A MOTHER’S WALTZ: MUSIC & PICTURES IN COLLABORATION

Mother’s Day – Sunday, May 14, 2017


FROM swo8 (Leslie Martel): Today is Mother’s Day. To commemorate this day, we have created a photographic montage of families together. It includes eight generations of my family and three of Marilyn and Garry Armstrong’s families.

The song is bittersweet because to be a mother, is indeed bittersweet. Our children bring us our greatest joys and our greatest sorrows. The first couple in the video are my great-grandparents. My great-grandmother died in childbirth leaving 3 babies and a husband.

When my great-grandfather remarried the children were sent off to their aunt to be raised. The aunt is the lady sitting by the fire-place. The first photo of children is of my grandmother and her twin sisters. My grandmother being the oldest would have missed her mother the most. In spite of her early losses she became an extraordinary person and had a huge influence on me and my thinking.

To be a mother has got to be one of the most difficult endeavours to under take in one’s life. We are given this helpless creature for a short period of time to nourish, educate and inspire before they disappear into the ether of adulthood.

As a tribute to mother’s everywhere we dedicate this song, “Mother’s Waltz” by swo8 Blues Jazz and Marilyn Armstrong. 


FROM Serendipity (Marilyn & Garry Armstrong): It has arrived. The melody of A Mother’s Waltz echoes in my mind. I feel as if it is something I remember hearing my mother sing a long time ago … but of course, it is brand new from swo8 Blues Jazz

The pictures of my family include my mother, me, much younger and my son as a toddler. Pictures of Garry’s family include his mother and father’s wedding, Garry’s dad back from WWII with little Garry on his knee. Garry’s mom as a young woman.

The pictures are family heirlooms that evoke strong and sometimes conflicted feelings.

Music by swo8 … with pictures from Leslie Martel (swo8) and Marilyn Armstrong. Memories in music for mothers everywhere.

 

YOU BELONG TO ME – GARRY ARMSTRONG

I guess it happens to all of us. You’re asleep, deep in a peaceful dream, when you hear the music. You start humming and can’t stop as the words rearrange themselves. You’re half awake as the song continues on a loop.

See the pyramids along the Nile 
Watch the sunrise on a tropic isle 
Just remember darling, all the while 
You belong to me.

Images form in my subconscious. It’s the 50’s again and Jo Stafford is singing.

See the marketplace in old Algiers 
Send me photographs and souvenirs 
Just remember, darling, when a dream appears 
You belong to me.

I’m listening to WNEW-AM,  Frank Sinatra’s favorite radio station in New York City. They play all the great standards from the 30’s, 40’s and early 50’s. It’s “The Make Believe Ballroom with Martin Bloch”.  I turn up the volume a bit as Jo Stafford continues.

I’ll be so alone without you 
Maybe you’ll be lonesome too, and blue

I see grainy black and white images of Snookie Lanson and Dorothy Collins — a folksy duet — on “Your Hits Of The Week.” It’s the show that followed Sid Caesar’s “Your Show of Shows,” 10:3o, Saturday night on WNBC-TV, channel 4 in New York.

That was one of our two “stay up late nights” during those long ago years. Snooky Lanson, Dorothy Collins, Giselle MacKenzie and Russell Arms sang the top “tin pan alley” hits of the week in countdown fashion. In-between, there would be a “Lucky Strike extra,” an unknown song being promoted by the sponsor, Lucky Strike Cigarettes. The “Hits of the Week” singers were nice, but merely pale imitations of the star vocalists of the day. Jo Stafford, Teresa Brewer, Rosemary Clooney, Tony Bennett, Guy Mitchell, Doris Day, Sinatra, and so on. When Elvis hit the scene, the “Hits” cast looked downright foolish trying to warble songs like “Hound Dog” and “Jailhouse Rock.”

But I digress. Jo Stafford is still singing in my head.

Fly the ocean in a silver plane
See the jungle when it’s wet with rain 
Just remember, till you’re home again 
Or I come to you
You belong to me!

I can’t shake the song. Jo Stafford sings louder and louder til I finally awake. I stumble out to the kitchen where our scrappy Scotties, Bonnie and Gibbs, are barking for breakfast biscuits.

I belong to them.

 

BRING BACK NATIONAL BROTHERHOOD WEEK

Way back in the dark ages, the third week in February (an otherwise dreary and neglected month) was designated National Brotherhood Week. As designated special weeks go, it was never a big hit with the general public. In the 1980s, it disappeared completely. Probably because it failed to sell greeting cards. Which is, I believe, the point of this kind of created event.

brotherhoodweek-624x446

The National Conference for Christians and Jews (NCCJ) came up with the idea of National Brotherhood Week in 1934. Given the current political climate, maybe we can agree more brotherhood year round would be an improvement. Sadly, we no longer have even that one, measly week.

February is now Black History Month which seems to mean movie channels run films featuring non-white stars, unless you watch PBS or the History Channel. There you might see a documentary or two. A man who took it seriously — back in the ever older days — as he took all politics seriously, was Tom Lehrer. He taught math at Hahvid (Harvard, if you aren’t from around here). He didn’t write many songs. Till his dying day (which hasn’t occurred — he’s alive and living in California), he thought of himself as a math teacher who wrote silly songs — not as an entertainer.

Despite this unfair self-assessment, I’ve always felt Tom got this celebration dead to rights. Ya’ think?

Check him out on YouTube. He only wrote about 50 songs and most of them are posted in some video or other. Me? I’ve got the CDs.

Remember CDs?

BONUS!


Given recent interactions with North Korea, I thought I’d add these two extra little ditties. They seem so … appropriate.

BLACK ARTISTS, WHITE SINGERS – RICH PASCHALL

Black artists & white singers
Rich Paschall, Sunday Night Blog


At the dawn of Rock and Roll in the 1950’s and even into the early 1960’s, it was not uncommon for white singers to cover African-American singers.  Black artists did not get radio play on white radio stations.  That shut them out of a lot of markets and kept much of America from hearing their songs.  This opened the door wide for white singers to record songs heard only on black R&B stations, leaving the impression in many areas that they were the original artists.

The Memphis area, Tennessee label, DOT, founded in 1950, became big by hiring white singers to cover black songs.  Indeed they made stars out of some of these singers.  Among the biggest was Pat Boone.  The crooner recorded Fats Domino’s 1955 song “Ain’t That a Shame,” which became a big hit.  It had been suggested that Boone change the lyric to “Isn’t That A Shame,” perhaps to sound more “white.”  Fortunately they resisted that bad idea.

Boone followed with a number of covers that made him a household name.  His next success was the Little Richard song, “Tutti Fruitti,” which Boone did not want to record.  To Boone “it didn’t make sense” but he was talked into it and it went to number 12.   A song that went all the way to the top was “I Almost Lost My Mind,” originally by Ivory Joe Hunter.  Nat King Cole even covered the song, but Boone had the hit.  The main reason was Boone got a lot of radio play.  The others did not.

DOT also made a star of Gale Storm when she covered the Smiley Lewis R&B hit, “I Hear You Knockin.”  She also recorded “Why Do Fools Fall In Love?”  Snooky Lanson and The Fontane Sisters also benefited from the era of covering other artists.  Eventually DOT cashed in off admitting to the practice with an album of 30 of these songs.  “Cover to Cover,” includes 7 recordings by Pat Boone alone.  It also includes a mediocre version of Chuck Berry’s Rock Classic, “Maybelline,” by Jim Lowe.

The white versions were generally slower and toned down in comparison to the R&B versions.  They were playing to a different audience so they produced versions they thought would be more appealing to that audience.  It was a sign of the racially segregated times and something that would not happen now.  Of course there are still many covers, but for various other reasons.

When Elvis Presley hit the scene, he also brought with him cover versions of other songs.  His 1956 hit “Hound Dog,” was originally by Big Mama Thornton, but Elvis may have been influenced by the 1953 novelty version by Jack Granger and his Granger County Gang, aka Homer and Jethro.  The 1954 hit, “That’s All Right,” belonged to Arthur “Big Boy” Crudup and was originally called “That’s All Right, Mama.”

One of the consequences of all these cover songs was they helped pave the way toward acceptance of this genre of music and eventually of some of the black artists who originated the songs.   Little Richard is said to have claimed that while teenagers and young music lovers may have had Pat Boone on top of their dressers, but they had “me in the drawer ’cause they liked my version better.” 

By the late 1950’s, with the segregation of music dying out, the Doo-Wop group Little Anthony and the Imperials came along and started to hit the big time.  While many of their early songs found great success for other artists, they found wider radio and television play than earlier Black R&B stars.

For a look at the Linda Ronstadt version of this song, see this past article.

SHARING THE WORLD – APRIL MOVING ALONG NICELY

I am delighted to report that nothing is going on. Soon we’ll have flowers and shortly thereafter, trees. Then, caterpillars. Maybe they won’t be as bad this time, but it’s hard to know. We will put in the air conditioners shortly. It’s getting warm. This is the least eventful period I can remember in a long time. I love it!

Share Your World – April 17, 2017


When writing by hand do you prefer to use a pencil or pen?

I do everything on the keyboard. I have pens because sometimes, I have to sign something. Probably there’s a pencil somewhere in the house, but I have no idea where that might be. But we have almost everything here, so I’m sure we have one of them, too.

Honestly, I don’t remember the last time I wrote out more words than I needed for grocery list or birthday card. But I do sign things. There’s always something that needs a signature.

Would you rather be an amazing dancer or an amazing singer?

Amazing indeed if, at my age, I were suddenly to become a great dancer or singer. The amazing would be that it happened. At all.

I used to have a pleasant voice, but damaged my vocal chords many years ago. I wouldn’t  mind being able to sing a little, but amazing? I don’t think so. And, to be fair, that was never on one of my “lists” of things I wanted to do or be. I did want to be a great pianist and I tried. Didn’t quite make it, but I tried hard.

Not since my post-toddler days have I yearned to be a dancer. That dream ended before it got started. Too much like work!

If you were on a debate team, what subject would you relish debating?

Once upon a time, I could have written a list of thing I would like to debate. Once upon a time, long, long ago. Because I think I have completed all the arguments about anything that mattered. I’ve battled for health care, women’s rights, equality, tolerance … and against war. During the 1960s, we all got together and tried to change the world. I’m pretty sure that what we really accomplished was making blue denim jeans and sport shoes really hot clothing. Otherwise, the world is as appallingly terrible as ever, except worse.

So I’m not debating with anyone about anything. I’ll sign petitions, call my congressperson, and post articles that I think will help those who have a mind for facts. Otherwise? If you are happy about the state of the world? Go away. Do not annoy me with your stupidity.

What are you a “natural” at doing?

Writing about things that happen and are true, but little or no aptitude for fiction. And certain kinds of photography.

I could always write. I don’t remember a time in this life when I couldn’t say it better on paper–  or these days, a monitor.

As for photography, I have a good eye for landscapes and casual portraits. Other things, not so much … but I keep trying and I am getting better at some of them. I don’t work terribly hard at photography. These days, I don’t work terribly hard. On anything.

WHERE HAVE YOU GONE, JOE DIMAGGIO?

WHAT IF IT WAS YOUR BROTHER? – RICH PASCHALL

Just Imagine, by Rich Paschall


Growing up. It’s hard, sometimes. For some, it can become hard forever. A youthful psyche can be delicate. An abusive environment can turn out to be too much to bear. Mistreatment can come in many forms, at many places. It can be home, school, or playground.  The young need to be loved — as does everyone. They most especially hate being laughed at.

I’m a little boy with glasses
The one they call a geek
A little girl who never smiles
‘Cause I have braces on my teeth
And I know how it feels to cry myself to sleep

The Peter, Paul and Mary Song “Don’t Laugh at Me” wasn’t just a generic story about kids that are picked on.  The author, Allen Shamblin, wrote it following his daughter telling the tale of being teased at school.   Years later Peter Yarrow was inspired by the song to found Operation Respect.  The non-profit provides a curriculum to schools and uses the song to promote the message:
Just another day,
with the damage done.
You never know how your words can cut someone.

It is hard for a child to “dare to be different.” Someone that does not conform to what others do may be laughed at or ridiculed. This can lead to dire consequences for those who can not handle it.  A young Rachael Lynn asks who will care about others in this anti-bullying anthem:
Someday I’ll be big enough so you can’t hit me
And all you’re ever gonna be is mean
Why you gotta be so mean?

Some are fortunate enough to know how to deal with those who are mean, or at least they know how to withstand the pain.  The prolific Taylor Swift shot back at those who were mean to her in the Grammy winning song, Mean:
Take a little look at the life of Miss Always Invisible
Look a little harder, I really really want you
To put yourself in her shoes

Some children can feel invisible within their worlds.  Ignored or pushed around by others, they may feel as if nobody sees them and nobody cares.  Marie Digby shares a song that is autobiographical in nature and refers back to her time in Junior High:
Trust the one who’s been where you are wishing
All it was was sticks and stones
Those words cut deep but they don’t mean you’re all alone
And you’re not invisible

While admitting he did not have it as bad as some others, young country and pop star Hunter Hayes knows what it is like to sometimes feel Invisible.  Here he offers up words of encouragement to the young in his Grammy nominated song:
Well he’s not invisible anymore
With his father’s nine and a broken fuse
Since he walked through that classroom door
He’s all over prime time news

What if being “invisible” pushes a child over the edge to suicide? Or Worse?  Kelly Rowland examines some scenarios in the critically praised song about stolen lives in Stole:
You could be a hero – heroes do what’s right
You could be a hero – you might save a life
You could be a hero – you could join the fight
For what’s right, for what’s right, for what’s right

Those who are picked on, those who are lonely, those who are feeling invisible all need a hero, someone who may save their lives through a little kindness.  In fact, it may also save the lives of others.  Superchick deals with potential heroes and other growing up issues in the album, Last One Picked:
I took my time, I hurried up
The choice was mine I didn’t think enough
I’m too depressed to go on
You’ll be sorry when I’m gone

The pop punk rock band Blink-182 took on the topic of depression and suicide in Adam’s Song.  Written by the band’s Tom DeLonge and Mark Hoppus, the motivation for the lyrics came not only from Hoppus’ feeling of loneliness at home, but also by a teenage suicide letter he read in a publication.  The song itself takes the form of such a letter:

What if it was your brother sister mother father child
Then would it still be cool
Why can’t you see your words are hurting
Everybody deserves to be themselves and no one else
So think before you move

For those who may be bullying others through their actions or their words, Darin Zanyar asks “What If.”  Consider if it was your family.  Would you still act the same?  What about if that was you?  What if you were “the victim of the criticism and they treated you that cruel?”

If any of these songs and stories make you feel uncomfortable, even a little, just imagine how it is to live any of this.  Wentworth Miller explains how it is when there is no “us and we.”
 

THE WAY THAT THE WORLD GOES ROUND – JOHN PRINE

While I was growing up, my world was entirely full of classical, baroque, and other “serious” music. I played piano, so that’s what I played. Later, when I knew I’d never be a professional musician, I began to explore the world of pop. The Beatles were the first group that I truly loved. After “A Hard Days Night” (I loved the movie and the score), and “Rubber Soul,” I was a fan. Lifetime.

Eventually, I added many other individuals and groups, and more categories of music. John Prine was a latecomer to my “playlist,” but he remains a favorite. Better known as the writer than the singer, there are a couple of songs that I particularly enjoy and always cheer me when I’m blue. It’s pouring rain right now. I mean, it’s coming down in buckets with thunder rumbling in the background. A good day for music. A bad one for any other plans we might have had.

Not everyone has heard of John Prine, but he wrote a lot of songs that other people sang. He sang them himself on various recordings, most of which I owned on vinyl. Now, many of them are out on CD, so grab them if you can, before they disappear. John Prine sings about life. He always had a sense of humor, too. He wrote great, witty lyrics, and singable melodies. What more do you need? Oh, how about some wit and humor? That works, too.

CAN’T STOP THE FEELING? – RICH PASCHALL

Let’s Dance, by Rich Paschall, Sunday Night Blog


When I was younger, so much younger, we used to go dancing.  Believe it or not, we fell hard into the disco era and found our way to bars and clubs where we could dance for hours.  There was plenty of Hustle as we would slide, turn, spin and merengue across the floor.  The period was brief, not just because we are older now, but because the flood of disco received a quick backlash and we moved onto other styles of music.  That did not stop the dancing.  It just changed the beat.

When I was a young boy,
Said put away those young boy ways
Now that I’m getting’ older, so much older
I long for those young boy days
(- John Mellencamp)

We may not be going down to the Copacabana anymore, but we can still do our Neutron Dance.  I am sure you know someone about whom you can say, “All She Want’s To Do Is Dance.” So why not be a Dancing Queen or King and get up and Dance, Dance, Dance.  There is no Dancing on the Ceiling at Marilyn’s house, but you can still Dance The Night Away.  I hear your Mama Don’t Dance and Your Daddy Don’t Rock and Roll, but what’s your excuse?

In order to get you up and moving, I brought along some music to spin on the old turntable.  Before I get to my Top 10 Dance tunes that actually have the word “dance” in the title, I thought I would lay an honorable mention on this current tune.  Maybe someone you know has already told you to “Shut Up and Dance.”

10. I Can’t Stop Dancing, Archie Bell and the Drells – The song was released in 1968 and was probably a predictable follow-up to 1967’s Tighten Up, another dance hit.  This was certainly pre-disco and what we were dancing to until the records skipped a groove.

9.  Dance, Dance, Dance, Beach Boys – The 1964 song by Brian and Carl Wilson along with Mike Love was a dance sensation.  It was often paired in performance with another Beach Boys song on our list.

8.  Come Dancing, The Kinks – The 1983 hit song was written by Ray Davies and inspired by his sister’s trips to the local dance hall.  There was a follow-up single entitled “Don’t Forget To Dance.”

7.  Do You Wanna Dance, Beach Boys – The 1958 Bobby Freeman song was given more life by the Beach Boys’ cover in 1965.  It was subsequently covered by many others, including a very popular slow version by Bette Midler.

6. Dance to the Music, Sly and the Family Stone – It is time to mix a little soulful funk in with your rock and roll.  The 1968 dance hit pushed music towards a more “Psychedelic” sound.  Other bands followed.  Everybody dance!

5.  You Should Be Dancing, Bee Gees – The Brothers Gibb knew how to push music in one direction and then another.  This 1976 chart topper helped disco to explode onto the dance floor.  It was one of 6 Bee Gees songs to appear the following year on the soundtrack album of Saturday Night Fever.  John Travolta taught people the moves as his stardom increased with every glide across the dance floor.  It you are still seated, this should get you up.

4.  Dancing In The Street, David Bowie & Mick Jagger – OK, I could have picked a lot of different versions of this song, but in this one they both Move Like Jagger.  The Marvin Gaye tune was a 1964 hit for Martha and the Vandellas.  Others covered it with success until David and Mick danced down the street in this 1985 version.

3.  Dancing in the Dark, Bruce Springsteen – “The Boss” wrote the song and was apparently looking for a dance club hit.  He got it with this 1985 release, the first single from the Born in the USA album.  The “B side” of the single was “Pink Cadillac,” another hit. Springsteen owns the stage in this live performance and official video for the song.

2.  Flashdance…What a Feeling, Irene Cara – The 1983 hit for the movie Flashdance was coauthored by Cara and picked up an Oscar, a Golden Globe and a Grammy.  Jennifer Beals is the dancer in the movie which received negative reviews and box office success.

1. Save The Last Dance For Me, The Drifters – I can see that you are now tired from all the dancing, so we will finish with a slow dance.  I have always liked this song and thought it was put to powerful use near the end of Season one of Queer as Folk, the American version here.  I will give you the 1960 version (used in QAF, by the way) with Ben E. King on lead vocals.

MADEMOISELLES FROM ARMENTIERES – HINKY DINKY PARLAY VOO

Other than that long chat you used to have with your boss, just in case he’d been thinking about giving you a raise, but wasn’t because he felt you were earning far too much money already, “parlay” means this silly — and apparently (for its day) — risqué song from World War I. It’s about the young ladies of France, but really … it’s about wanting to go home.

Come to think about it, isn’t that what most war songs are really about? When all is said and done … beat them up, then let’s go home, please.

World War I was the longest war, the ugliest war, and we are still fighting its battles today. We give the old battles new names, but they are the same, old battles.

PARLAY | THE DAILY POST

THE FIRE OF YOUR DESIRE

KISS OF FIRE!

Funny how the language of love is all about fire. This is “Kiss of Fire” by GEORGIA GIBBS – 1952. It was on the flip side of another song. Which I don’t remember. But this one, even when I was a little kid, was hilarious. Every time I hear it, I have to howl. It’s so … intense.

Former relationships are “old flames.” Love someone, but have not declared yourself? You are “carrying a torch.” When a relationship gets tired, the chemistry is gone and “the fire has gone out.” A powerful yearning for someone is a “burning passion.”

I had this song on a 45 rpm vinyl record. I was five. I memorized the words and have been singing it ever since. If I’m in the right mood, I will still sing it to Garry. It makes his hearing aids produce feedback.

I particularly like when she sings:


“If I’m a slave, then it’s a slave I want to be. DON’T PITY ME. DON’T PITY ME!”

KISS OF FIRE

I touch your lips and all at once the sparks go flying
Those devil lips that know so well the art of lying
And though I see the danger, still the flame grows higher
I know I must surrender to your kiss of fire

Just like a torch, you set the soul within me burning
I must go on along this road of no returning
And though it burns me and it turns me into ashes
My whole world crashes without your kiss of fire

I can’t resist you, what good is there in trying
What good is there denying you’re all that I desire
Since first I kissed you my heart was yours completely
If I’m a slave, then it’s a slave I want to be
Don’t pity me, don’t pity me

Give me your lips, the lips you only let me borrow
Love me tonight and let the devil take tomorrow
I know that I must have your kiss although it dooms me
Though it consumes me, your kiss of fire
Since first I kissed you my heart was yours completely
If I’m a slave, then it’s a slave I want to be
Don’t pity me, don’t pity me

Give me your lips, the lips you only let me borrow
Love me tonight and let the devil take tomorrow
I know that I must have your kiss although it dooms me
Though it consumes me, your kiss of fire….

DESIRE | THE DAILY POST

 

ONLY A PAPER MOON

We all have songs that remind us of periods and events in our lives. Twenty years from now, which song will remind me of 2017? Maybe this, because it is, after all, only a paper moon … out there, in the dark, blue sky.



It’s Only A Paper Moon

Say, it’s only a paper moon
Sailing over a cardboard sea
But it wouldn’t be make-believe
If you believed in me

Yes, it’s only a canvas sky
Hanging over a muslin tree
But it wouldn’t be make-believe
If you believed in me

Without your love
It’s a honky-tonk parade
Without your love
It’s a melody played in a penny arcade

It’s a Barnum and Bailey world
Just as phony as it can be
But it wouldn’t be make-believe
If you believed in me

Say, it’s only a paper moon
Sailing over a cardboard sea
But it wouldn’t be make-believe
If you believed in me

Yes, it’s only a canvas sky
Hanging over a muslin tree
But it wouldn’t be make-believe
If you believed in me

Without your love
It’s a honky-tonk parade
Without your love
It’s a melody played in a penny arcade

It’s a Barnum and Bailey world
Just as phony as it can be
But it wouldn’t be make-believe
If you believed in me

It’s phony it’s plain to see
How happy I would be
If you believed in me.

Songwriters
KAMMERMEIER, ARNO / HAYO, PETER / MERZIGER, WALTER

Published by
Lyrics © Universal Music Publishing Group, EMI Music Publishing, Warner/Chappell Music, Inc., S.A. MUSIC, NEXT DECADE ENTERTAINMENT,INC.

ANIMUSIC RESONANT CHAMBER

I woke up in the middle of the night with this music in my head. So, here it is again. For me, this is haunting music. and sometimes I really need a fix.

Animusic is music made visual. If music can be seen as well as heard, ANIMUSIC makes it so! Enjoy! I own several of their DVDs and they are wonderful. You can visit their website and see what’s available. The kind of music varies from classical to hard rock to “hard-to-describe,” but all of it has the same ability to let you actually see music, every note. If you don’t normally like music, you might like this because it isn’t like anything else.

I find this piece of music haunting and sometimes, I play it over and over again and can’t get it out of my mind. There’s something about it. Turn up your speakers, then watch, listen and be awestruck!

Click on the graphic (above) to see the entire production.

Animusic specializes in the 3D visualization of MIDI-based music. Founded by Wayne Lytle, it was originally called Visual Music. It became Animusic in 1995.

The company is famous for its futuristic computer animations in which the music actually drives the animation so that what you see and the music precisely correspond. This is as close to “visual music” as you can come.

Although other musical animation productions exists, there are differences. The models for Animusic are created first, then are programmed to do what the music “tells them.” Instruments appear to be playing themselves …  instruments that could never exist yet somehow seem entirely plausible. Many people, on first seeing an Animusic production ask if the instrument or instruments really exist. I thought it was real … strange and remarkable, but real. They are startlingly realistic. Sometimes funny, too.

See also on www.youtube.com

WINTER BLUES – SWO8 BLUES JAZZ

 IT’S FEBRUARY AND WE’VE GOT THE WINTER BLUES!


First published Feb 15, 2015 – YouTube

My collaborator, Leslie Martel of swo8 Blues Jazz did the work. Composed the music and wrote the words. She also put the video together. Posted it to YouTube. I think that’s all the work. I merely supplied photographs.

This video is called Winter Blues, a unique, fun collaboration between me and composer-musician swo8 Blues Jazz.

300-medicine-wheel-glass-more-snow-090217_063

It’s that time of year again and we’ve had our first blizzard. The forecast is for snow every day for the next six days, so I guess the season just got serious. This seems a good time to run this one again.

300-backyard-more-snow-090217_060

Before this longest yet, ironically, shortest month is finished, I expect to have many more winter photographs. But it will end. It always has. So far!

It’s sort of almost spring … right?