THE GREATEST BROADWAY MUSICAL — Marilyn Armstrong

Back in my bright college days, I was a music major. I hung out on the quad with other wannabe musicians on warm sunny days where we planned projects which would make us famous. Symphonies. Great achievements as conductors and composers though my class never produced anyone huge. Medium is as good as we got.

The Concept

My great project was going to be a full-length musical comedy based on the Greek myth of Leda and the Swan.

In the Grecian version, Zeus, having taken the form of a great white swan, rapes — Leda. I vote for seduction since I have a lot of trouble visualizing being rape by a swan. I mean — swans don’t have hands. But of course, he was (is?) a god, so who knows?


Zeus or not, swans are slow and clumsy on land, unlikely to successfully attack anyone or anything. Being heavy-bodied, they have trouble getting airborne and watching one try to cross a road from side of the pond to the other, I can personally say they are not in any way agile. All their grace is on water.

Without hands or arms, rape seems unmanageable but I never encountered a non-human creature in my wild youth. As far as I know, my lovers were supposedly human. It could be difficult to be sure at times.

Leda becomes pregnant and it’s no ordinary pregnancy. How could it be?

She bears Helen (of Troy, the great beauty) and Polydeuces. These are the children of Zeus. Simultaneously (and I’d like to know how she managed this), she gives birth to Castor and Clytemnestra — the offspring of her human husband Tyndareus, King of Sparta.

Dirty water swan

Leda is able to convince her parents and husband that her extraneous pregnancy is not the result of a lover or (horrors) promiscuity. “No! Honest to Athena! Mom, Dad, it was Zeus. Himself! Not just any old guy. And he was a swan! A really big swan (NOTE: Swans are big,) Really.” Good performance, even for a god. And since it was Zeus, the big guy himself, Dad and husband aren’t likely to try to fight him, right?

Right.

The first and perhaps my favorite scene would have to be the first act closer. In this highly emotional musical extravaganza, Leda pours out her distress in a heart-rending soprano rich with passion and despair, yet filled with love for her four children, including those born from eggs. In it, she explains that it really truly was Zeus.

I could imagine another show-stopping moment.

Eggs. Her Zeus children are eggs. Who sat on the eggs? Did they build a nest on her throne? Did she get her ladies-in-waiting to sit on them while she did her Queen business?

Dialog Tidbit

Leda: “The swan didn’t fool me. I knew it was Zeus. You all know how much I love birds and feathers, right? I mean … what girl could resist such a gorgeous bird? Mommy, Daddy, you know I wouldn’t lie to you.”

Tyndareus, King of Sparta: “I want to believe you, darling girl, but I’m having a few small issues.”

Leda: “Trust me. It was Zeus. As a swan. We all know how tricky he can be.” She spits out a white feather. Now that was convincing!

The All-Important Dream Ballet

In a brilliantly choreographed dream sequence, Leda relives the heady romance of the seduction. Some of the technical aspects of the experience make interesting stagecraft.

How, exactly, did he DO it? It will make a heck of a scene! Without any hands?

Curtain Calls

By the final closer, the audience will be on its collective feet! I can hear the roar of the crowd, standing ovation, blown away by swanny sex. Not to mention the eggs. I see the royalties rolling in.

Two swans

I’ve been away from music for too long now to give this kind of orchestration a try, but I freely offer this incredible concept to anyone who has the musical energy to make it work. I will happily help with dialogue.  It might launch multiple careers.

I may even know just the right singers for it! At least ONE of them is deeply in love with swans!

9 thoughts on “THE GREATEST BROADWAY MUSICAL — Marilyn Armstrong

  1. Love your idea, Marilyn! A musical, perhaps, but what about an opera? A lot of operas use Greek mythology as their themes. And nothing sexual is shown explicitly. There could be all kinds of plot complications as operas often do. What made me think of opera was your comment “Leda pours out her distress in a heart-rending soprano rich with passion and despair, yet filled with love for her four children, including those born from eggs. In it, she explains that it really truly was Zeus.” I’d love to see this on stage!

    Like

  2. The leaps of logic that mythology takes, hmmm? Besides the unrealistic idea that a swan could get busy with a human woman; there’s the whole cross-specie problem. Can humans and birds cross pollinate? I suppose harpies are another creature that proves the point about that being true. Interesting concept Marilyn. If it made it to Broadway, I know I’d buy a ticket!

    Liked by 1 person

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