AN ANCIENT WORLD IN YOUR HANDS – Marilyn Armstrong

I collect very old Chinese porcelain. I used to have a lot more of it, but in the name of de-cluttering, I divided my collection and gave the other half to my best friend who I knew would appreciate it.

Han Dynasty 206 BC - 220 AD

Han Dynasty 206 BC – 220 AD

The Chinese government has not always been diligent in managing their national treasures. Sometimes, it was a political decision. Many times, foreigners have stolen the best and most beautiful, which is why you will see so much Chinese art in English and American museums. They didn’t give it to us; we didn’t buy it. We stole it. What a shock they aren’t as in love with us as we think they ought to be.

Very fragile — and broken. All I have left is this single photograph.

In recent decades, the issues have been pragmatic — lack of money. There is so much that needs preservation. The U.S. has difficulty preserving our 250 years of history. Imagine how hard — and expensive — if your nation’s history goes back thousands of years. And your country is huge and densely populated.

Suddenly, preservation becomes more than slightly daunting.

Counter point - Modern Limoge ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Counter point – Modern Limoges ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Private collectors — like me — who have become custodians of some of these very old things have an obligation to care for them. We have to make sure they will be inherited by others who will treasure them. That’s not as easy as you might think. Not everyone “gets it.” And many people have no room; they have their own stuff and can’t help with yours.

I could have sold my pots but I didn’t want them to go to the highest bidder. I wanted them to be where they would be loved. If that sounds weird, you have never collected antiquities.

Antique Famille Rose Porcelain plate

When you hold one of these pieces, you in the most literal sense hold history in your hand. Imagine how many people have held this vase, this statue, this oil lamp. How many lives this pot has touched. Imagine!

OLD BRONZES – SACRED ART FROM ASIA – MONOCHROME

CEE’S BLACK & WHITE PHOTO CHALLENGE: SCULPTURES, STATUES, CARVINGS

Photographing small, antique bronze sculpture turned out to be a lot more difficult than I expected. I’m sure setting up some lights would have helped, but I put away my lights a few years ago and the idea of climbing into the attic to dig them out did not appeal to me. Nonetheless, I thought this was a good opportunity to finally make a few good pictures of some of my most prize possession, my Asian sacred art bronzes.

Vishnu rides garuda bronze macro sepia

Vishnu Rides Garuda. Tibet.

Old Bronze buddha, Tibet, date unknown, Maybe 18th century.

Buddha. Tibet. 

SAVING SOME THINGS OF VALUE

Antique Antics

What’s the oldest thing you own? (Toys, clothing, Twinkies, Grecian urns: anything’s fair game.) Recount its history — from the object’s point of view.


Collecting is a beautiful disease. Insidious with no known cure. You acquire a thing. You love it. You get another thing, similar, but not the same. One day, you look around and you have a collection.

Han Dynasty 206 BC - 220 AD

Han Dynasty 206 BC – 220 AD

Chinese antique porcelain and Asian sacred art grabbed me and wouldn’t let me go. There is something awe-inspiring about holding something in your hand that was created thousands of years ago. It lives on your fireplace mantel.

Bronze, probably Tibetan, 19th century?

Bronze, probably Tibetan, 19th century?

You look at it and imagine all the people who have touched it, whose lives this pot has touched, whose prayers this Buddha has heard. It’s living history.

Qianlong (1736-1795) porcelain.

Qianlong (1736-1795) porcelain.

Thus, when I had to reduce the collection, I didn’t sell anything. I split the collection and gave more than half my favorite pieces to my friends, people who I knew would treasure it as I did. How much was it worth? A lot, maybe. Or not so much. I don’t know. It was beyond price to me. Money is transitory but these precious, fragile, beautiful pieces need to be protected, to be kept safe, not sold as decorations.

Tang horse with servant

Tang horse with servant

A great deal of the world’s great art has been casually destroyed by governments and individuals with no reverence for art or history. War, natural disasters have contributed to reducing the number of these fragile pieces of art. If I can save a Han pot, a Qianlong vase, or a single Tibetan Buddha. I’ve saved something of value. I no longer collect, but I continue to preserve and protect.

TIME AND HISTORY IN YOUR HAND

I collect very old Chinese porcelain. I used to have a lot more of it, but in the name of de-cluttering, I divided my collection and gave the other half to my best friend who I knew would appreciate it.

Han Dynasty 206 BC - 220 AD

Han Dynasty 206 BC – 220 AD

The Chinese government has not always been diligent in managing their national treasures. Sometimes, it was a political decision. Many times, foreigners have stolen the best and most beautiful, which is why you will see so much Chinese art in English and American museums. They didn’t give it to us. We didn’t buy it. We stole it. What a shock they aren’t as in love with us as we think they ought to be.

Qianlong (1736-1795) porcelain.

Qianlong (1736-1795) porcelain.

In recent decades, the issues have been pragmatic — lack of money. There is so much that needs preservation. The U.S. has difficulty preserving our 250 years of history. Imagine how hard — and expensive — if your nation’s history goes back thousands of years. And your country is huge and densely populated.

Suddenly, preservation becomes more than slightly daunting.

Counter point - Modern Limoge ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Counter point – Modern Limoges ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Private collectors — like me — who have become custodians of some of these very old things have an obligation to care for them. We have to make sure they will be inherited by others who will treasure them. That’s not as easy as you might think. Not everyone “gets it.” And many people have no room; they have their own stuff and can’t help with yours.

I could have sold my pots but I didn’t want them to go to the highest bidder. I wanted them to be where they would be loved. If that sounds weird, you have never collected antiquities.

Jun vase (Northern Song on through the Yuan) holds a fresh rose

Jun vase (Northern Song on through the Yuan) holds a fresh rose

When you hold one of these pieces, you hold history in your hand. Imagine how many people have held this vase, this statue, this oil lamp. How many lives this pot has touched. Imagine!

THE WORLD IN YOUR HANDS: ANCIENT CHINESE PORCELAIN

I collect very old Chinese porcelain. I used to have a lot more of it, but in the name of de-cluttering, I divided my collection and gave the other half to my best friend who I knew would appreciate it.

Han Dynasty 206 BC - 220 AD

Han Dynasty 206 BC – 220 AD

The Chinese government has not always been diligent in managing their national treasures. Sometimes, it was a political decision. Many times, foreigners have stolen the best and most beautiful, which is why you will see so much Chinese art in English and American museums. They didn’t give it to us; we didn’t buy it. We stole it. What a shock they aren’t as in love with us as we think they ought to be.

In recent decades, the issues have been pragmatic — lack of money. There is so much that needs preservation. The U.S. has difficulty preserving our 250 years of history. Imagine how hard — and expensive — if your nation’s history goes back thousands of years. And your country is huge and densely populated.

Suddenly, preservation becomes more than slightly daunting.

Counter point - Modern Limoge ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Counter point – Modern Limoges ca 1965 alongside Song dynasty vase (China Song Dynasty 960-1279 AD). I use the vase for single roses. Perfect size.

Private collectors — like me — who have become custodians of some of these very old things have an obligation to care for them. We have to make sure they will be inherited by others who will treasure them. That’s not as easy as you might think. Not everyone “gets it.” And many people have no room; they have their own stuff and can’t help with yours.

I could have sold my pots but I didn’t want them to go to the highest bidder. I wanted them to be where they would be loved. If that sounds weird, you have never collected antiquities.

When you hold one of these pieces, you hold history in your hand. Imagine how many people have held this vase, this statue, this oil lamp. How many lives this pot has touched. Imagine!

A few of my favorite things …

Collecting is a beautiful disease. It’s insidious and there’s no known cure. You get a thing. You love it. You get another thing … similar, but not the same. One day, you look around and you have a collection.

Chinese antique porcelain and Asian sacred art grabbed me and wouldn’t let me go. There is something so awesome — awe-inspiring — about holding something made thousands of years ago and now lives on your fireplace mantel. Imagine all the people who have touched it, whose lives this pot has touched, whose prayers this Buddha has heard. It’s living history.

Thus, when I had to reduce the collection, I didn’t sell anything. I split the collection and gave more than half my favorite pieces to my friends, people who I knew would treasure it as I did. How much was it worth? A lot, maybe. Or not so much. I don’t know. It was beyond price to me. Money is transitory but these precious, fragile, beautiful pieces need to be protected and saved from harm. They needed to be kept safe, not sold as decorations.

So much of the world’s great art has been casually destroyed by governments and individuals with no reverence for art or history. If I can save one Han pot, one Qianlong vase, one Tibetan Buddha … I’ve done something of value.

I no longer collect, but I continue to preserve and protect.