NEVER SAY NEVER AGAIN

The Sean Connery Years, part 2

When Sean Connery looks across the card table during a game of Baccarat Chemin de Fer in the opening of Dr. No, he started one of the greatest movie series ever simply by giving his name, “Bond, James Bond.”  Since then the Bond films have gone on to be one of the most successful movies franchises ever.  The eight Harry Potter films achieved unprecedented box office numbers.  Star Wars is back near the top. If you add up all the Marvel Cinematic Universe movies, they get number one on the revenue list, but there are many films; you know, Captain America, Iron Man, Thor, The Incredible Hulk, Guardians of the Galaxy. These are not all about one character, so does it count?  There are 25 Bond films, and it will take at least 2 more for the series to equal the Potter gross revenue figures.

Previously we recapped the first 4 Bond films, starring Connery as the super spy.  Connery was back for the fifth outing in 1967’s You Only Live Twice, based loosely, very loosely, on the 12th Ian Fleming novel of the same name.  Since the novel is a continuation of a story line from a previous novel, not yet filmed, we are in for some Cold War era rewrites here.

Consider this paragraph a giant spoiler alert.  In the opening Bond is sent to Japan where he is set up and killed by foreign agents.  The naval commander is buried at sea and that is the end of Bond.  OK, it’s not. It is all a set up so Bond can go under cover in Japan to work with the head of the Japanese secret service to find out who has captured an American spacecraft.  Here we get to see Bond train as a ninja and invade, along with a female assistant, of course, an island run by an evil SPECTRE mastermind.  There are battles, explosions, chases and remarkable rescues, just the usual Bond magic.

Remarkably, the next movie is based on the previous novel, On Her Majesty’s Secret Service (1969).  The sixth Bond production brings on a new actor in the role of the super hero and a new director.  Since Connery decided to retire from the role, the producers elected to go with an unknown Australian actor and model, George Lazenby.   His good looks and screen tests won him the role.

The story involves a “Bond girl” who James saves at the opening, then later meets at a casino. It’s actress Diana Rigg in an early role as a Countess. Her father sets Bond on an investigation of her solicitor, which in turn leads the spy to an evil plot by the head of SPECTRE (a plan to distribute biological warfare).  This may all sound rather fantastic, but this time the producers tried to stay closer to the book.  Yes, the film series got people reading the books.  Imagine that!

By the end of filming, Lazenby had decided that he had enough of Bond, even though he was offered the next movie which was supposed to be The Man With The Golden Gun.  He passed on it and the movie was put on hold.  It was reported that Lazenby’s agent told him the Bond series would be outdated by the 1970’s anyway.

After a couple of years and a film that did not have the box office magic of the Connery films, there was only one thing for the producers to do.  They decided to bring back the magic.  The story was switched to Diamonds Are Forever (1971).  Guy Hamilton was brought back to direct.  He was the director of the critically acclaimed Goldfinger.  John Barry again did the score, as he did for all but one of the Bond films.  Shirley Bassey, who sang the title tune for Goldfinger, is back for this title tune.  There is a gorgeous “Bond girl” with Jill St. John.  Just one more element was needed to insure a return to the top for the movie series.

Producers gave their Bond actor over a million dollars (unheard of territory then)  and a piece of the gross to take on the super suave spy.  Finally, the major challenge was met and Sean Connery was set to return as “007.”

The story is based on the 4th Ian Fleming novel published in 1956.  Bond is chasing diamond smugglers and the action moves from South Africa to Holland to the United Kingdom and on to Las Vegas.  Of course, a bit of a rewrite of the story allows us to have an old nemesis, Ernest Stavro Blofeld, a SPECTRE mastermind. The Bond girl is appropriately named, Tiffany Case.  Fleming loved to give the girls names with double meanings within the story.  The Las Vegas chase scene almost makes the movie experience worth the time. The casino owner at the middle of the thriller is played by Jimmy Dean.  Yes, that Jimmy Dean, country singer and sausage king.

From here the film series moves on to the Roger Moore years.  In 1973 Moore becomes the famous spy for the next seven films.  Connery moves on to other film projects, promising never to play the secret agent again.

Owners of the Thunderball rights, won in a court battle, desired to film the movie.  Additional court battles over what could be used would follow upon any attempt to make a rival Bond film in the midst of the Bond years.  Even while the Roger Moore films were being released, plans for a rival Bond movie were moving forward.  Not wanting to call the film by the same name and facing a variety of legal challenges, the producers went ahead with a similar story and no rights to the iconic music.  Even with a good script, how could they be successful in the same year with the release of a Roger Moore film?

The only solution seemed to be a film starring Sean Connery as James Bond, but Connery was 52 years old.  Moore, on the other hand, was older.  While Connery looked fit and able to play an action hero, the story was modified as if “007” was under used due to age. He is brought back to deal with the hijacking of 2 nuclear bombs.  Like Thunderball, there is a limited time to find the bombs and save the world from massive destruction.  Connery makes the most out of playing an aging James Bond who can still deliver in times of crisis.  The overall result is a film much more satisfying than the original Thunderball.  Some thought the short underwater climax was disappointing, but it was better than the overblown original.

Connery provides us with all the charm you would expect of the world’s most famous “secret” agent.  The film did almost as well at the box office as the Roger Moore/James Bond film that year, Octopussy.  The title of the Thunderball remake was suggested by Connery’s wife who reminded them that Connery had previously said “Never again” to playing the famous British agent.

Related:
Bond, James Bond – The Sean Connery Years

On Friday: “Moore Bond”

BOND. JAMES BOND. – Rich Paschall

A few years ago I set out to watch all of the “official” James Bond movies in order, the EON Productions films, that is.  I saw the other 3 as well. As I finished the films of each actor, I wrote down my thoughts on the movies.  This took place over a couple of years, as procrastination left a time lag between actors.  In some cases, I was also chasing down the DVDs.

There will be a lot of talk about Bond 25 for the next year as it will soon go into production and will be released in the fall of 2019. 

First, let’s go back to the start.

The Sean Connery Years, Rich Paschall

If you remember the very beginnings of the James Bond movies, then you have to admit this: When you hear that often used introduction, you immediately hear in your head the iconic music which has been a staple of so many Bond movies.  James Bond, Sean Connery and that music are forever intertwined.

James Bond was created by writer Ian Fleming in 1953 in the novel, Casino Royale.  He wrote a dozen novels and two short story collections.  The character was adapted for television, movies, comic strips and video games.  Connery set the bar high as the first James Bond in the films.

Since the first novel, Casino Royale, had been sold for a television production, and later a spoof starring David Niven (1967), the first movie had to start elsewhere.  Interestingly, it is the 6th novel, Dr. No, that is the basis for the first James Bond feature film (1962).

Bond, James Bond

The film shows us a suave and debonair James Bond, although Fleming had not initially seen Bond as that type of character.  He envisioned his hero as a dull sort of guy to which things happened.  As the movies have shown, Bond stood up to whatever challenge he faced. He was not dull.

Dr. No not only introduces us to Bond, but it also introduces an organization, SPECTRE, that will be the evil nemesis in many of the Bond films. In the story, a British agent is killed in Jamaica and Bond is sent there to investigate the circumstance.  It leads him on to an island where Dr. No is planning an evil plot to destroy a USA Mercury space launch.  Yes, it is the early 1960s so this all makes sense somehow.

Connery gives a commanding performance as the British Naval Commander and “00” secret agent with a “License to Kill.”  It may be fair to say that without this strong start, the movie series may never have become what it is today.  Some of the sexist lines and double entendres featured in the early films, would never make it to the screen today, however.  The charm and wit of the central character have remained a feature throughout, even if some of the clever quips have been abandoned.  Dr. No gets high marks for adventure and intrigue, especially for the cold war era in which it was made.

Nothing highlighted the Cold War spy era like From Russia With Love (1963).  The second Bond film was based on the 5th Fleming novel.  The plot to steal a cryptographic device may seem terribly amusing now, but was high drama then.  Bond is sent off to another exotic locale, this time Istanbul, to take the “Lektor” device and avoid capture.  Again SPECTRE is the enemy, a beautiful girl is caught up in the intrigue, and chase scenes and suspense are en vogue.  This is a worthy second entry to the film series. The first two films were directed by Terrence Young.

Most critics will agree that the third Bond film, based on the seventh Fleming novel, is among the best of the Bond features.  This time Guy Hamilton is brought in to direct as Bond is off to investigate the activities of Auric Goldfinger, a gold smuggler and suspected financier of terror.  Goldfinger (1964) contains a rather fantastic plot involving the robbery of Fort Knox.  The double meaning dialog is on full display as Bond (Sean Connery) tries to seduce Goldfinger’s personal pilot, Pussy Galore, in order to defeat the evil plan.  The villain’s henchman, Oddjob, becomes a film classic for his derby hat with the rim of steel blade.

Terrence Young is back to direct the 4th Bond film and Sean Connery is back again as the hero of Thunderball (1965).  They are given a budget more than double Goldfinger and you would think this would bring great benefit to the production.  Sadly, it does not.

Based on the ninth Fleming novel, the atomic age thriller finds Bond in search of two stolen atomic bombs taken by SPECTRE. They are to be ransomed back to the Western World or the countries will pay the ultimate price of having the bombs hit strategic targets.  It is a race against the clock which includes exotic locales and another gorgeous “Bond girl.”   Every film features a beautiful woman who just happens to get caught up in the intrigue.

The film spends too much time on chase scenes.  While the back drop of the Bahamas may have seemed to liven up the chase, the mere length and pacing of these sequences points out the need to find a film editor.  The climactic battle in the water may have worked had it not been excessively long.  When you wonder if the darn thing will ever end, you know some of this mess should have been left on the cutting room floor.  The Bond mission is successful, he ends up with the girl, and the movie finally ends after 130 minutes.

The story itself was under legal battles shortly after the publication of the 1961 novel of Thunderball.  Fleming was taken to court over ownership of the story.  Two others had co-authored a script for the story years earlier with Fleming. It did not sell and Fleming used it as the basis of his novel.  An out of court settlement was reached that led to plans of a rival Bond production years later and more court battles.  Could another studio actually take a Bond story and produce a one time rival Bond film?  They did it using the same story.  How could they possibly make such a thing successful?

More on the Connery years Tuesday, and the making of a second Thunderball.

NEVER SAY NEVER AGAIN

The Sean Connery Years, part 2

When Sean Connery looks across the card table during a game of Baccarat Chemin de Fer in the opening of Dr. No to give his name to his female opponent, he started one of the greatest movie series ever by responding, “Bond, James Bond.”  Since then the Bond films have gone on to be one of the most successful movies franchises ever.  The eight Harry Potter films achieved unprecedented box office numbers.  If you add up all the Marvel Cinematic Universe movies, they get number one on the revenue list, but there are 11 popular and recent films; you know, Captain America, Iron Man, Thor, The Incredible Hulk, and they are not all about one character so does it count?  There are 25 Bond films, and it will take at least 2 more for the series to equal the Potter gross revenue figures.

Previously we recapped the first 4 Bond films, staring Connery as the super spy.  Connery was back for the fifth outing in 1967’s You Only Live Twice, based loosely, very loosely, on the 12th Ian Fleming novel of the same name.  Since the novel is a continuation of a story line from a previous novel, not yet filmed, we are in for some Cold War era rewrites here.

Consider this paragraph a giant spoiler alert.  In the opening Bond is sent to Japan where he is set up and killed by foreign agents.  The naval commander is buried at sea and that is the end of Bond.  OK, it’s not. It is all a set up so Bond can go under cover in Japan to work with the head of the Japanese secret service to find out who has captured an American spacecraft.  Here we get to see Bond train as a ninja and invade, along with a female assistant, of course, an island run by an evil SPECTRE mastermind.  There are battles, explosions, chases and remarkable rescues, just the usual Bond magic.

Remarkably, the next movie is based on the previous novel, On Her Majesty’s Secret Service (1969).  The sixth Bond production brings on a new actor in the role of the super hero and a new director.  Since Connery decided to retire from the role, the producers elected to go with an unknown Australian actor and model, George Lazenby.   His good looks and screen tests won him the role.  It was the only time a person not from Great Britain would take the lead.

The story involves a “Bond girl” who James saves at the opening, then later meets at a casino. It’s actress Diana Rigg in an early role as a Countess. Her father sets Bond on an investigation of her solicitor which in turn leads Bond to an evil plot by the head of SPECTRE to set in motion a plan to distribute biological warfare.  This may all sound rather fantastic, but this time the producers tried to stay closer to the book.  Yes, the film series got people reading the books.  Imagine that!

By the end of filming, Lazenby had decided that he had enough of Bond, even though he was offered the next movie which was to be The Man With The Golden Gun.  He passed on it and the movie was put on hold.  It was reported that Lazenby’s agent told him the Bond series would be out dated by the 1970’s anyway.

After a couple of years and a film that did not have the box office magic of the Connery films, there was only one thing for the producers to do.  They decided to bring back the magic.  The story was switched to Diamonds Are Forever (1971).  Guy Hamilton was brought back to direct.  He was the director of the critically acclaimed Goldfinger.  John Barry again did the score, as he did for all but one of the Bond films at this point.  Shirley Bassey, who sang the title tune for Goldfinger, is back for this title tune.  There is a gorgeous “Bond girl” with Jill St. John.  Just one more element was needed to insure a return to the top for the movie series.

Producers gave their Bond actor over a million dollars (unheard of territory then)  and a piece of the gross to take on the super suave spy.  Finally, the major challenge was met and Sean Connery was set to return as “007.”

The story is based on the 4th Ian Fleming novel published in 1956.  Bond is chasing diamond smugglers and the action moves from South Africa to Holland to the United Kingdom and on to Las Vegas.  Of course, a bit of a rewrite of the story allows us to have an old nemesis, Ernest Stavro Blofeld, a SPECTRE mastermind. The Bond girl is appropriately named, Tiffany Case.  Fleming loved to give the girls names with double meanings within the story.  The Las Vegas chase scene almost makes the movie experience worth the time. The casino owner at the middle of the thriller is played by Jimmy Dean.  Yes, that Jimmy Dean, country singer and sausage king.

From here the film series moves on to the Roger Moore years.  In 1973 Moore becomes the famous spy for the next seven films.  Connery moves on to other film projects, promising never to play the secret agent again.

Owners of the Thunderball rights, won in a court battle, desired to film the movie.  Additional court battles over what could be used would follow upon any attempt to make a rival Bond film in the midst of the Bond years.  Even while the Roger Moore films were being released, plans for a rival Bond movie were moving forward.  Not wanting to call the film by the same name and facing a variety of legal challenges, the producers went ahead with a similar story and no rights to the iconic music.  Even with a good script, how could they be successful in the same year with the release of a Roger Moore film?

The only solution seemed to be a film starring Sean Connery as James Bond, but Connery was 52 years old.  Moore, on the other hand, was older.  While Connery looked fit and able to play an action hero, as many his age had for action heroes, the story was modified as if “007” was under used due to age and he is brought back to deal with the hijacking of 2 nuclear bombs.  Like Thunderball, there is a limited time to find the bombs and save the world from massive destruction.  Connery makes the most out of playing an aging James Bond who can still deliver in times of crisis.  The overall result is a film much more satisfying than the original Thunderball.  Some thought the short underwater climax was disappointing, but it was better than the overblown original.

Connery provides us with all the charm you would expect of the world’s most famous “secret” agent.  The film did almost as well at the box office as the Roger Moore/James Bond film that year, Octopussy.  The title of the Thunderball remake was suggested by Connery’s wife who reminded them that Connery had previously said “Never again” to playing the famous British agent.

Related:

Bond, James Bond – The Sean Connery Years

BOND, JAMES BOND

The Sean Connery Years, Rich Paschall

If you remember the very beginnings of the James Bond movies, then you have to admit it.  When you hear that often used introduction, you immediately hear in your head the iconic music which has been a staple of so many Bond movies.  James Bond, Sean Connery and that music are forever intertwined.

James Bond was created by writer Ian Fleming in 1953 in the novel, Casino Royale.  He wrote a dozen novels and two short story collections.  The character was adapted for television, movies, comic strips and video games.  Connery set the bar high as the first James Bond in the films.

Since the first novel, Casino Royale, had been sold for a television production, and later a spoof starring David Niven (1967), the first movie had to start elsewhere.  Interestingly, it is the 6th novel, Dr. No, that is the basis for the first James Bond feature film (1962).

Bond, James Bond

The film shows us a suave and debonair James Bond, while Fleming had not initially seen Bond as that type of character.  He envisioned his hero as a dull sort of guy to which things happened.  As the movies have shown, Bond stood up to whatever challenge he faced. He was not dull.

Dr. No not only introduces us to Bond, but it also introduces an organization, SPECTRE, that will be the evil nemesis in many of the Bond films. In the story, a British agent is killed in Jamaica and Bond is sent there to investigate the circumstance.  It leads him on to an island where Dr. No is planning an evil plot to destroy a USA Mercury space launch.  Yes, it is the early 1960s so this all makes sense somehow.

Connery gives a commanding performance as the British Naval Commander and “00” secret agent with a “License to Kill.”  It may be fair to say that without this strong start, the movie series may never have become what it is today.  Some of the sexist lines and double entendres featured in the early films, would never make it to the screen today, however.  The charm and wit of the central character have remained a feature throughout, even if some of the clever quips have been abandoned.  Dr. No gets high marks for adventure and intrigue, especially for the cold war era in which it was made.

Nothing highlighted the Cold War spy era like From Russia With Love (1963).  The second Bond film was based on the 5th Fleming novel.  The plot to steal a cryptographic device may seem terribly amusing now, but was high drama then.  Bond is sent off to another exotic locale, this time Istanbul, to take the “Lektor” device and avoid capture.  Again SPECTRE is the enemy, a beautiful girl is caught up in the intrigue, and chase scenes and suspense are en vogue.  This is a worthy second entry to the film series. The first two films were directed by Terrence Young.

Most critics will agree that the third Bond film, based on the seventh Fleming novel, is among the best of the Bond films.  This time Guy Hamilton is brought in to direct as Bond is off to investigate the activities of Auric Goldfinger, a gold smuggler and suspected financier of terror.  Goldfinger (1964) contains a rather fantastic plot involving the robbery of Fort Knox.  The double meaning dialog is on full display as Bond (Sean Connery) tries to seduce Goldfinger’s personal pilot, Pussy Galore, in order to defeat the evil plan.  The villain’s henchman, Oddjob, becomes a film classic for his derby hat with the rim of steel blade.

Terrence Young is back to direct the 4th Bond film and Sean Connery is back again as the hero of Thunderball (1965).  They are given a budget more than double Goldfinger and you would think this would bring great benefit to the production.  Sadly, it does not.

Based on the ninth Fleming novel, the atomic age thriller finds Bond in search of two stolen atomic bombs taken by SPECTRE. They are to be ransomed back to the Western World or the countries will pay the ultimate price of having the bombs hit strategic targets.  It is a race against the clock which includes exotic locales and another gorgeous “Bond girl.”   Every film features a woman who just happens to get caught up in the intrigue.

The film spends too much time on chase scenes.  While the back drop of the Bahamas may have seemed to liven up the chase, the mere length and pacing of these sequences points out the need to find a film editor.  The climactic battle in the water may have worked had it not been excessively long.  When you wonder if the darn thing will ever end, you know some of this mess should have been left on the cutting room floor.  The Bond mission is successful, he ends up with the girl, and the movie finally ends after 130 minutes.

The story itself was under legal battles shortly after the publication of the 1961 novel of Thunderball.  Fleming was taken to court over ownership of the story.  Two others had co-authored a script for the story years earlier with Fleming. It did not sell and Fleming used it as the basis of his novel.  An out of court settlement was reached that led to plans of a rival Bond production years later and more court battles.  Could another studio actually take a Bond story and produce a one time rival Bond film?  They did it using the same story.  How could they possibly make such a thing successful?

More on the Connery years next week, and the making of a second Thunderball.