours talking about sports, music, women, work, and celebrity. He noticed how people would look and nod but not bother us. I told him this was one of my secret places. Blue collar. No suits. He wondered why I hadn’t asked him about the “Eddie Coyle” movie or shooting in Boston.

Not necessary, I told him. Everyone knew about that stuff and it would be mentioned by the anchors introducing my stories. He smiled again, lit one more cigarette, and ordered another round.

It dawned on me that Mitch was leading the conversation. Talking about me. How I was faring as a minority in a predominantly white profession. Just like the movies, I told him. I explained I did spot news stories to get the opportunity to do features which I really enjoyed. He laughed and we did an early version of the high 5.

We swapped some more war stories, including a couple about Katherine Hepburn. He talked about working with her in “Undercurrent” with Robert Taylor when he was still a young actor. Mitch said Hepburn was just like a guy, professional, and lots of fun.

I mentioned meeting the legendary actress after I was summoned to her Connecticut home during my stint at another TV station. Mitch stared as I talked. I had tea with Katherine Hepburn who had seen me on the Connecticut TV station. She liked what she saw but had some suggestions about how I could improve what I did. I never could fathom why Katherine Hepburn would choose to spend time with this young reporter. No modesty. Just puzzlement. Mitch loved the story and ordered another round.

I glanced at my watch and figured I couldn’t stay incognito much longer. This was before pagers, beepers and, mercifully, long before cell phones. Mitch caught the look on my face and nodded.

Mitch walked me to my car and asked if I was good to drive. I tried to give him a Mitchum look and he just laughed. We shook hands and vowed to do it again.

Mitch headed back to the bar as I drove away.

GOOD OLD ROCK ‘N ROLL – Rich Paschall

One Hit Wonders of 1969, by Rich Paschall

While some songs often come Home To You and say I Wanna Be Your Dog, the artists behind them may have faded into Echo Park.  That’s why we are going to have a Birthday party and welcome them back for Apricot Brandy and Bubble Gum Music.

record player
Lift-off of the Saturn V rocket, carrying astronauts Neil Armstrong, Michael Collins, and Edwin “Buzz” Aldrin Jr.

Now if Cinnamon will just let us in, we are ready to blast off into the past. We will bring along Bella Linda, Big Bruce and the California Girl.  What is The Worst That Could Happen? I suppose there will be the Games People Play, but we will Kick Out The Jams.  Pay no attention to that Hot Smoke and Sasafrass, it just means the party is starting to heat up and There’s Something In The Air.

Don’t worry, I Gotta Line On You, babe, and see that you are ready to Get Together.  We will play More Today Than Yesterday because Tracy, when I’m with you, we have all the 45’s we need. Everyone will join in for our Simple Song of Freedom, as well as my top ten one hit wonders of a most memorable year. I see you have waited patiently for some Good Old Rock ‘N Roll, and we will Get It From The Bottom:

10. In The Year 2525, Zagar and Evans. I really liked this song in ’69 and bought the 45. Now I find it a bit obnoxious and repetitious.

9. Take A Letter Maria, R.B. Greaves. This was recorded in August, released in September and sold a million copies by November.

8. Sugar on Sunday, Clique. The song is a cover of an earlier Tommy James and the Shondells’ song.

7. Poke Salad Annie, Tony Joe White. The artist wrote and performed the hit. He found little success recording, but wrote other hits including “Rainy Night in Georgia.”

6. Baby It’s You, Smith. No, it’s not The Smiths. That  was a later group.  This short lived band is fronted by Gayle McCormick.

5. Love (Can Make You Happy), Mercy. The song was recorded at Sundi and released, and later recorded again at Warner Brothers where the band actually signed. Sundi was sued and their album was no longer allowed distribution.  Which version do you hear? You have to check the label, they sound alike.

4. More Today Than Yesterday, Spiral Staircase. The hit was written by lead singer Pat Upton. The group did not last much longer after this million seller.

3. Na Na Hey Hey Kiss Him Goodbye, Steam. We may not have known the song or the fictitious band in ’69, but everyone in Chicago came to know it in 1977 and following years. The White Sox started using the tune to play off opposing pitchers who were being replaced. That was a hit. The group on the album cover and in the old video is a road group that had nothing to do with the recording and is, in fact, lip syncing.

2. Gimme Gimme Good Lovin’, Crazy Elephant. This was another short-lived band that was mainly a studio creation. The song failed to chart when first released, but was re-released a couple of months later and climbed the charts to number 12 in the US.

1. Morning Girl, The Neon Philharmonic. This group was around a few years, then sold off the name. It achieved the big sound by using members of the Nashville Symphony Orchestra. There are bigger hits on this list, as this one only climbed to number 17, but it is one of the ones I remember best.

The lack of good performance videos is due to the fact that many of these groups were not around for very long. Click on any song title to go to a video. Click here for the entire playlist of one hit wonders.

See also, THIS MAGIC MOMENT, The Golden Age of Rock Turns 50, 1969, Serendipity.

Sources include: 1969 One Hit Wonders & Artists Known For One Song, https://hotpopsongs.com/